Bracquemond "Nymph and Tiger" Etching Corot 1883

Portfolio consisting of various etchings by Corot

Le Dimanche Matin, 1883. Etching and drypoint. Signed and dated in graphite with artist's monogram lower right. Size: 15 1/4 in. x 7 1/4 in. (38.7 cm x 18.4 cm).Framed: 17 7/8 in. x 27 1/8 in. (45.4 c

EDOUARD MANET (FRENCH, 1832-1883), ETCHING & AQUATINT IN BLACK INK, PLATE SIZE: H 3 3/8", W 6 7/8", "OLYMPIA":From the 1st edition issued in 1867 for Emile Zola (size of edition: 600 prints) but vi/vi

Anders Leonard Zorn (Sweden/Illinois, 1860-1920). "Water-Nymphs," 1918. Etching, (7.5 x 9.75 inches, sight), signed in pencil lower right, dated and initialled 1918 in the plate lower right. Frame: H:

80 cm x 65 cm. Painting, oil on canvas. Signed lower left. German Desription: Auguste NUMANS (1823 - c. 1883). Acht Nymphen beim Baden. 80 cm x 65 cm. Gemälde, Öl auf Leinwand. Links unten s

Color etching and aquatint 1967. Hand signed and numbered 14/25. Image: 10"x15" Frame: 19"x24". Frame and image in good condition. Not inspected outside of frame. Betye Irene Saar (born

(American/South Carolina, 1883-1979) Two Etchings: St. Michaels Gate, signed "Elizabeth O'Neill Verner, etching, plate 5 x 7 in.; gilt wood frame, 14 x 11-1/2 in.; Catfish Row, signed "Elizabeth O'Nei

Two (2) World War I Works on Paper, including James McBey, Kerr Eby. 1st item: James McBey (United States/United Kingdom, 1883-1959) drypoint etching on paper titled "Beersheba November 1917" depictin

Etchings. Walter Tittle (American,1883-1960) "Manhattan Minarets" - plate singed lower center, inscribed along extreme lower margin, 1931-32, ed. 75, plate - 14.5" high x 9" wide, sheet has slight ton

Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). Three etchings "Bedon's Alley", "High Battery", and "Sword Gate". Pencil signed and titled lower margin. Provenance: From the

(Scottish, 1883-1959) Two etchings: Sunset: Wadi-Um-Mukhsheib (H.185), 1919, A3, signed lower right "James McBey" and inscribed lower left; Fortress Wall, No. 26, signed "M_", plate 7-1/2 x 9-3/8 in.;

Etchings. Walter Tittle (American,1883-1960) "Manhattan Minarets" - plate singed lower center, inscribed along extreme lower margin, 1931-32, ed. 75, plate - 14.5" high x 9" wide,

JEAN-BAPTISTE-CAMILLE COROT Environs de Rome. Etching and drypoint, 1866. 284x210 mm; 11¼x8¼ inches, full margins. Third state (of 3). A very good, dark, richly-inked impression. Delteil 6;

Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). "Rivals"-1930, etching. Pencil signed, titled and numbered 32/100 lower margin. Provenance: From the Lifetime Collection of Bi

JEAN-BAPTISTE-CAMILLE COROT Environs de Rome. Etching, 1866. 284x210 mm; 11¼x8¼ inches, wide margins. Second state (of 3), with the lettering lower margin masked out and before the retouchin

(Charleston, South Carolina, 1883-1979) Original drypoint etching titled, Pirates Courtyard, Charleston. Very nicely rendered example numbered 27/80. The piece has an early gallery label on verso. Sig

(Charleston, South Carolina, 1883 - 1979) Original drypoint etching framed for display during the period of creation. The work depicts the First Presbyterian Church of Charleston, South Carolina. The

(Scottish, 1883-1959) Four proof etchings: A Studio (H. 147), 1914, XXXV, plate 6-5/8 x 10-7/8 in.; The Torpedoed Sussex beached at Boulogne (H. 171), 1916, XXXXV, plate 8-1/8 x 15 in.; Bread Market,

Tony Fitzpatrick Homage to a Big Cat; Slugger; Boxing Tigers (three works) 1991-92etching and aquatint 8.25 h x 5.375 w in (21 x 14 cm) 7.875 h x 6.125 w in (20 x 16 cm) 8.875 h x 11.625 w in (

Elizabeth O'Neill Verner (American, 1883-1979), The Unemployed, Charlestonetching, 1934, on wove paper with Vidalon watermark, pencil signed, titled, and numbered 27/80, unframed. Image 10 x 8 in.; Sh

Joan Miro, color etching , 1966, Joan Miro (Spanish, 1893-1883), "Couple d'Oiseaux II" (D 415), on Mancleure paper, published and printed by Maeght, Paris, pencil signed lower right, editioned "HC" (H

JAMES JACQUES TISSOT Dimanche Matin. Etching and drypoint on Japan paper, 1883. 400x190 mm; 15¾x7½ inches, wide margins. Signed in pencil, lower left, and with the artist's red ink stamp (Lu

Elizabeth O'Neill Verner (American 1883-1979) St.Philip's Portico, Charleston, etching on paper, signed in pencil, lower right, numbered 21/80, titled, matted and framed. Dimensions: 10 x 9.7

Edouard Manet (French, 1832-1883) Les Chats, Circa 1868-69 etching and aquatint printed in dark brownish black unsigned as issued. 7 x 8 7/8 inches.