Canvasback drake, Edward Parsons, Oxford, Maryland, 1st

EARLY CANVASBACK DRAKE, Maryland, circa 1950s. Traces of original and working paint and good structural condition. Paint worn to wood in areas. Repair to neck crack. Retains keel weight and rigging ri

CANVASBACK DRAKE, Maryland, unknown carver. Appears to be original paint with touch up to white areas with gunning wear. Painted tack eyes and keel weight. Overall length is approximately 16 1/2 inche

EARLY CANVASBACK DRAKE, Maryland, circa 1940s-50s. Good original paint with gunning wear and very good structural condition. Married decoy with head by R. M. Mitchell and hand-chopped body possibly by

Canvas Back Drake, Maryland, 16" x 8"

Canvas Back Drake, Maryland, Maker Unknown, Weight Removed, 15" x 8"

EARLY HIGH-HEAD CANVASBACK DRAKE by Edward F. "One Arm" Kellie, Monroe, MI, (1883-1955), circa 1920s. Paint worn mostly to wood. Very good structural condition, consistent with age. Several tight chec

Canvasback drake, John Graham, Charlestown, Maryland, 3rd quarter 19th century. 14.25" long. Literature: "Decoys of the Midatlantic Region," Henry Fleckenstein, Jr. Notes: Decoy

Pair of Canvas Back Hen and Drake, Maryland, Drake Signed Bob McGaw, 15" x 6"

Canvas Back Drake, Rock Hall Maryland, 15" x 7"

Tobie [Lieutenant] Edward Parsons. History of The 1st Maine Cavalry. Boston: First Maine Cavalry Association. 1887? Pb, 48 Pages. Boston. Note: Edgewear to wrappers, repairs to wrappersInv. 794

Canvasback drake, Tom Chambers, Toronto, Ontario, 1st quarter 20th century. Long, solid body style. Branded "Thos Chambers Maker" and "JT McMillan". Fine comb feather paint detail on back and sides. P

Maryland Canvas Back Drake, Style of Madison Mitchell, 16" x 7"

Signed canvasback drake decoy by Charlie Joiner, Chestertown, Maryland. Signature present on bottom.

first quarter 20th century, three Upper Bay examples comprising: Dick Hipple (Havre de Grace, Maryland), 8-3/4 x 15-1/2 x 6-1/4 in.; August Heinefield (Rock Hall, Maryland), 8-3/4 x 15-1/4 x 6-3/4 in.

(Havre de Grace, Maryland), uncommon sleeping form, strong paint throughout, deft carving detail on head and bill, signed and dated on base "R. Madison Mitchell, Havre de Grace, Maryland, 1965," 7-1/2

JOHN "DADDY" HOLLY (HAVRE DE GRACE, MARYLAND, 1818-1892), ATTRIBUTED, CARVED AND PAINTED CANVASBACK DRAKE DECOY, finely crafted solid-body form with sculptural neck and head, original rigging and lead

Two Unsigned Vintage Canvasback Drake Decoys. Attributed to R. Madison Mitchell (Havre de Grace, Maryland, 1901-1993). 16"l.

Drake canvasback decoy believed to be from Maryland, maker unknown. The body is solid and wide with a long tail which is flat at the end. The head sits above the heightened breast. The paint appears o

1st Edition of "The Qur’ân", Two Volumes, 1880 "The Qur’ân" Translated by Edward H. Palmer. Oxford, Clarendon Press, 1880. First edition. Two vols, Octavo, cxviii, 268pp (Chapter

Middle River, Maryland, 1920-2008. Signed. Carved decoys with original paint. Goldeneye, Redhead and Canvasback hen and drake (dated 1987). 15" to 16"l.

EXTREMELY RARE HIGH HEAD CANVASBACK OR RED HEAD DRAKE, possibly Susquehanna area. Appears to be original paint with some possible touch up. Retains keel-style weight. Large O.H. RIDGEWAY, OXFORD, MD,

Three Antique Duck Decoys , canvasback duck, c. 1910, by James Holly (1855-1935), Havre de Grace, Maryland; a redhead drake, 1972, signed by Madison Mitchell, Havre de Grace, Maryland; and another, lo

(3) Carved wood duck decoys, c/o Drake Red-Breasted Merganser by Edward B Berninger July 1982 (14" l x 6" h), Pintail by Edward B Berninger September 1982 (146" l x 6" h), unmarked Canvasback (14" l x

Hyde, Edward, Earl of Clarendon 'The History Of The Rebellion and Civil Wars In England'. Oxford: Printed at the Theatre, 1702-03-04., 1702. First Edition, Full mottled leather covers w/ gold letterin