Civil War Scenes Sterioview "War Views" Libbey Pri

Published by E. & H. T. Anthony & Co.

Description: Mort Kunstler fine art lithograph depiction of a Civil War scene; signed and dated. Entitled "Confederate Sunset," the print is a view of Fredericksburg, Va.,, from February, 1863. Printe

Description: Mort Kunstler fine art lithograph depiction of a Civil War scene; signed and dated. Entitled "Confederate Sunset," the print is a view of Fredericksburg, Va.,, from February, 1863. Printe

Circa 1863 Stereoview; Civil War amputation scene near Gettysburg, PA battle field. Research reveals an online description of this important view, "...amputation scene at Camp Letterman General Hospit

Hide and Fat Depot, Crows' Nest Battery, Raising flat at Ft. Sumpter, Ft. Sumpter debris, Tobacco Warehouse damage, all published by E. & H. T. Anthony. View of James River published by Taylor & Hunti

9 American History Magic Lantern Slides 4 x 7 in. (10 x 18 cm), wood-mounted scenes of the American Civil War, including chromolithograph view (from 1861 engraving), titled "Stampede Among the Negroes

Civil War CDV of Regimental NCOs with National Colors A compelling outdoor view of seven stalwart NCOs - six sergeants and a corporal - posed before a clapboard structure. No back mark. The senior Fir

Early photographs, Southern Families at front of their homes, a stereopticon view card Cotton Field, framed print Flags of the Confederate states, double scene print of Charleston streets

(CIVIL WAR.) James Queen. View of the Philadelphia Volunteer Refreshment Saloons. Large chromolithographed series of interior and exterior scenes of the volunteer-run Union army relief station at Phil

1866 Wild Western Scenes Illustrated Adventures Daniel Boone Slavery HUNTING J.B. Jones was a pre-civil war political journalist with deep roots in the American South. Jones’s views were pro-slavery

Copper bronzed, 76mm. By Salathiel Ellis and Joseph Willson. PR 38. Obv Caped bust r., minute PATENTED, S. ELLIS DEL. SC. Rev Indian scalping scene over inner circle presenting views of Indian plowing

1886 1ed Civil War Confederate View Charleston Illustrated SLAVERY Patriotism Flora McDonald William’s ‘Who’s the Patriot?’ is a rare, confederate civil war account from journals and old lette

Four etchings on paper, framed together, depicting scenes from the American Civil War, individual titles as follows: 'Barbara Frietchie's Defiance,' 'Battle of Antiem,' 'Attack of the 'Monitor' on the

Signed in plate "E. Forbes," comprising, "Through the Wilderness," "Return from Pickett Duty," "Newspapers in Camp," "Newspaper Correspondent, New of Battle," "Home Sweet Home," and "Fall in for Soup.

Four etchings on paper, framed together, depicting scenes from the American Civil War, individual titles as follows: 'Barbara Frietchie's Defiance,' 'Battle of Antiem,' 'Attack of the 'Monitor' on the

Dimensions: 6" X 5" Weight: Approx. 6.5 oz.

Oil On Canvas Of Civil War Battle Scene Attributed To James Tyler. 24" X 22 1/4"

Dimensions: 5" X 6.5" Weight: Approx. 6.5 oz.

Made in Connecticut, US, includes pendulum and key, untested, measures 25in tall.

Lot 100 Unknown Artist (XX/XXI) Untitled (Civil War scene) watercolor on paper laid down signed indistinctly lower center image: 12 3/4 x inches mat: 14 1/8 x 21 1/8 inches Provenance: From a New York

Oil On Canvas Of Civil War Battle Scene attributed To James Tyler. 24" X 22 1/4"

Jerry Mundis, The Long Tattoo by Eric Corder 1968, image 16 x 11 in.

including Battle of Fort Donelson, Battle of Atlanta and the Battle of Kenesaw Mountain, first two images 18 x 25, last is 15 x 21 1/2.

This was made about a quarter century after the war by John C. Taylor.