Cut Overlay Moorish Windows Kerosene Pedestal Lamp.

Cut Overlay Moorish Windows Kerosene Pedestal Lamp. White to ruby pyriform font, brass stem and marble base. Attributed to Boston & Sandwich Glass Co. (and others), circa 1860-1880. 18"h. overall incl

CUT OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, white to ruby pyriform font, with gilt decoration highlights, translucent jade green Baroque base with gilt decoration bands, brass connector, No. 2 fi

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising three cut overlay examples, including a white to ruby Moorish Windows, a white to colorless Washington, and a ruby to colorless floral ex

White Cut to Blue Overlay Oil Lamp circa 1860. White overlay on powder blue opaline with Moorish window pattern base. With period burner, engraved shade, and chimney. Ht. 25 3/8 in. The lifelong colle

CUT OVERLAY MOORISH WINDOWS COLOGNE BOTTLE, white to colorless, square sharp-shoulder form with pattern repeated twice on each side, panel-cut shoulder and neck, factory-polished flanged mouth, and fl

BOHEMIAN CUT OVERLAY MOORISH WINDOW AND QUATREFOIL SALT AND PEPPER SHAKERS, LOT OF TWO, opaque white to translucent blue, tall shouldered form, period lids, polished pontil marks. Second half 19th cen

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. White cut

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, metal. White cut to clear

1860-1880. Glass, brass, marble. Cranberry cut to clear font with a geometric design, brass connector, brass stem, 2 step marble base with brass accents. Brass prong burner, #2 big bulge chimney. Smal

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass. White cut to colou

European. 1860-1880s. Glass, brass. Rose cut to white cut to clear. Brass connector. Mottled marble stem and base with colours of rose and white. Brass feet, white ball shade. #1 chimney signed "Royal

1860-1880. Glass, brass. Cut single overlay kerosene stand lamp with colourless font with ovals and punties decorated with prisms, rose cut to ruby overlay stem, brass connector, marble base. Prong bu

CUT DOUBLE OVERLAY MOORISH WINDOW AND TREFOIL COLOGNE BOTTLE, deep blue to white to colorless, pyriform with punties cut around the shoulder ring and foot, tall panel-cut neck, factory-polished flange

Two (2). 1850-1860. Glass, brass. White cut to clear, brass collar, double-tubed fluid burner, push-up brass candlesticks. From the Valerie Lister Collection. 13 ½”H.

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst overlay to colorless pyriform font, bright yellow-green No. 1 base with gilt decoration highlights, brass connector, No. 1 fine-line collar. Fitted with

CUT OVERLAY TULIP KEROSENE STAND LAMP, white to translucent ruby pyriform font with additional stylized panel and punty cuttings, opaque black Baroque base with gilt decorated bands, brass connector,

CUT OVERLAY GEOMETRICAL KEROSENE STAND LAMP, ruby to clear pyriform font, double-bands in a grid pattern over small punties pattern, opaque white Baroque base with gilt decoration, brass connector, co

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst to colorless compressed pyriform font, stamped-brass stem and single-step marble base, No. 1 fine-line collar. Fitted with a period brass double-tube bu

CUT OVERLAY PUNTY KEROSENE STAND LAMP, cobalt blue to colorless, brass ribbed stem, double-step marble base with stamped-brass ornamentation, brass connector, No. 2 fine-line collar, colorless wafer c

CUT-OVERLAY PUNTY KEROSENE STAND LAMP, sapphire blue to colorless pyriform font, five rows of small punty cuts, raised on a brass fluted stem and double-step marble base with stamped brass ornamention

American. 1860s. Dietz & Co., New York. Glass, brass, metal. Cranberry cut to colourless font with gold trim of leaves and vines, 3 rows of punties, brass connector. Figural stem of a wolf and a beave