CUT OVERLAY PUNTY ALE GLASS

CUT OVERLAY PUNTY ALE GLASS, brilliant amethyst to colorless, deep tapered bowl with five rows of six punties, raised on an applied blown knopped stem and circular foot with polished pontil mark. 1850

ASSORTED CUT OVERLAY ARTICLES, LOT OF FIVE, various colors to colorless, including an oversized ale glass and stoppered dresser jar. Fourth quarter 19th and 20th century. 2 1/2" to 11 3/4" H.Compote w

CUT OVERLAY PUNTY AND GROOVE SEVEN-PIECE LIQUOR SET, deep ruby to colorless, comprising an ovoid-form decanter with original stopper and six matching glasses, each with polished base. Mid 20th century

Beaker, Clear Bohemian Art Glass, 5" x 3", White And Blue Cut Back Overlay, Leaf, Punty And Arch Design, Some Gold Wear, Don Henson Estate, Michigan. This auction begins the dispersal of a collection

DORFLINGER "MONTROSE" CUT OVERLAY DECANTER, green to colorless, shouldered form with hobstar patterned base, matching stopper with hobstar top and tiny punties to edge. Dorflinger Glass Co. Circa 1895

Trumpet Vase, Clear Bohemian Art Glass, 12" x 4.5", White And Lavender Overlay, Cut Lattice, Panel And Punty Design, Don Henson Estate, Michigan. This auction begins the dispersal of a collection of o

VASELINE GLASS CUT OVERLAY PAPERWEIGHT, Vaseline overlay (reacts to black light) cut to clear, cut-faceted with a circular top window and five side punty cuts, having highly detailed enameled decorati

ASSORTED CUT OVERLAY GLASS ARTICLES, LOT OF FIVE, comprising a pair of amethyst to colorless floral cut compotes, a green to colorless punty cut goblet, a signed "STEUBEN" blue to frosted colorless st

ASSORTED CUT OVERLAY GLASS KEROSENE STAND LAMPS, LOT OF TWO, comprising an English Dietz pink to white to colorless Punty and Panel, and a white to cranberry quatrefoil tall stand lamp with a transluc

CUT-OVERLAY GLASS STEINS, LOT OF TWO, comprising a cut Punties example with a ruby-stained exterior, and an amethyst to colorless with a cross-hatching and Punty and Diamond motif, each having a perio

BOHEMIAN CUT-OVERLAY GLASS COVERED DISHES, LOT OF TWO, opaque white to colorless, each having punty cuts to the cover and a lower band of basal cuts, each having floral decoration, smaller example sig

1860-1880. Glass, brass. Cut single overlay kerosene stand lamp with colourless font with ovals and punties decorated with prisms, rose cut to ruby overlay stem, brass connector, marble base. Prong bu

Center Bowl, Clear Glass With Cut Back Overlay, 9.5" x 7.75", White And Pink Cameo Carved Overlay, Vintage Motif, Panel And Punty Cut Base, Sawtooth Rim, Possibly English, Beautiful Detail, Don Henson

American. 1860s. Dietz & Co., New York. Glass, brass, metal. Cranberry cut to colourless font with gold trim of leaves and vines, 3 rows of punties, brass connector. Figural stem of a wolf and a beave

American. 1860-1880s. Glass, brass, metal. Cobalt blue cut to colourless font with punties; four-sided base with gold finish decorated with 4 figures of young girls. Figural stem – Dietz catalog

CONTINENTAL CUT DOUBLE OVERLAY GLASS POCKET BEAKER, white to cobalt blue, large quatrefoil to one face flanked by columns of punties and ovals, reverse with a large swirl design, factory-polished rim

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

Covered Jar, Brilliant Period Cut Glass, Ruby Flash Overlay, 5.25" x 3.5", Greek Key And Punty Motif, Ray Cut Base, Chip On Inside Rim Of Lid, Kathy & The Late Leigh Emmerson

JOHN DEACONS (SCOTTISH, B. 1950) DOUBLE-OVERLAY THREE-FLOWER BOUQUET LAMPWORK STUDIO ART GLASS PAPERWEIGHT, opaque cobalt blue to opaque white to colorless, cut-faceted with two rows of punty cut and

American. 1865. Dietz Brother Company, New-York. Glass, brass, alabaster. Amethyst cut to clear with rows of punties, brass connector, alabaster base with gold accents. #1 slip chimney, #1 Dietz & Co.

American. 1865. Dietz Brother Company, New-York. Glass, brass, alabaster. Amethyst cut to colourless font with rows of punties, brass connector, alabaster base with gold accents. #1 slip chimney, #1 D

Boston and Sandwich Glass Company Cranberry Overlay Oil Lamp circa 1860. Cranberry and Ruby cut to clear with punties Morrish windows and gilded band of vine and leaves on marble and brass. Period bur

JOHN DEACONS (SCOTTISH, B. 1950) DOUBLE-OVERLAY SINGLE-FLOWER LAMPWORK STUDIO ART GLASS PAPERWEIGHT, opaque teal to opaque white to colorless, cut punties and three-stacked ovals to the sides, circula

JOHN DEACONS (SCOTTISH, B. 1950) DOUBLE-OVERLAY SINGLE-FLOWER LAMPWORK STUDIO ART GLASS PAPERWEIGHT, opaque yellow to opaque purple to colorless, cut punties and swags to the side, circular top window