Edward Weston - Epilogue, 1919

EDWARD WESTON (B.1886-1958) Epilogue, 1919 Photo-Litho 9.5" x 7" Printed second half of 20th Century

EDWARD WESTON (B.1886-1958) Epilogue, 1919 Photo-Litho 9.5" x 7"

EDWARD WESTON (1886-1958) Ahna Zaesek, 1919 Print in Colors 6 3/4" x 8" Edward Weston was a seminal American photographer whose radical approach to composition, lighting, and form changed the history

EDWARD WESTON (B.1886-1958) Ahna Zaesek, 1919 Photo-Litho 7.5" x 9" Printed second half of 20th Century

Artist: MARGRETHE MATHER Title: Edward Weston in Shadow, 1919-20 Medium: Sheet Fed Gravure, 1985, USA Dimensions: 7.5x9.25" Description: Heat Wax Mounted on 11x14" Conservation Board Artist Bio: Margr

Title: COLE WESTON - Aspens, Utah, 1978 Medium: Photo Litho, 1981, USA Dimensions: 8.9x7.25" Description: Heat Wax Mounted on 11x14" Conservation Board Artist Bio: Cole Weston (1919 - 2003) was Edward

circa 1929 gelatin silver print initialed "EW" and dated on mounting 9 1/2 x 7 1/2 inches

Edward Weston (American, 1886-1958), "Juniper, Sierra Nevada," 1937, gelatin silver print, initialed and dated in pencil lower right (on mount), sheet: 9.5"h x 7.5"w, overall (with frame): 16.5"h x 14

Edward Weston(1886-1958)"Succulent," 1930Gelatin silver print on paper mount to a thin board mountEdition: 4/50Initialed and numbered in pencil on the mount, at left: EW; inscribed in pencil

Edward Weston (Am. 1886-1958) "North Wall, Point Lobos" 1946 Gelatin silver print, mounted Initialed and dated in pencil on mount l.r., "Portfolio Print No. 9" stamped on mount on verso 9 1/2" x 7 3/4

EDWARD WESTON, MODERN GELATIN SILVER PRINT BY COLE WESTON, "PEPPER", NEGATIVE FROM 1930, H 9", W 7 1/4":#35 p on verso as well as the identification of the photograph signed by Cole Weston (see photo

Heading: Author: Weston, Edward Title: Bodega Coast Place Published: [Carmel, CA] Publisher: Date Published: 1938; lifetime print Description: Mounted gelatin silver print

Edward Weston (American, 1886-1958) Toadstool, 1932 gelatin silver print signed and inscribed in pencil by Cole Weston (verso) 7 1/2 x 9 1/4 inches.

ARTIST: Edward Weston TITLE: Seaweed, Carmel, 1930 MEDIUM: Silver Gelatin IMAGE SIZE: 7 1/2 x 9 3/4 in DESCRIPTION: This print from c. 1948 was printed by either Brett or Edward, and gifted by Dody We

Edward Weston (American, 1886-1958) Juniper at Lake Tenaya, 1936 (printed later) gelatin silver print stamped and signed by Cole Weston (verso) 9 3/8 x 7 1/2 inches.

IMOGEN CUNNINGHAM (1993-1976) Edward Weston and Margrethe Mather, 3. Silver print, the image measuring 7x9 inches (18.8x23.9 cm.), the mount 14½ inches (36.2 cm.) square, with Cunningham's signat

EDWARD WESTON (1886-1958) Nautilus, 1927 Sheet-fed gravure, c. 1970 Printed in America 9" x 7"

gelatin silver print, negative dated 1940, printed later by Cole Weston, signed by Cole Weston, titled, dated, and numbered "PL40-K-4" in pencil to mount verso, also with negative stamp and Edward Wes

EDWARD WESTON, La Teresina (a noted dancer), 1933, 3.625x4.75" Gelatin silver print, Printed c. 1933, Inscribed in pencil on print verso by Dody Weston Thompson: La Teresina by / Edward Weston / Dody

ARTIST: EDWARD WESTON TITLE: 'Cypress Root, Point Lobos, 1929' MEDIUM: Silver Gelatin IMAGE SIZE: 7 1/2 x 9 3/8 in DESCRIPTION: Printed by Cole Weston in 1971, this print is titled, dated and numbered

Edward Weston (1886 - 1958) was active/lived in California, Illinois. Edward Weston is known for Figural, landscape, still-life photography. Medium: Oil on board Size: 18" x 24" Frame Size: 23" x 29"

Heading: Author: Weston, Edward Title: China Cove, Point Lobos. 1940 Place Published: [Carmel, CA] Publisher: Date Published: 1940; later print Description: Gelatin silver

Heading: Author: Weston, Edward Title: Juniper at Lake Tenaya 1937 Place Published: [Carmel, CA] Publisher: Date Published: 1937; later print Description: Gelatin silver pr

EDWARD WESTON (1886-1958) Nahui Olin, 1924 Print in Colors 6 1/4" x 8" Edward Weston was a seminal American photographer whose radical approach to composition, lighting, and form changed the history o