ENRIQUE GRAU (1920-2004, Colombia) Tarot en su futuro, 1981

EnsamblajeMedidas: 47 x 33 x 14 cmEdicion 361/ 500

La Mujer del Abanico by listed Colombian artist Enrique Grau (1920 - 2004). Provenance from the estate of a deceased collector in Bogota, Colombia. Hand signed and with Limited Edition 39/80. The pape

Helmut Newton (German/Australian, 1920-2004). "Sie Kommen - Naked [Paris]". Original vintage photolithograph. 1981. Printed 1997. Signed in black marker, lower right. Edition unknown, presumed small.

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Sie Kommen, Dressed/Sie Kommen, Naked [small format] [two prints]". Medium: Original photolithographs. Date: Composed 1981. Printed 1999.

Cora Kelley Ward (American/Louisiana, 1920-1989), "Untitled", "Tapa" and "Untitled", 1981, 3 acrylics on canvas, each signed and dated and one titled en verso, 16 in. x 18 in. to 22 in. x 16 in., unfr

Mother & Child signed and dated 1959 (bottom) wood 19 1/2" x 6 1/2" x 6" (24 cm x 17 cm x 15 cm) PROVENANCEThe Luz Gallery EXHIBITEDThe Luz Gallery, Group Show, February 13, 1961 A profoundly national

HANS COPER (1920-1981) 'Sack and Disk' Form Vessel circa 1970 stoneware, black manganese glaze, impressed with the artist's monogram to the base height 5 1/4in (13.5cm); diameter 4 1/4in (10.5cm) Foot

ÉLIZABETH GAROUSTE (NÉE EN 1949) Lampadaire "San Marco", 2004, en fer battu martelé à patine brune, piétement tripode, et fût à cinq branches courbes, animés de

δ Helmut Newton (1920-2004)SumoThe complete book with Phillipe Starck metal book stand, 1999, signed and numbered from the edition of 10,000, published by Taschen, Cologne, with original packagin

Niels Otto Moller (1920-1981) for J.L. Moller, dining chairs, eight, Denmark, 1960s, teak, black leather, 19.5"w x 18"d x 30"h

Mathilde PEREZ (Née en 1920) Sans titre Caisson en contreplaqué, collage de plexiglas, moteur 220 V 121 x 121 x 27 cm

Rufino Tamayo (Mexican, 1899-1991) Hombre en Gris, 1981 mixografía print in colors on handmade paper signed in white pencil and numbered from the edition of 100 illegibly in white pencil 41 x 32

Signed original acrylic on canvas painting by Alejandro Obregon (1920-1992 Colombia / France) Features different species of birds and flowers depicted in a unique modernist abstract design against a r

PERUZZI OSVALDO (1907-2004) Osvaldo Peruzzi 1907-2004 olio su tela "cantiere navale " firmato in basso a destra.Sul retro Etichetta VIII quadriennale nazionale d'arte di Roma del 1960 cm. 100x70

ANNÉES 1920 Miroir circulaire en chêne, animé de deux bras de lumière formant crosses, décor de motifs floraux sculptés, laqué corail, rehauts dorés. An oak mir

Iran 1931 ; Roma 2010 Senza titolo, 1981 Olio su tela cartonata, cm 50 x 39,5 Firmato e datato in basso al centro; firmato e datato sul retro Autentica su fotografia di Bahman Mohasses Estate Provenie

Boccavizza 1909 - Venezia 2005 Canale della Giudecca, 1981 Olio su tela, cm 50 x 61 Firmato, datato e titolato sul retro Autentica su fotografia dell'artista, nà IMNG80-12F Provenienza: Galleria Andr

ANNÉES 1920 Paire de fauteuils en fer à cheval à structure en chêne et hêtre laqué rouge pompéien, ornements sculptés dorés, riche décoration florale

Jose Vives-Atsara (1919-2004), "Costa Brava, Catalonia, Spain", 1981, oil on canvas, 24 x 36", frame: 34 x 46" Provenance: The Estate of Barbara "Babs" Baugh (San Antonio, Texas) A native Spaniard,

Martha BOTO (1925-2004) Labyrinthe diagonal, 1965 Caisson en bois peint, contreplaqué , plexiglas, lampes, miroir et moteur 65 x 65 x 39 cm (25,35 x 25,35 x 15,21 in.) Provenance : Atelier Martha Bot

Martha BOTO (1925-2004) Sans titre Installation lumineuse en plexiglas, aluminium et moteur 113 x 62 x 20 cm (44,07 x 24,18 x 7,80 in.) Provenance : Atelier Martha Boto, Paris

Leo Matiz (Colombia, 1917-1998), "Frida Kahlo en la Casa Azul, Coyoacan Mexico" also called "Hands on Hips", captured in 1944, printed later, gelatin silver print, includes Certificate

ANNÉES 1920 Paire de hautes consoles, structure en sapin laqué rouge pompéien, plateau demi-lune souligné d'un cordage sculpté, piétement formant double crosses à d&

Edouard Cortes (French, 1882-1969) "En Attendant La Pratique", ca. 1920-1930 oil on panel signed lower left. Gold leaf frame. 9-1/4" x 9-1/4", framed 17-1/4" x 17-1/4" Provenance: Private collection,