ETCHING AFTER JOHN HOPPNER LADY BEAUCHAMP

Size: 9 X 11 inches approx. Etching is Unframed. Thick paper.

Circle of John Hoppner (English, 1758-1810), "Portrait of a Young Lady", oil on canvas, apparently unsigned, with graphite inscription to verso (later (Hoppner), with additional inscription to verso "

Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length Oil on canvas30 1/8 x 25 1/8 in. (76.5 x 63.8cm) Provenance Private Collection, Washington. Fr

Large oil on canvas portrait of a seated lady with roses attributed to John Hoppner (England 1758-1810). Site 50" x 39"

Manner of John Hoppner, Second Half 19th Century Portrait of a Lady, Possibly Lady Lawson oil on canvas 89 x 54 1/4 inches. Note: This painting is suggested to represent Lady Lawson because of its clo

colored etching and aquatint, titled lower left, signed lower right in pencil over chap mark, signed in print Condition: unframed image: 17 3/4 x 11 inches

Ex-Vincent Price Collection, showing an interior room scene with an elderly lady seated in a chair by Whistler, etching, 6 1/2" wide by 8 1/2" tall. Watercolor on paper.

Alberto Martini (1876-1954) Italian. "Tangerine", a Dancing Naked Lady, Aquatint and Etching, Signed, Inscribed and numbered 12/12 in Pencil, Unframed, 10.75" x 8.75".

"Trace-Lady" etching 7 x 6 inches. 1/25 signed and dated 2005. framed in floating mat 18 x 12 1/2 inches (overall) and "Blocks" mixed media. unsigned 12 x 16 inches. unsigned, framed floating mat 15 1

Francesco Bortolozzi (Italian, 1727-1815). "The Lady of Richmond" etching after Hans Holbein (German, c. 1497-1543), ca. 1795, from the series "Persons of the Court of Henry VIII" published by John Ch

Hand Coloured Etchings Published 1848, London for "Ladies' Botany: Or a Familiar Introduction to the Study of the Natural System of Botany" by John Lindley. Paper Size: 8.5 x 5.5 inch (22 x 14cm) Mino

Hand Coloured Etchings Published 1848, London for "Ladies' Botany: Or a Familiar Introduction to the Study of the Natural System of Botany" by John Lindley. Paper Size: 8.5 x 5.5 inch (22 x 14cm) Mino

Hand Coloured Etchings Published 1848, London for "Ladies' Botany: Or a Familiar Introduction to the Study of the Natural System of Botany" by John Lindley. Paper Size: 8.5 x 5.5 inch (22 x 14cm) Mino

Incl John Billingham, Marriage of Baroness Burdett-Coutts, Hannah More, Lady Morgan and one untitled. Examples by Josephine Clarke, Pickersgill/Worthington, Judd & Co., and others. Etchings, Lithograp

After John Hoppner (British, 1758-1810) William Jennens Peareth   oil on canvas 30 1/4 x 25 1/8 inches. This lot is located in Chicago. Property from the Pamela K. Hull Trust, Chicago, Illinois Prove

The Iconic Rocking Horse. Sir John Beauchamp. One of only two ever Produced by Courtenay and Pictured on Page 87 of Peter Greenhill's Book "Heraldic Miniature Knights." Comprised of the Lower Half of

In the manner of John Hoppner (British, 1758-1810)Portrait of Master Robin Vaneckeoil on canvas54 1/2 x 36in (138 x 91.5cm)

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

John Hoppner R.A. (London 1758-1810) Portrait of a young girl, said to be a Stanley of the Derby family, seated three-quarter-length, with a basket of strawberries oil on canvas 76.6 x 62.8cm (30 3/16

Magnificent oil painting on canvas attr. John Hoppner 1758-1810 showing the portrait of Jane Elizabeth Harley, countess of Oxford circa 1797. Not signed, showing on the back old label. Canvas measures

after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint)oil on canvas, unsigned, half-length, he holds a rolled paper inscribed "The King's Order of Precendence," the canva

After John Hoppner (English, 1758-1810) Pair of Portraits: Sarah Franklin Bache (1743-1808) and Richard Bache (1737-1811) Watercolor and gouache on paper, matted and framed. (9 1/4 in. x 7 in. (sight)

John Hoppner (1758-1810), a British portrait painter, trained at Royal Academy, and in 1789 he was appointed portrait painter to the Prince of Wales (later George IV) and after the death of Reynolds,

Mounted on rearing horse with lance 1951. 1 Piece. Condition Excellent.