ETCHING OF T.S. COOPER, A.R.A.: THE PASTURE: OSBORNE

ELIOT, T.S. Ara Vos Prec. Initials and colophon by Edward Wadsworth. 4to, original black cloth boards and yellow cloth spine, textblock separated, spine fragile with tear and chip at head and foot, pr

Framed oil on canvas painting, The Hill Flock, signed lower left T. Sid. Cooper A.R.A. (Thomas Sidney Cooper, RA, English, 1803-1902), dated October 1849, stretcher with red wax seal, sight: approx 23

Thomas Sidney Cooper (British / United Kingdom, 1803-1902). "Resting Sheep" - 1879, oil on canvas, signed "T.S. Cooper R.A. and dated lower left. Pastoral painting of a herd of sheep in an open landsc

Thomas Sidney Cooper (British, 1803-1902) Cattle In Water- France, Oil On Canvas. Back marked "T.S. Cooper, Painted in 1841, Cattle in Water- France. J.B. 1846." As framed 28.25W x 23.75H x 2.5D in. S

Thomas Sidney Cooper, RA (British, 1803-1902) Cattle and sheep in a meadow signed and dated 'T.S'Cooper. 1865' (lower left), bears inscription (on the reverse) oil on panel 44.5 x 61cm (17 1/2 x 24in)

T.S Eliot, ARA VON PREC. The first edition is un-numbered.

(British/American, 1783-1872). Sitter possibly Ann or Elizabeth Sparks, Philadelphia. Monogrammed and dated "TS 1856" on verso, 24 1/4 x 20 1/4 in., framed.

(British, b. 1937). Plate 7 from "The Blue Guitar" series, 1966/67, printed on Inveresk paper by Jennifer Melby, New York, published by Petersburg Press, London, signed in pencil lr, numbered 73/200 l

(British, b. 1937). Etching, from "Six Fairy Tales of the Brothers Grimm," 1969, ed. 49/100, pencil signed "David Hockney" lr, plate size: 7 7/8 x 7 3/8 in., framed. Private collection, Baltimore, MD.

19th century; highly detailed etching on metal (possibly bronze or silver) and enameling, inset jewels on lapis base, inset into metal base, having enamel metal face, with pendulum, 5 in. H.

(French, 1888-1950). Etching and aquatint, signed "Louis Icart" lr, 20 x 30 1/4 in., framed

(French, 1888-1950). Etching and aquatint on paper, hand colored, signed "Louis Icart" lr, plate size: 17 x 12 1/2 in., framed size: 27 1/2 x 20 inches.

(British, 1876-1938). Etching, 1915, pencil signed "F.L. Griggs" lr, sheet size: 8 1/2 x 13 in., unframed.

(Spanish, 1904-1989). 1975, From the series "Imaginations and Objects of the Future" Lithograph and Intaglio Etching with Collage, signed Dali lr, numbered I-54/250 ll, 27 x 21 in., framed.; COA adher

(British, 1876-1938). Etching, pencil signed "F.L. Griggs" lr, sheet size: 15 3/4 x 10 in., unframed.

(British, 1876-1938). Etching, pencil signed "F.L. Griggs" lr, plate size: 6 3/4 x 8 in., framed.

(American, 1871-1951). First proof, signed "John Sloan" lr, 3 7/8 x 4 7/8 in., framed

(Japanese, 1909-2004). Color etching, ed. 21/50, signed "Keiko Minami" lr, 11 x 13 1/4 in., framed; Ferdinand Roten Galleries, Baltimore, MD label on verso

Joseph Sherly Sheppard (American, b. 1930). 1.) Before the Fight, etching, ed. 21/100, signed in pencil "Sheppard" lr, 18 x 14 1/2 in., framed 2.) The Defeat, lithograph, ed. 14/20, signed "J. Sheppar

Frederick Landseer Maur Griggs (British, 1876-1938). Signed "F.L. Griggs" lr, 6 7/8 x 9 3/8 in., unframed

Anne Redpath, R.S.A., A.R.A. 1895-1965 Scottish.. Still Life Tulips Oil Painting on Board. Circa mid 1950s.Signed Anne Redpath Lower Right. Gilt framed 52 x 43 cm

(British, 1865-1945). Etching, pencil signed "D.Y. Cameron" lr, sight size: 11 1/4 x 8 in., framed size: 19 x 14 3/4 x 1 inches. Provenance: Purnell Art Gallery, Baltimore, MD label on verso.

(Swedish, 1860-1920). Etching, 1919, pencil signed "Zorn" lr, plate size: 6 1/2 x 4 1/2 in., framed.

(American, 1837-1926). After the Original by Harry Chase (American, 1853-1889). Signed "T. Moran" lr, monogrammed in plate ll, remarque ll, 14 1/4 x 23 1/2 in., framed