Fine Brian Coole 30"x20 1/2" o/panel wonderful qual

EXTREMELY RARE S STUNNING DALI MAGNIFICENT SIGNED BRONZE VERY LOW EDITION 20/350 size : 30 Inches x 12 inches x 4 inches Wonderful sculpture

IRISES, 1990, two, each white pastel on black paper, each signed and dated lower right, sights 17 x 20 ¾” & 19 ½ x 15 ½”, frames 28 x 31” & 30 ½ x 26&rdqu

J.C. Carter (listed 19thC American) 30"x20" o/c wonderful forest interior w babbling brook

BULLES D’AIR (Maeght 1981 catalogue, page 42), 1969, color lithograph on Rives paper, signed and numbered 51/75 in pencil, sheet 22 ¾ x 30 ½”, frame 36 x 44” with Plex

FLOWER STILL LIFE, 1982, acrylic painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 24 x 18”, frame 30 ½ x 24 ½”. Provenance: acquired direct

INTERIOR, oil painting on paper, signed lower right, sight 15 ½ x 21 ¼”, frame 24 ½ x 30 ½” with glass.

LARGE HARBOR SCENE OIL PAINTING BY BRIAN COOLE DEPICTING AMERICAN SAILING SHIPS SIGNED LR, 17 X 30 / 28 X 41 FRAME

Charles Stanfield (19th/20thC) 30"x20" o/c of 2 people harvesting in an autumn landscape w birch trees in wonderful vintage carved frame

UNTITLED, 1997, painted and welded metal sculpture, signed and dated, 44 ½ x 40 x 10 ½”, approximately 30 lbs. From the UCLA Medical Center Art Program, funds to benefit their ongo

TRIBAL HEAD, 1989, oil painting with acrylic and pencil on canvas, signed and dated and inscribed Taos on verso, 40 x 30”, frame 41 ½ x 31 ½”. Provenance: Herbert Palmer Gallery;

TRAJECTORY THROUGH THE MOON #18, 1995, mixed media with acrylic and gold leaf on paper, signed and dated and titled in pencil, full sheet floated, 22 ½ x 30”, frame 25 ¼ x 32 &frac

RETRIEVING THE LOBSTER POTS, oil painting on canvas, signed lower right, 20 x 30 ¼”, frame 29 ½ x 39 ½ x 2”. Provenance: A. J. Kollar Fine Paintings LLC, Seattle.

UNTITLED No. 11, 1948, watercolor on paper on artist- mounted board, signed and dated lower right, dated and titled and inscribed on verso, image 19 ½ x 27 ½", board 22 x 30". Provenance: Boise Art

EL GROSSOS IV (Dupin 1100), 1979, color aquatint etching, signed in white pencil, numbered 1/30 in pencil, sheet 29 x 45 ½”, frame 43 x 59 ½ x 2 ½” with Plexiglas.

ROY LICHTENSTEINUNTITLED HEAD II, 1970.California English Walnut 22 1/2 x 12 x 9 1/4 inches.Edition 23/30.Signed and numbered by the Artist on a metal plate under the Wood Base.Published by Gemini G.E

TIGER, 2000, cast bronze sculpture with yellow gold finish, signed, numbered 16/30, published by the Fingerhut Group with their stamp, 44” length, 26 ½” height, 18” deep. Provenance: Fingerhut

WILL SPARKS (American 1862-1937) "Colonnade of the Fine Arts Palace" oil on canvas, 8 x 12 1/8 inches; 20.32 x 30.79 cm, signed lower right: 'Will Sparks'. Notes: lot includes the PPIE book with color

Dawson Dawson-Watson (1864-1939) Prickly Pear Cactus near Texas Hills signed and dated 'Dawson Watson / 34' (lower right) oil on board 25 1/2 x 30 1/2 in. framed 33 x 38 in.

Hong Kong Harbor with British Man-o-War, a Sail/Steam Frigate, American and British Freighters and many Junks, wonderfully detailed, with the original Bund on shore visible through field of masts; oil

Ángel Botello (Spanish/Puerto Rican, 1913-1986) L'Oiseau Bleu, c. 1955 oil on masonite signed Botello (lower right); titled (left edge) 30 ½ x 19 ½ inches. We kindly thank Juan Bo

Set of 12 Fine and Rare Meissen Plates. 19th century. With cherubs and classical relief borders. Dia. 9". A Private Rochester, NY Estate.

Man RAY (1890-1976) Autoportrait Sculpture en bronze dore, signe et numerote sur la base MR 1/3 H 30 cm - 12 in. Golden bronze sculpture, signed and numbered on the base MR 1/3

METAL: 18K gold GEMSTONE(S): emerald approx. 1.80 carats MEASUREMENTS: 1-5/8 x 1-3/4 inches WEIGHT: 12.30 g. Signed: LALIQUEPROPERTY OF A DISTINGUISHED LADY FROM MAINE

enameled copper, mounted to wood panel; signed in enamel lower right Overall: 30 x 12 x 2 in. (76.2 x 30.5 x 5.1 cm.) Provenance: Property from the personal collection of Jeff Schuerholz of Fat Chance