Fine John Nost Sartorius (1759-1828) 21" x 33 1/4" o/c

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

John Nast Sartorius (1755-1828, UK/England) oil on canvas titled verso 'Dead Heat Charles XII Euclid' signed lower left and dated 1769 14.5" x 26" ss / 21" x 33" oa

(British, 1759-1828) Four fox hunting scenes: Breaking Cover, 22-3/8 x 28-5/8 in.; Over the Fence, 22-1/4 x 28-1/2 in.; The Chase, 22-1/4 x 28-5/8 in.; The Kill, 22-1/4 x 28-5/8 in., some bearing sign

Framed print, "Hunting Plate 1 - The Meeting," after J.N. Sartorius (John Nost Sartorius, English, 1759-1828), sight: approx 18.5"h, 24"w, overall: 23"h, 28.5"w, 9.5lbs Start Price: $80.00

John Nost Sartorius (1759-c. 1830): Mr. Champion out Shooting with His Dogs Oil on canvas, 1797, signed 'JN Sartorius' and dated lower left, lined. 24 x 32 in., 30 x 37 1/2 in. (frame). Estate of Don

in elaborate carved and pierced giltwood frames, comprising "Hounds Chasing Fox" and "Horses & Hounds", both after John Nott Sartorius, (English 1759-1828), signed and dated lower right "N.A. Sartoriu

Attributed to John Nost Sartorius (British, 1755-1828), "Huntsman and Hounds at an Alehouse", oil on canvas, unsigned, period label with artist and title on stretcher, 17 5/8 in. x 22 5/8 in., framed,

LA NEGRESSE from the Mujer Series (P.109), 1969, color lithograph, signed in pencil, numbered 93/150, image 27 x 21”, full margins, frame 40 x 33 ¼”.

DESERT LANDSCAPE, oil painting on canvas, signed lower right, 24 x 30”, frame 27 ¼ x 33 ¼”.

George Davidson (1889-1965) o/c portrait of boy named (Richard), signed lower right, dated 1943 AMA. In nice gilt frame, painting measures 19" x 14", frame measures 26" x 21". In fine condition. From

John Henry Campbell (1757-1828) Luggala, Co. Wicklow, Watercolour, 21 x 30cm (8¼ x 11¾) Provenance: With The Bell Gallery, Belfast, label verso; with Fine Art Society label verso.

FLOWER MARKET, oil painting on canvas, signed lower right, 21 ¼ x 25 ½”, frame 29 ¼ x 33 ½”.

SADDLE, 1970, soft-ground color etching, signed and dated and titled in pencil, numbered 33/100, plate 17 ¼ x 21 ¾”, sheet 22 x 29 ¾”.

Monhegan Island Wharves, watercolor on paper, signed lower right and dated '79, in gold molded frame, matted under non-glare glass, OS: 21 1/2" x 29", SS: 14" x 21". Fine condition.

George Albert Thompson, American (1868-1938). Oil on canvas, signed lower right and mounted in gilt wood frame. John Dennison Fine Art Gallery label on verso. Measures 18.25"H x 21.25"W framed; 11"H x

21 x 14 1/2 in. (sight), 33 1/4 x 25 1/4 in. (framed).

John Shyrock (1914-2007) 21 Years lithograph ca. 1935, signed and titled in pencil, edition of 20.                        14 x 1

CUBIST FACES, 1994, color screenprint, signed and dated and numbered 168/300 in pencil, image 20 x 16”, full margins frame 30 ¼ x 25 ¾” with Plexiglas. From the Alan Charles

GREY VILLAGE (Mourlot 423 A; Hatje 423A full page illustration), 1964, color lithograph, signed and numbered 9/50 in pencil, sight 28 ½ x 21 ¼”, frame 40 ½ x 33 ½&rdq

MUSICIANS, 2005, acrylic painting on paper mounted to foamcore, signed and dated lower right, 24 x 27 ¼”, frame 29 ¾ x 33 ½”.

NEBRASKA LANDSCAPE, oil painting on panel, signed lower right, 14 x 18”, frame 21 ½ x 25 ½ x 2”.

PIT TICKET (Cock Fight), 1759; BATHOS, 1764; THEATRE COMPANY, 1738; three engravings with inscriptions, images 11 ¾ x 14 ½”, 10 ¼ x 12 ¾”, 16 ¾ x 21 &fra

BLUE, 2002, color offset lithograph, signed and numbered 66/250 in pencil, image 17 x 33 ¾”, full margins, frame 27 ½ x 43 ¼” with Plexiglas and small loss of molding

John Syer (English, 1815-1885) framed oil on canvas painting depicting figures and animals in a farm landscape setting, signed lower center. [Art: 14" H x 21" W; Frame: 25" H x 33" W]. Repairs.