Framed 1812 Brookshaw Aquatint of Pears, Plate 77

George Brookshaw (British 1751-1823) Two aquatints, Plums, plate XVII and another, matted and framed. 19.5 x 14.5 in. image size, 30 x 24.5 in. as framed. Condition: Appear very good, not examined o

plate 77 from "Los Desastres de la Guerra"; etching and aquatint on wove paper matted, framed and glazed; with pencil inscription to verso of sheet "LD 196 IV (plate 77) / 1st Edition, 1863 / J.G.O. p

Hand colored aquatint engraving Early 19th century, c. 1812, plates from the "Pomona Britannica; or a Collection of the Most Esteemed Fruits" by George Brookshaw (English, 1751-1823); including Plate

depicting "Petit Muscat, Sweet Sugar, Green Chissel, Citron de Calmes, and the Jargonelle Varieties". Aquatint printed in colors with hand coloring; from "Pomona Britannica or A Collection of the Most

(20th C. French) Market, framed aquatint etching, signed in plate lower right, approximate work size 6 1/2" x 11 1/2", frame 11 1/2" x 16 1/2".

(American, 1937-2021) Green Shoes, 1977, 13/18, signed lower right "Wm. T. Wiley 77", etching and aquatint, plate 17-1/2 x 23-1/2 in., frame 24-3/4 x 32-3/4 in. Provenance: Private Collection

[BOTANICAL]. Brookshaw, George (1751-1823) Three Pears (Plate LXXX) -- Six Apples (Plate LXXXVIII) from Pomona Britannica, London, 1804-1822 (but each plate watermarked IIS&S 1822) 2 engravings with h

Combe (William) The Tour [Second...Third...] of Doctor Syntax, 3 vol., ninth edition, 77 hand-coloured aquatint plates after Rowlandson, including 2 additional vignette titles, occasional foxing and o

(lot of 8) Framed hand-colored aquatints on paper, plates I-VIII of "The Quorn Hunt," c.1835, drawn and etched by Henry Thomas Alken (English, 1785-1851), engraved by Frederick Christian Lewis (Englis

Marc Chagall (French/Russian 1887-1985) framed etching and aquatint, "Les Fonctionnaires Amaigris," plate 78 from the book "Les Ames Mortes" with text by Nicolas Gogol, commissioned in 1927 by Ambrose

Framed aquatint drypoint etching, signed in-the-plate with a label verso 'William Weston Gallery Ltd, London'. Dimensions:  Art: 8.5" H x 4.4" W; Frame:&nb

Max Klinger (Ger. 1857-1920) Bär und Elfe (Bear and Elf) Etching with aquatint, framed under glass Signed in plate l.l., editioned "I" in plate l.r. 16 3/8" x 9 5/8" sight, 29

(20th C. French/American) Portrait of young woman, framed colored aquatint etching, signed lower left, approximate plate size 16 1/2" x 13 1/2", frame 30" x 25".

(1898-1947 American) Abraham Lincoln, framed aquatint colored etching, signed lower right, approximate plate size 9" x 6 3/4", frame 19" x 15".

Plate LXXIV. Aquatint printed in colors with hand coloring; from "Pomona Britannica or A Collection of the Most Esteemed Fruits", annotated Plate LXXIV "Painted and Published as the Act directs by the

Plate LXXV. Aquatint printed in colors w hand coloring; from "Pomona Britannica or A Collection of the Most Esteemed Fruits", George Brookshaw, illegible annotation below the image, plate size 17 3/4"

Original fine condition, framed, matted and sealed under glass, signed in pencil by the artist. L'Hermitage Ed., Paris. Sight size: 10.5" x 8"; Plate size: 8.5" x 6". Late 20th Century original abstra

Audubon Aquatint, American Red Rox, Drawn from nature by J. J. Audubon, Lithographed, Printed and Colored by J. T. Bowen, Philadelphia. Plate 77. No. 18. Gallery matted. Octavo size. Excellent origina

Eric Fischl, America (1948-) Aquatint etching on woven paper, 2 etching plates and full margins. Signed, numbered and dated lower right, 15/100, '89, in pencil. Measures 42"H x 58.25"W framed; 35"H x

George Brookshaw (British, 1751-1823). Four plates from "Pomona Britannica" of different varieties of pears, engravings with hand finishing. Unframed. Approx. 13" x 10.25" (sheet)

Framed aquatint and drypoint print, "Les Mamans", 1904, signed in pencil lower right Manuel Robbe (French 1872-1936), plate 13, image: 15"h, 19"w, overall: 24.5"h, 29.5"w, 5.5lbs Start Price: $300.00

(American, 1937-2021) Green Shoes, 1977, 19/25, signed lower right "Wm. T. Wiley 77", in plate "Goodbye Gabby I wasn't always nice to you, and now you're gone", etching and aquatint, plate 17-1/2 x 23

(1888-1950 French) Reclining woman, framed aquatint etching, signed in pencil lower right, copyright date of 1925 by Gravures Modernes of Paris upper left, approximate plate size 15 1/2" x 19", frame

PETER MILTON (American b. 1930) "The Jolly Corner" Etching and Aquatint. Plate Sight: 15 3/8 x 10 1/2 inches; Framed: 22 1/2 x 17 inches. Pencil signed l/r, annotated center "III: 7" and numbered l/l