Francisco de Goya, etching and aquatint, 1815

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

FRANCISCO JOSÉ DE GOYA Pepe Illo Haciendo el Recorte al Toro. Etching and aquatint, 1815. 245x355 mm; 9¾x14 inches, wide margins. First edition. From La Tauromaquia. A superb, early impressi

NO QUIEREN from the Los Desastres de la Guerra (Disasters of War), 1810-1815, plate 9, aquatint etching, plate 5 ½ x 7 ¼”, full margins, frame 14 ¾ x 16 ¾” with

A historical posthumous 1st edition aquatint etching titled Carnival Folly from the Dispartes (Follies / Irrantionalities) ca. 1815-19. Alternate title is Disparate de Carnabal. Published by the Acade

FRANCISCO DE GOYA , ETCHING & AQUATINT, H 8 1/2", W 6", "CAPUCHOS":Framed and matted under glass.

FRANCISCO DE GOYA, POSTHUMOUS PRINTING, ETCHING & AQUATINT, WOVE PAPER, C. 1881-1886, PLATE: 8 1/2" X 5 3/4", "ALL WILL FALL":"Todos Caeran"; plate #19 from Los Caprichos; framed. For a high resolutio

Francisco Jose De Goya original etching with aquatint, titled "Alla Va Eso". Framed and matted in an attractive frame with artist's name plaque. Certificate of authenticity affixed verso from Nathan D

Francisco Jose De Goya original etching with aquatint, titled "Alla Va Eso". Framed and matted in an attractive frame with artist's name plaque. Certificate of authenticity affixed verso from Nathan D

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828). Etching, burnished aquatint and drypoint. "No Quieren" (They don't want to). Plate 9 from Los Desastres de la Guerra (The Disasters of War) series.

Four (4) Francisco de Goya Lucientes (Spanish, 1746-1828) etchings with aquatint from Los Caprichos, 19th century. All with deep, well-defined platemarks. 1st item: Etching with aquatint entitled Ni m

Francisco Jose de Goya (Spanish, 1746-1828). Etching and aquatint on paper, #46 from a series by the artist, titled l.c. margin. 7.75" x 5.25" (plate size).

Etching and aquatint 241 mm x 350 mm, framed cm 37 x cm 52 Additional series '' Los Proverbios '' first printed in Paris in 1877.

Francisco de Goya (Spanish/French, 1746-1828), "Disparate Pobre, Plate 11 from Los Proverbios," etching and aquatint, image: 9.5"h x 13.75"w, overall (with frame): 17.25"h x 20.75"w

Etching and aquatint 215 mm x 150 mm, framed cm 37 x cm 27 Series '' Los Caprichos '' (1799), No. 36, antique edition.

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

DISPARATE CLARO from Los Proverbios (D.216; H.262), plate 15, aquatint etching, plate 8 ¼ x 12 ½”, sheet 13 x 19 ½”.

(Spanish, 1746-1828) Y aun no se van!, 1799, Pl. 59, possibly the fifth or sixth edition, from Los Caprichos, etching and aquatint on wove paper, plate 8-1/2ÿ x 5-15/16 in.,. sheet 11-1/4 x 8-1/2 in.

Francisco De Goya Y Lucientes, Spain, 1749-1828, No one has seen us (Nadie nos ha visto.), Plate 79 from Los Capricos, etching with aquatint, circular embossed blind stamp right corner (CNEW60)(MM) Di

Etching & Aquatint. Includes plate 38 "Brabisimo" and plate 48" "Soplones" from Los Caprichos. 7th edition, circa 1903. 8"h x 5.75"w block and 16"h x 12.5"w framed

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828) Caballo tirado por un toro (Horse Thrown by a Bull) Plate B. Etching, burnished aquatint and drypoint. In gilt frame. Visible plate mark. Label for

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

(Spanish, 1746-1828) [Allá vá eso] (There It Goes), from [Los Caprichos], Pl. 66, 1799, first edition (Deltiel 108), etching, drypoint and aquatint on laid paper, no watermark, with deckled edges, 8