Frederick James Aldridge (1850-1933) British, boats moored in an estuary drying their sales,

Frederick James Aldridge (1850-1933) British, boats moored in an estuary drying their sales, watercolour, signed, 18.5" x 27" (47 x 68cm).

Frederick James Aldridge (British, 1850-1933): Watercolor of A Ship, watercolor on paper, signed bottom right, framed. Frederick James Aldridge was a British watercolorist best known for his bold seas

Frederick James Aldridge (1850-1933). Watercolor on paper, depicting ships at sea. Condition: Minor old in-painting mainly in sky. See images under UV light. Frame: H 19" W 28-1/2". Sight: H 11-1/8" W

Frederick James Aldridge (UK 1850 - 1933) watercolor on paper, Seascape, Sailing ships in stormy or choppy seas, Signed lower right, in wood frame, glazed. Approx. Measurements: painting 20.75 x 13.5

Frederick James Aldridge (United Kingdom, 1850-1933) watercolor on paper painting depicting a view of the Grand Canal in Venice. Signed and dated "19" lower right. Housed and matted under glass in a g

Frederick Gordon Crosby (British, 1885-1943): '1933 Nuffield Trophy Race' unsigned, mixed media artwork, depicting the event at Donington Park, Pat Fairfield driving to victory in his ERA, leading Per

James Webb "Boats in the Harbor" oil on canvas, 1854. Signed and dated lower right, "James Webb / 1854". Canvas: 30"H x 25.24"W. Frame: 39.25"H x 34.25"W. James Webb (British, 1825-1895).

Sir Alfred James Munnings, PRA, RWS (British, 1878-1959) The River Dove signed and dated 'A.J.MUNNINGS 1911' (lower right) oil on canvas 51 x 61cm (20 1/16 x 24in). Footnotes: Provenance<

Frank Moss Bennett (British, 1874-1952) Appreciation signed and dated 'FMBennett 1933' (lower right) oil on canvas 38.4 x 50.8cm (15 1/8 x 20in). Footnotes: Provenance Anon. sale

Painting, country road, signed Frederick James Boston, watercolor on paper, 10.5" by 8.75", NOTE, has preserved label on reverse referring to Elisabeth Vanderhoog, "Early Morning, Highlands of Neversi

Heywood Hardy (1842-1933) British, a young lady walking her dogs, probably originally titled 'The Gamekeeper's Daughter', oil on canvas, signed, 36" x 28" (92 x 71cm), in original frame with Frost and

Heywood Hardy (1843-1933) British, Black and Chestnut Hunter, Oil on canvas. 68 cm x 51 cm. Provenance: Richard Redding Antiques Ltd C2002.

LOUIS KATONA (1850-1933) AND DAUM FRÈRES, NANCY FLOOR LAMP, CIRCA 1930 wrought iron and acid-etched glass, stamped L KATONA, FRANCE, acid-etched DAUM/ NANCY, FRANCE with Cross of Lorraine (177cm hi

Christopher Wood (British, 1901-1930) Drying Sails, Mousehole, Cornwall oil on board 40.6 x 50.8 cm. (16 x 20 in.) Painted in 1930 Footnotes: Provenance Mr and Mrs L.K. Elmhirst, thence by descent

Alfred Wallis (British, 1855-1942) Boats with Rust Sails oil and pencil on card 11.2 x 22.4 cm. (4 3/8 x 8 3/4 in.) Footnotes: Provenance Sven Berlin, from whom acquired by Elizabeth Leach (Bernard L

Laurence Stephen Lowry R.A. (British, 1887-1976) Boats at Rhyl signed and dated 'L S Lowry 1926' (lower left) pencil 27.9 x 38.1 cm. (11 x 15 in.) Footnotes: Provenance With Lefevre Gallery, London

《 The Harbor 》 Oil on canvas1800-1870 UK by James Holland British

William James M&#252;ller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

James Webb (British, 1825-1895) Huy on the Meuse, Belgium signed, inscribed and dated 'Huy James Webb 76./Belgium' (lower right), signed with monogram and inscribed 'this picture will be better/withou

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

1871-1872; oil on canvas; signed lower left, signed again, titled, and dated verso 35 1/4 x 59 1/2 in. (89.5 x 151.1 cm.), Frame: 41 1/4 x 65 1/2 in. (104.8 x 166.4 cm.) Provenance: Property from a La

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

AFTER JOHN FREDERICK HERRING, BRITISH OIL ON CANVAS, THREE HORSES, H 21", W 29":Gilt frame; initialed lower left, "J.F.H"

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")