George Morland (1764-1804) British

AFTER GEORGE MORLAND (British, 1763 - 1804). A Pair: "Visit to the Child at Nurse" and "A Visit to the Boarding School", Pair of colored engravings engraved by William Ward (1766–1826) and publ

Circle of George Morland (British, 1763-1804), "The Labourer's Respite", oil on canvas, signed lower right, 15-1/4" x 12-1/2". Framed.

George Morland (British, 1763-1804), Original painting later engraved by John Raphael Smith(1752-1812), "A Christmas Gambol", oil on canvas, signed "G Morland", Notated on back "A Christmas Scene Engr

After George Morland, oil painting, After George Morland, (British, 1763-1804), "Selling Fish", 1792, depicting a fishmonger and horseman with a curious dog inspecting fish and a skate, signed lower l

Attributed to George Morland (British, 1763-1804), Shepherd with His Dog and Sheep, oil on canvas, unsigned, 18" x 24", framed 25 1/2" x 31". Provenance: Collection of Mr. Bruce McCashin, Vero Beach,

Oil on canvas painting in ornate frame, by George Morland (British, 1763-1804) with brass plaque with title "Le Retour d'une Chasse", depicting a hunter and his dogs returning from the hunt with a dea

Manner of George Morland (British, 1763-1804), "Barnyard Scene", oil on canvas, unsigned, "California Palace Legion of Honor" label with artist and title on stretcher, 39 in. x 52 in., framed . Proven

Attributed George Morland (British, 1763-1804), Village Cottagesoil on panel, unsigned, a typed note affixed to the verso reads "Whippingham, Isle of Wight / Home of Henry Dashwood / (Great Great Gran

After George Morland (British, 1763–1804) | 19th Century CopiesShooting, Winter; together with A Day's Shooting (A Pair) Pair oils on canvasEach: 14 1/8 x 17 3/4 (35.9x 45.1cm)(2) Qty: (2) Prov

Property from a Private Collection, Savannah, GA Description: Style of George Morland, (British, 1763-1804), Hauling in the Boat, Oil on Canvas, unsigned, depicting two fishing boats and figures o

Oil on canvas painting after George Morland's "Inside of a Stable" (Exhibited 1791, now Tate Britain). George Morland (British, 1763 - 1804) was one of Great Britain's most well-known painters of rura

19th century, signed G. M. Lower left, after George Morland (British, 1763-1804), sight 11 x 14 in..cut down and relined, craquelure, small areas of repaint, cleaned..molded gilt frame , partial label

George Morland (British, 1763-1804). 3 pencil drawings on paper. Man with horse, 9 5/8" x 7 5/8"; man with rope, 10" x 7"; seated woman, 6 3/4" x 8 3/8". All initialed G.M. lower right. One labeled in

Attributed to George Morland (British, 1763-1804), Woman Feeding Baby, oil on canvas, unsigned, canvas: 15.5"h x 13"w, overall (with frame): 21.75"h x 19"w

after George Morland (British, 1763-1804), Feeding the Pigs and The Farmer's Stablehand-colored prints, 20th century (after the etching and aquatint), both matted and framed, one not under glass. Fram

After George Morland (British, 1763-1804) Girl and Pigs Colored mezzotint engraved by William Ward (1762-1826) after painting by Morland, published 1803 by S. Morgan (fl. 1799-1814), Cavendish Square,

after George Morland (British 1763-1804)- ''The Farmer's Visit to his Married Daughter in Town'' & ''The Visit Returned in the Country''- 2 stipple engravings, engraved and signed in pencil by Eugene

After George Morland, British genre engraving, After George Morland (British, 1763-1804), "The Fruits of early Industry & Economy", 25"h x 20"w (sight), 31.75"h x 26"w (frame size), matted and framed

After George Morland (1763 - 1804) hand colored engravings (2) 'Fishermen'. These British restrike engravings are said to have been made from the original plates and date to the 2nd half of the 20th c

(British, 1763-1804) Oil on canvas- Gossips on Coast, c. 1795 Measures: 17 x 19 inches, framed, sight: 11 x 13 inches Signed/dated lower left Labeled and stamped on back from Vose Galleries, Boston Pr

George Morland. (English, 1763-1804). The Storm. Antique stone lithograph on wove paper after the original by master engraver Edward Mitchell (British, 1797 - 1845; fl. c.). 1873. Excellent. Image Siz

(British, 1762/63-1804). Oil on canvas, unsigned, old label of attribution on verso, 18 x 24 in., framed.

A typical well-executed genre scene with farm animals, dwelling and family figures. The surface has fine craquelure that is quite stable and typical of a piece of this age. There are two small quarter

20th-century reproduction prints with hand coloring, to include "Going Out," "The Check," "Going into Cover," and "The Death," presented in uniform matting and framing. DOA 16 x 17 in. Additional hig