GERMAN MASTER Active 2nd half 18th century NOCTURNAL

GERMAN MASTER Active 2nd half 18th century NOCTURNAL BLAZE Gouache on paper. 58 x 71 cm (F. 72,5 x 85 cm). Part. min. damaged, part. min. restored. Framed behind glass. DEUTSCHER MEISTER Tätig 2.

FLEMISH MASTER Active 2nd half 17th century LANDSCAPE WITH HUNTING PARTY Oil on oak wood panel. 59 x 77,5 cm (F. 69 x 88 cm). Verso: On the panel the antwerp hand and tower as well as an old label 'Fr

SOUTH GERMAN MASTER Active, in 18th century. CRUCIFIXION OF CHRIST Oil on panel. 74 x 60 cm (F. 90 x 70 cm). Part. old restored, colour losses, retouching, vertical panel break. Frame. Provenance: Sou

Neapolitan Master, 2nd half of the 18th Century, Boreas Abducting OrethyiaBoreas, god of the stormy north wind, loved the Athenian princess Oreithyia. He used his natural powers and forcibly abducted

GERMAN PAINTER Active 1st half 18th century PORTRAIT OF A CLERGYMAN FROM THE BAVARIAN ORDER OF ST. MICHAEL Oil on canvas (relined). 81 x 60,5 cm. Min. damaged, restored. DEUTSCHER MALER Tätig 1.

SOUTH GERMAN/AUSTRIAN SCHOOL Master, active mid 18th century. CHRIST BEFORE PILATE Oil on canvas. 107 x 87 cm (F. 121 x 101 cm). Part. damaged, rest., old retouching, craquelé. Frame. Provenance: W

Two South German or Austrian sabres, 2nd half of the 18th centuryEin kurzer Infanteriesäbel, die leicht geschwungene Rückenklinge mit beidseitiger Kehlung und zweischneidiger Spitze. Beidsei

A German sabre and palash, 2nd half of the 18th centuryInfanteriesäbel mit leicht gekrümmter Rückenklinge, terzseitig geschlagene Marke. Parierstange und Griffkappe aus Messing, Hilze i

German Tankard with Monochrome Glaze : Schrezheim, 2nd half of the 18th century. Glazed inside and outside in turquoise. Faience; pewter mount with coat of arms engraving, initials with date ''1778''

Pie server, German, 1st half of the 19th century, Berlin hallmark, mark of the 1st master drawer J. C. S. Kessner and mark of the 2nd master drawer Ch. F. Deppe, master mark Bernhard Heinrich Scharte

A SILVER RIZA Russian, Moscow, 2nd half 18th century The silver riza chased and repoussŽ with scrolling shells and foliage along the border. Marked with city hallmark, assayer's mark, alderman's mark

THE EVANGELIST MATTHEW Russian, 2nd half 18th century Tempera on wood panel. Painted within an oval reserve and with integral carved gilt frame, here Matthew is shown presentating his Gospels and in t

14 blue and white Delft tiles with boats and sea creatures, 18th C. Dim.: Each tile app. 12.5 x 12.5 cm. Attributed to the Pulinckx workshop, Bruges, 2nd half 18th C.

A fine Dutch Delft blue and white four-piece garniture with a farmer, 2nd half 18th C. H.: 34 cm (incl. cover) - H.: 23,5 cm Each vase marked LPK on the base for the "De Lampetkan" workshop, Delft, ac

A fine Dutch Delft blue and white four-piece garniture with a farmer, 2nd half 18th C. H.: 34 cm (incl. cover) - H.: 23,5 cm Each vase marked LPK on the base for the "De Lampetkan" workshop, Delft, ac

Probably New England, 2nd half 18th C. 47"h x 23"w

A GROUP OF THREE ICONS FORMING A DEISIS WITH SILVER-GILT RIZA Russian, 2nd half 18th century (icons), Russian, Moscow, Vasiliy Anisimov Kovalskiy, 1845 (riza) Tempera on wood panel with velvet backing

French, 2nd half 18th century. Mahogany with oak secondary, black leather top with brass bonding, three dovetailed drawers with marquetry fronts, three false drawers, and ends with marquetry inlays, f

AN ICON SHOWING THE AKHTYRSKAYA MOTHER OF GOD WITH SILVER OKLAD Russian, 2nd half 18th century (icon), Kiev, 1778 (oklad) Oil on wood panel with velvet backing. Overlaid with a silver oklad repoussé

AN ICON SHOWING THE FEODOROVSKAYA MOTHER OF GOD WITH SILVER-GILT OKLAD Russian, 2nd half 18th century (icon), Russian, St. Petersburg, 1782 (riza), 2nd half 20th century (vestments) Tempera on wood pa

AN ICON SHOWING AN EXTENDED DEISIS WITH A SILVER-GILT RIZA Russian, probably St. Petersburg, 2nd half 18th century (icon), Russian, 1770-1790 (riza) Tempera on wood panel. Overlaid with a chased and e

A Pocket Set of Drawing Instruments by George Adams, A Pocket Set of Drawing Instruments by George Adams, English, 2nd half 18th century, brass instruments in ray-skin case with silver fittings, protr

S. Branded "RICE", cabinet maker. 2nd half 18th century, England. Rectangular case with molded top of serpentine form with canted corners above the conforming chest fitted with four long drawers with

A LARGE ICON SHOWING CHRIST PANTOKRATOR AND THE FOUR EVANGELISTS Greek, 2nd half 18th century Tempera on wood panel. The haloes gilded. Greek inscription on the lower border. Minimal vertical cracks,