Giovanni Battista Piazzetta (circle), ink study

After Giovanni Battista Tiepolo, (2) drawings, After Giovanni Battista Tiepolo (Italian/Spanish,1696-1770), Studies, pen and brown ink with brown wash on paper, no visible signature but artist name ta

Circle of GIOVANI BATTISTA TIEPOLO (Venice, 1696 - Madrid, 1770). "Mythological gods". Ink and gouache on paper. Size: 27 x 35 cm, 49 x 56 cm. The Venetian Giovanni Battista Tiepolo was one of the gre

Attributed to Giovanni Battista Piazzetta (Italian, 1682-1754), Anguished Man, chalk and stumping on paper, sheet: 16"h x 11.25"w, overall (with matting): 20"h x 16"w. Provenance: Sotheby's New York:

Marco Alvise Pitteri (Italian, 1702–1786) engraving after Giovanni Battista Piazzetta (Italian, 1682–1754) "Sanctus Matthias," depicting Saint Matthias holding an axe; from the series of The Holy

18th century Old Master drawing in the style of or attributed to Giovanni Battista Tiepolo. Ink wash of figures. Framed under glass. Sight: 13.75 x 9.25in. Overall: 21.5 x 16.5in.

Rudolf Carl Mueller (German/American, 1867-1967). After Giovanni Battista Tiepolo's study in the Gallerie dell'Accademia, Venice, oil on canvas, unsigned, 34 3/4 x 34 3/4 in., framed

PIAZZETTA, Giovanni Battista. Études De Peinture Dessinées Par Jean Baptiste Piazzetta gravées par Marc Pitteri. Venezia, Avec Privilège du Senat, 1764Oblong Folio Album, 305x435 mm; full calf bin

PIAZZETTA, Giovanni Battista. Naturam Referens Patet Ars Sed Utrumque Magistra. Appresso Teodoro Viero Venezia, ca. 1785 Folio oblungo, mm. 307x443; Leg. coeva in mezza pella e cartonato marmorizzato,

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Ink on paper. Featuring a sketch portrait of a man. Signed G. B. Tiepolo on the lower left corner. Inscribed 1701 on the lower right corner of verso. Attributed GO giovanni Battista Tiepolo (1696-1770

Framed (w/ glass), matted and numbered print. Minor spotting to mat

Framed (with glass), matted and numbered print.

Red chalk on paper. Featuring sketch of a woman with a child. Inscribed on verso with ink. Attributed to Giovanni Battista Tiepolo (1696-1770, Italian). 26 x 18.5 cm (10.25 x 7.25 inches). Provenance:

Giovanni Battista Piranesi (Italian 1720-1778), Study of Architectural Ruins, posthumous restrike, etching on paper, studies of architectural fragments ornately decorated with images of flora and faun

Giovanni Tiepolo (manner), pair of drawings, Manner of Giovanni Battista Tiepolo, (Italian, 1696-1770), ink and wash on wove paper, one with partial watermark of Mongolfier Vidalon-Les-Annonay, each s

Giovanni Battista Cipriani (1727-1775, Italy) pencil study of a classical female figure, signed lower right, with Sabin Galleries Limited, London label. 8" x 6" ss / 14.25" x 10.75" oa

A Le Ore (Italy) handmade "Art Inlay Clock" based on a 17th century design by Giovanni Battista Foggini and Bathasar Permoser. Italian, late 20th century. Outfitted with a Franz

Etching, 1774 mm. 390 x 590, filigree of the lily in double circle, first state of four. & Nbsp;** Hind 114

(Italian, 1720-1778) Veduta della piazza di Monte Cavallo (H. 15), state IV/VI, laid paper with possible watermark of Fleur de lys in a double circle with letters CB. hinged in, plate 15-3/8 x 21-1/2

Etching, 1758, mm. 540 x 400, double circle lily filigree, light halos and tears, third state of six. ** Hind 51.

Detailed oil portrait study on paper. Unsigned. Attribution verso. Dimensions: (Paper) H 11.25" x W 8.5" Condition: Paper with some edge tears and some handling wear.

Etching, 1756, mm. 390 x 590, double circle lily filigree, second state of six, center fold, halo and sporadic blooms.** Hind 44.

A lot of two unsigned pen and ink wash/chalk drawings on paper, attributed to Giovanni Battista Crosato (Italian 1697 - 1756). Each depicting classical scenes with female figures. Information provided

Original 1775 Giovanni Battista Piranesi Etching "Campo Vaccino". From the "Vedute di Roma" A lifetime impression with Fleur-de-lys in a circle watermark. From the III Roman Edition.Frame Measures: 26