Howard Frech Etching "After Hours at the U.S.O"

Baltimore Illustrator Howard Frech, for the Baltimore Sunday Sun Newspaper (Circa 1929). Howard Frech was a prolific illustrator in the 1920s - 1930s, working for the Baltimore Sun Newspaper and doing

Howard Frech (20th century) Baltimore Red Cross Etching. Sight Size: 5 x 7.25 in.

Signed Albany E. Howard etching of original Gothic interior etching of Cathedral. Framed size is 41" x 29". In-house shipping not provided.

Arthur J. Howard original signed etching. Signed in pencil "Arthur J. Howard" lower right. Artist's inscription lower left. Measures 9 7/8" x 6 /4" plate size. Etching is in excellent condition, sheet

KERR EBY AND ALBANY HOWARD, ETCHINGS, 2:Kerr Eby (American, 1889-1946), etching, edition 90, 9" x 13 3/4", London with the Tower and Westminster Abbey in the background, pencil signed.. Albany Howarth

Large Framed late 19th, early 20th c. Charles Howard Etching with Cercle Librairie Estampes Blindstamp lower left. Signed and numbered 66 in pencil by the artist. Landscape with figure and windmills.

(lot of 2): Howard Warshaw (American, 1920-1977), "Hands," 1961, ink and conte crayon on paper, signed and dated lower right, sight: 12"h x 10.25"w, and "Hand," 1961, etching in colors, signed and dat

Howard Cook (American 1901-1980)- ''Nanny and Kid'' (Duffy 195)- etching and aquatint, 1937, signed in pencil, edition of about 25, glue stain upper margin edge, well away from image. 8 1/8 x 11 3/4''

Antique Howard Pyle Etching Circa 1906. Measures - 28 3/4"h x 20 1/2"w x 1" d; site 19" x 27 1/2". Catalogue Note: Ask about DISCOUNTED DELIVERY RATES available to most regions within 1,500 miles of N

John Langley Howard (California, New Jersey 1902 - 1999) signed etching. Signed 'John Langley Howard' in pencil lower right. Artist's initials 'J.L.H.' in plate lower left. '2nd State 50/50' in pencil

Philip Reisman (American, 1904-1992) etching "Visiting Hour", etching on paper, pencil signed "Philip Reisman", edition 18/100, very good condition

Philip Reisman (Polish-American, 1904-1992) "Music Hour," etching on paper, depicting interior scene with figures listening to music, signed and dated in plate lower left, signed in pencil lower right

HOWARD COOK Towers. Etching, 1928. 174x125 mm; 6x5 inches, full margins. Edition of 50. Signed, titled and inscribed "imp." and "1929" in pencil, lower margin. A very good impression of this scarce et

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right

(4) WHW Bicknell etchings after Howard Pyle, etchings on paper, signed in plate, 21-1/2" x 13-5/8" plate, sheet size 24-1/2" x 18", fair to good condition

Alice Standish Buell- ''Noon Hour''- etching and drypoint, signed in pencil, light struck. 8 1/2 x 5 7/8''

Sir Howard Eliot Hodgkin (1932-2017, UK/NY) unframed carborundum etching 9/40, signed "H H" and dated 2000. 11.25" x 13"oa

Etching by WHW Bicknell after Pyle painting of 1903. Signed by both Pyle and Bicknell. Dimensions: (Frame) H 32" x W 22.5", (Sight) H 22" x W 13.5" Condition: Some age toning. Mat with toning, foxing,

Lot 24 Howard Lessnick (20th Century) Botanical Etching, Thistle (c.1960) etching signed lower right, numbered 1/300 sight: 12 1/2 x 4 3/4 inches Provenance: from a private New York collection

Lot 23 Howard Lessnick (20th Century) Botanical Etching, Milkweed Pods (c.1960) etching signed lower right, numbered 63/250 sight: 8 1/2 x 5 3/4 inches Provenance: from a private New York collection

Lot 53 Howard Lessnick (20th Century) Botanical Etching, Milkweed Pods (c.1960) etching signed lower right, numbered 63/250 sight: 8 1/2 x 5 3/4 inches Provenance: From a Private New York collection

HOWARD COOK Queensboro Bridge. Etching and aquatint, 1930. 277x184 mm; 10x7¼ inches, full margins. Edition of 40 (from an intended edition of 50). Signed, dated, numbered 21/50 and inscribed "imp

HOWARD COOK The Station. Etching on thin cream wove paper, 1928. 176x226 mm; 6x8 inches, full margins. Edition of 30 (from an intended edition of 50). Signed and inscribed "imp" in pencil, lower right

A collaborative etching by Howard Pyle (American, 1853-1911) and William Bicknell (American, 1860-1947). Etching on paper, signed by each artist in margin, produced for "The Bibliophile Society", also