Jacob Grimmer (Antwerp circa 1525-1590) A View of Kiel on the Scheldt with Antwerp beyond

Jacob Grimmer (Antwerp circa 1525-1590) A View of Kiel on the Scheldt with Antwerp beyond bears signature '**** BRUEG***' (lower right) oil on panel 42.8 x 51.2cm (16 7/8 x 20 3/16in). Footnotes:

Antwerp School, 1677 An allegory of justice, with a view of Antwerp beyond signed and dated 'Jan Molenaer/ 1677' (lower right) oil on panel 69.7 x 92.1cm (27 7/16 x 36 1/4in). This lot is subject to t

[Asia] ORTELIUS, Abraham (1527-1598). Daphne, Antiochiae Suburbium [Besiktas in Instanbul, Turkey]. Engraving. Antwerp, c. 1590. 18 5/8" x 22 1/2" sheet. Unusual Artistic View of the Paradise of Daphn

Studio of Pauwels Franck, called Paolo Fiammingo (Antwerp circa 1540-1596 Venice) Orpheus charming the animals oil on canvas 40.1 x 90.1cm (15 13/16 x 35 1/2in). Footnotes: A work of the same su

Follower of Master of the Mansi Magdalene (Antwerp, active circa 1490-1530) Saint Mary Magdalene oil on panel 57.7 x 43.2cm (22 11/16 x 17in). Footnotes: The present work is based on the origina

Ortelius, Abraham Islandia [Iceland] [Antwerp, c.1590 or later]. Hand-coloured engraved map (platemark 33.5 x 48.5cm, sheet size 43.5 x 55.5cm), incorporating sea-monsters, polar bears and Hekla volca

Pieter Jacob Horemans (Antwerp 1700-1776 Munich) Elegant figures dining in a landscape; The Musical recital the former signed and dated 'P.Horemans./ 1745.' (lower right) and the latter signed and dat

ROBERTO ANGELO KITTERMASTER MARSHALL (British, 1849 - circa 1926). Lake View, 1889, Oil on canvas of landscape: mountain scene with trees on left in foreground, a small lake beyond with boaters, trees

Circle of Jacob van Hulsdonck (Antwerp 1582-1647) A still life with peaches, plums, grapes and cherries in a basket, apricots in a porcelain bowl and cob nuts on a table oil on panel 27 x 35in (68.6 x

Apollonio Domenichini, alternatively identified as Master of the Langmatt Foundation Views (active Venice circa 1740-1760) Venice, a view of the Grand Canal looking south from the Palazzo Foscari and

Portrait of Charles Chadwick (1753-1829) half length, in brown, wearing a mortar board and gown, a view of Emmanuel College, Cambridge beyond signed and dated 'J. Downman / Pinxt / 1779' (lower right)

Jacob Ernst Thomann von Hagelstein (Lindau circa 1588-1653) Christ Heals a Centurion's Servant signed with monogram and dated 'JH/ 1614' (on rock, lower centre) oil on panel 71.1 x 124.2cm (28 x 48 7/

Antique Persian Kerman Mashahir , masterpiece , circa 1890's Click Here To View This Rug In

Gorgeous Animal Design Antique Persian Tabriz Area Rug, Country of Origin: Persian, Circa Date: 1900

Beautiful Large Antique Persian Serapi Area Rug, Country of Origin: Persia, Circa date: 1920

Richard Wilson, R.A. (British, 1713-1782), L'Anconetta with Venice beyondoil on canvas, unsigned, circa 1762, retains remnants of a piece of James Orrock's writing paper of 48 Bedford Square, London,

Beautiful Large Antique Serapi Persian Rug, Country of Origin / Rug Type: Persian Rug, Circa Date: 1900

Large antique Ivory back ground Tabriz rug , circa 1890's Click Here To View This Rug In Your

Stunningly Rustic And Alluring Antique Persian Serapi Rug, Country of Origin: Persia, Circa date: 1900

(19th century) View of Foreign Hongs, Canton, circa 1825-35, unsigned, oil on canvas, 23-5/8 x 32 in.; 19th century lemon gilt wood frame, lined with wax and linen and restretched on tension bar stret

Silk Antique Turkish Kum Kapi Rug, Country of Origin: Turkey, Circa Date: 1900 Click Here To View This Rug In Y

Chinese School (circa 1850), The Shanghai Regatta with a View of the Bundoil on canvas (lined), unsigned, circa 1850-1860, presented in a period frame. Stretcher size 18 x 23 1/2 in.; Frame dimensions

Marchio/Brand: Jacob & Co, Modello/Model: Palatial, Anno/Year: circa 2012, Quadrante/Dial: Rosa/Rose, Movimento/Movement: Automatico/Automatic, Materiale/Material: Oro rosa 18k/18k rose gold, Braccial

A large and impressive panoramic view of the city of Lahore Punjab, Lahore, circa 1840-45 watercolour with some gold on paper, 11 separate joined sheets of paper, identifying inscriptions in Persian o