James Abbott Mcneill Whistler (American, 1834-1903) Etching And Drypoint On Cream Laid Paper, 1860,

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

JAMES ABBOTT MCNEILL WHISTLER (American 1834-1903) "Bibi Valentin", 1859 drypoint etching on Japanese laid paper with margins (from the second and final state), sheet: 7.5 x 10.375 inches; overall wit

James Abbott McNeill Whistler (American, 1834-1903) "Whistler, Soupe a Trois Sous W27", etching and drypoint on cream-colored paper, executed circa 1859, signed and titled in pencil at lower left marg

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

James Abbott McNeill Whistler (American, 1834-1903) The Fiddler (J. Becquet, Sculptor) Unsigned, #8 from the Thames Set, etching and drypoint on laid paper; framed. H: 10, W: 7 1/2 in. (H: 25.4, W: 19

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, pla

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James McNeill Whistler (American, 1834-1903). Etching and drypoint on laid paper titled "Billingsgate" depicting crowds gathered around sailboats, ca. 1859. Signed and dated in print along t

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903), Lagoon Noon, 1879-80, etching on laid paper, (approximate dimensions - sheet (sight): 5 x 8 inches); signed and inscribed "imp" lower left, inscrib

James McNeill Whistler (American 1834-1903) The Music Room,1859 Etching and drypoint on laid paper. Kennedy 33 Provenance: Carl Sachs Collection (German-Jewish 1868-1943) Lugt 634a Collector stamps ve

JAMES MCNEILL WHISTLER (American 1834-1903) "La Vieille aux Loques" Etching and drypoint on laid paper (later impression) fourth state of four. Plate: 8 1/4 x 5 3/4 inches; Sheet:10 x 7 5/8 inches; Fr

James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

James Abbott McNeill Whistler (1834-1903) The 'Adam and Eve', Old Chelsea (Kennedy 175, Glasgow 182), 1878 Etching and drypoint on laid paper, Glasgow's third (final) state, published by Messrs Hogart

James Abbott McNeill Whistler (1834-1903) GREENWICH PARK (KENNEDY 35; GLASGOW 41) Etching and drypoint, 1859, on thin laid paper, Glasgow's third state of three, with good margins, framed. Plate 5 1/8

James MacNeil Whistler (American, 1834-1903) The Little Putney Bridge, Etching and drypoint in black ink on cream laid paper, c. 1879, with the butterfly monogram, Image-5 3/16" x 8 1/8", has margins,

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

James Abbott McNeill WHISTLER (1834-1903): "The Little Hat". Etching with touches of drypoint printed in brownish ink on laid paper, 1887. Refs: Kennedy 335; Glasgow 366. Eight or nine impressions are

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

Three Art Pieces, to include James Abbott McNeill Whistler (American 1834-1903) "Annie Seated" watercolor on thin Chinese laid paper, 5" x 3 3/4" unknown artist "Bridge Over Water" illegible stamp mar