Whistler "Bibi Valenti" dry point etching (final state)

JAMES ABBOTT MCNEILL WHISTLER (American 1834-1903) "Bibi Valentin", 1859 drypoint etching on Japanese laid paper with margins (from the second and final state), sheet: 7.5 x 10.375 inches; overall wit

James McNeil Whistler (1843-1903) Florence Leyland 1873, drypoint etching. Kennedy 110, IX/IX, final state. on fine laid paper with small margins. 209 x 136 mm

James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), printing with plate tone on thin Chinese laid paper, p

James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, pla

(American, 1834-1903) etching and drypoint, published by Hogarth and Son, 1878-1879, third and final state with faint artist's butterfly monogram above church tower Overall: 17-1/4"h x 21-3/8"w Sight:

James Abbott McNeill Whistler (1834-1903) The 'Adam and Eve', Old Chelsea (Kennedy 175, Glasgow 182), 1878 Etching and drypoint on laid paper, Glasgow's third (final) state, published by Messrs Hogart

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

INTERIM DE LA SALUTE VENICE, drypoint etching, signed in pencil, from sixth and final state, image 11 ¾ x 8 ¾” sheet 15 ½ x 10 ¼”; 19 th Century Artist THE HAYC

Felix Buhot (1847-1898) Le Débarquement au Angleterre, etching and drypoint, 1879, fifth, final state, signed and dedicated 'a Monsieur Roger Marx avec une pluie de remerciment / FD.', with the art

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

Rembrandt van Rijn (1606-1669)Pharisees in the Temple (Jews in the Synagogue)Etching and drypoint, 1648, but a later impression of New Hollstein's final state (of nine), on cream laid paper without wa

Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final state (of seven) on cream laid paper without watermark,

Edward Borein (1872-1945) Bucking Horse (Galvin 62), n.d. Etching and drypoint on wove paper with Umbria Italia watermark, the second (final) state, signed in pencil and with artist's remarque, with m

William Strang (British 1859-1921) 1). ''Old Tree''- etching and drypoint, signed and annotated 'David Strang imp. Final State (of 3)'; 2). ''The Prodigal Son''- etching, mat burned and specs of foxin

James McNeill Whistler (American, 1834-1903). Etching and drypoint on paper titled "Bibi Valentin," depicting the youngest daughter of the Valentin family, Bibi, seated on a bed. Signed and

Felix Buhot(1847-1898)"L'Hiver a Paris," 1879Etching with aquatint, drypoint, and roulette on cream wove paperAn impression of the ninth (final) stateSigned with the artist's red owl ink sta

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1

James McNeil Whistler, etching and drypoint, James Abbott McNeil Whistler (American, 1834-1903), "Annie Seated", c. 1858-59, signed in the plate lower left, likely the 3rd state (of 3), 5.125"h x 3.75

Etching and drypoint. Thames Police(Wapping Wharf). 1859. Later state restrike. Signed in the plate; 5-3/8in. X 8.75in.