James Whistler "The Tyresmith" Lithograph

James Whistler Lithograph, Katie stage door site, size 6 1/4 x 9 1/4 inches overall frame size 15 x 18 inches

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

James Abbott McNeill Whistle Lithograph Title: "Bead-Stringers, Venice" Medium: lithograph (after the pastel). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio

James Whistler Lithograph The Old Marble Hall, Venice Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by

DESCRIPTION: James Whistler lithograph on paper titled: "The Smiths Yard" features two figures with stable and horses. Embossment at lower middle, mounted in a gilt wood frame. Label from: "Harbor Gal

James Abbott McNeill Whistler lithograph on paper, "Charing Cross Railroad Bridge", bears butterfly monogram, label on verso P & D Colnaghi & Co. Ltd. 14 Old Bond St. London, hand printed artist�

James A. M. Whistler (American 1834-1903)- 1). ''Gant de Suede'' (Levy 40)- lithograph, 1890. 8 3/4 x 4 1/4'' 2). ''Robe Rouge'' (Levy 96) lithograph, 1895. 7 3/4 x 6 1/4'' Both as published in 'The S

Medium: original transfer lithograph. Catalogue reference: Way 104. Executed in 1896 and issued in 1898 as the frontispiece in "Lithography and Lithographers" by Joseph Pennell; this is one of the com

(American, 1834-1903) titled "The Doctor (Portrait of My Brother)" 1894, unsigned Overall: 17-1/4"h x 13-1/4"w Sight: 8-1/2"h x 6-1/2"w

James Abbott McNeill Whistler (American, 1834-1903). This lithograph is butterfly signed in stone, lower right. The full title is "Nursemaids: Les Bonnes du Luxembourg". It comes with a Certificate of

JAMES A.N. WHISTLER LITHOGRAPH "SMITHS YARD" 1895 9.5" X 8" SHEET

AFTER JAMES A.M. WHISTLER (AMERICAN, 1834-1903), LITHOGRAPH, H 8 1/4", W 6", SEATED MAN:Seated man with arms raised. From the estate of Dr. John M. Rainey, Jr. Grosse Pointe Park, Mich. For a high res

"The Winged Hat", on laid paper with Arms of Amsterdam watermark, signed in the plate. Collection or gallery catalog numbers in pencil at the lower right corner. The lot includes the gilt frame as pic

19th century image depicting a bend in London's Thames River with boats and horse drawn carriages in foreground. Signed bottom left with Whistler's "Butterfly" cypher in pencil and again in-the-plate

James A. M. Whistler (American 1834-1903)- 1). ''The Long Gallery, Louvre'' (Levy 83)- lithograph, 1864, as published in 'The Studio' with their blindstamp. 8 1/2 x 5 3/4'' 2). ''The Smith's Yard'' (L

James A. M. Whistler (American 1834-1903)- ''Maunder's Fish Shop, Chelsea'' (Chicago 37 ii/II)- transfer lithograph, 1890, edition of 500-1000 printed by Way and issued in ''The Whirlwind 2'', No. 25,

James A. M. Whistler (American 1834-1903)- ''Nursemaids, Les Bonnes Du Luxembourg'' (Way 48) (Levy 79)- lithograph, 1894, as printed by Goulding, tape residue verso. 7 7/8 x 6 1/8''

James A. M. Whistler (American 1834-1903)- ''The Doctor'' (Levy 117)- lithograph, 1895, as published in 'The Pageant', very good condition. 7 x 5''

James A. M. Whistler (American 1834-1903)- ''The Doctor'' (Levy 117)- lithograph, 1895, good condition. 6 3/4 x 4 3/4''

Black framed lithograph by James McNeill Whistler, titled "The Smith Shop". Not numbered. [Art: 9" H x 7" W; Frame: 14 1/2" H x 12 1/4" W]. In good condition.

James Abbott McNeill Whistler Lithograph, MAUDE READING, Maud Franklin (9 January 1857 – ca. 1941) was an English artist and the mistress of and model for artist James McNeill Whistler.[ Frankl

James A. M. Whistler (American 1834-1903)- ''Smith Yard'' (Way 88); (Levy 126)- lithograph, 1864, as pbulished in 'The Studio', edition of about 3,000, paper abrasion verso on edge does not go through

James Abbott Whistler Canal of Venice Lithograph. In black ink on wove paper after the original. Certificate of authenticity includedFrame measures 19.5 inches x 21 inches, artwork 6.5 inches x 5.5 in