James Whistler lithograph "Sunset, Venice" 1905

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

James Abbott McNeill Whistle Lithograph Title: "Bead-Stringers, Venice" Medium: lithograph (after the pastel). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio

James Abbott Whistler Canal of Venice Lithograph. In black ink on wove paper after the original. Certificate of authenticity includedFrame measures 19.5 inches x 21 inches, artwork 6.5 inches x 5.5 in

James Whistler Lithograph The Old Marble Hall, Venice Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

(1834-1903 American) Portrait of woman, lithograph, published by "The Studio" ca. 1905, artist monogram right center, approximate work size by sight 9 1/2" x 7", frame 24" x 19".

(1834-1903 American) Blacksmith, framed lithograph, published by "The Studio" ca. 1905, with impressed publication stamp lower right margin, approximate work size by sight 9 1/2" x 7", frame 22" x 17"

James Abbott McNeill Whistle Lithograph Title: "The Convalsecent" Medium: lithograph (after the watercolor). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio.

Medium: offset lithograph (after the watercolor). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 7 3/4 x 5 1/4 inches (200 x 13

Medium: offset lithograph (after the watercolor). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 7 x 4 inches (176 x 100 mm). A

Studies of Venice 8 3/4" x 4 1/4" and 8 1/4" x 5" (sight) lithographs

James Whistler Lithograph, Katie stage door site, size 6 1/4 x 9 1/4 inches overall frame size 15 x 18 inches

DESCRIPTION: James Whistler lithograph on paper titled: "The Smiths Yard" features two figures with stable and horses. Embossment at lower middle, mounted in a gilt wood frame. Label from: "Harbor Gal

James Abbott McNeill Whistler lithograph on paper, "Charing Cross Railroad Bridge", bears butterfly monogram, label on verso P & D Colnaghi & Co. Ltd. 14 Old Bond St. London, hand printed artist�

James A. M. Whistler (American 1834-1903)- 1). ''Gant de Suede'' (Levy 40)- lithograph, 1890. 8 3/4 x 4 1/4'' 2). ''Robe Rouge'' (Levy 96) lithograph, 1895. 7 3/4 x 6 1/4'' Both as published in 'The S

Medium: original transfer lithograph. Catalogue reference: Way 104. Executed in 1896 and issued in 1898 as the frontispiece in "Lithography and Lithographers" by Joseph Pennell; this is one of the com

(American, 1834-1903) titled "The Doctor (Portrait of My Brother)" 1894, unsigned Overall: 17-1/4"h x 13-1/4"w Sight: 8-1/2"h x 6-1/2"w

James Abbott McNeill Whistler (American, 1834-1903). This lithograph is butterfly signed in stone, lower right. The full title is "Nursemaids: Les Bonnes du Luxembourg". It comes with a Certificate of

JAMES A.N. WHISTLER LITHOGRAPH "SMITHS YARD" 1895 9.5" X 8" SHEET

AFTER JAMES A.M. WHISTLER (AMERICAN, 1834-1903), LITHOGRAPH, H 8 1/4", W 6", SEATED MAN:Seated man with arms raised. From the estate of Dr. John M. Rainey, Jr. Grosse Pointe Park, Mich. For a high res

NO RESERVE Italy.- Venice.- Whistler (James Abbott McNeill), Manner of. The Doge's Palace, Venice, watercolour over pencil, on wove paper without watermark, deckled edges, bears erroneous monogram in

"The Winged Hat", on laid paper with Arms of Amsterdam watermark, signed in the plate. Collection or gallery catalog numbers in pencil at the lower right corner. The lot includes the gilt frame as pic

19th century image depicting a bend in London's Thames River with boats and horse drawn carriages in foreground. Signed bottom left with Whistler's "Butterfly" cypher in pencil and again in-the-plate