John Copley, British 1875-1950- Portrait of a woman;

John Copley (British 1875-1950)- ''Three Ladies at the Opera'' (Wright 144 ii/III); ''Travelers'' (W. 177 ii/II); ''Classical Music'' (W. 184) & ''Precious Ointment'' (W. 193)- 4 lithographs, 1917, 19

John Copley (British 1875-1950)- ''Mr. Justice - with a Monocle'' (Wright 76); and ''Refugees IV (at the station)'' (W. 117)- 2 lithographs, 1912 and 1915, both signed and annotated 'imp' in pencil. 9

John Copley (British 1875-1950)- 1). ''Curly Locks'' (Copley 74)- etching, 1936, signed in pencil. 9 7/8 x 7'' 2). ''A Girl with Heavy Hair'' (Copley 96)- etching and drypoint, 1940. signed in pencil.

Portrait of a Woman Seated in an Interior Oil on canvas Signed and dated 18? lower left Size: 35.7 x 27.7 in.

Francis H Eastwood (fl. 1875-1908)) British, Portrait of a Gentleman, with a Moustache, wearing a Smoking Jacket, Oil on Canvas, Unframed, 18" x 12.5".

James Cole (British, 1865-1885), dated 1875, Oil on panel, of a well dressed woman in a courtyard looking to her left at a bird on the ground. Image: 15.5 x 11.5 in.; Frame: 27 x 22 in. NOTE: Evidence

Tom Espley (1931-2016) British. "Abigail Purple, Hat", Portrait of a Woman wearing Purple, Oil on Board, Inscribed on reverse, 10.5" x 8", and another by the same hand, two (2).

PORTRAIT OF A WOMAN WITH RED & BLUE BLOUSE, oval oil painting on canvas, 30 x 25 ”, with old auction markings and label on verso “26, Mrs. Henry John *****”, in a period hand-carved frame, worn,

A. Carsberry (British or American, third quarter 19th century). Untitled portrait of a red-haired woman of the Victorian Era, ca. 1875. A charming bust-length, oil on canvas portrait depicting an eleg

(John) Warrington Wood, marble bust of woman, 1839 - 1886 British, marked "Roma 1870", 1/2 portrait sculpture lady with braided hair, shawl over bear shoulders, 29 1/2" h. x 19" l. x 12" d. Condition:

After Charles Robinson Sykes(British, 1875-1950)"Spirit of Ecstasy"bronze20th century, cast signature along the side, after the ca. 1911 mascot designed for Rolls-Royce, on a circular black marble bas

Charles Robinson Sykes (American/British, 1875 - 1950); Patinated bronze sculpture titled 'The Spirit of Ecstasy', raised on a circular stepped marble & bronze base. Created circa 1930. Incised signat

Alice Mumford Roberts Culin (American, 1875-1950), Portrait of Justine Van Rensselaer Barber Hooper and Her Son, Roger Hooper, Jr.oil on canvas, 1917, signed and dated at upper center, inscribed to ve

After Charles Robinson Sykes (British, 1875-1950) Spirit of Ecstasy. Patinated metal figure, signed along the base. Raised on a round 1" marble plinth Figure height: 19"

Bror Kronstrand (Swedish, 1875-1950) A portrait of a girl signed and dated 'Kronstrand 1912' (lower right) oil on canvas 26 x 22in (66 x 55.9cm) Painted in 1912. Footnotes: Provenance Gail Feingar

Herbert Day (British / American, 1875-1950), "Autumn Landscape", oil on board, signed "Herbert J. Day". Loosely handled landscape painting depicting autumnal scene with golden fall trees. Framed appro

John Minton British, 1917-1957 Portrait of Robert Hunt at Age 19, 1948 Graphite on paper 14 3/4 x 10 3/4 inches (37.5 x 27.3 cm) Provenance: Thomas Agnew, London Spink & Son, London C Property from th

John Pettie (1839-1893) British. Portrait of a Scottish Laird, Oil on Canvas laid down, Signed, 11.5" x 9".

Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length Oil on canvas30 1/8 x 25 1/8 in. (76.5 x 63.8cm) Provenance Private Collection, Washington. Fr

after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint)oil on canvas, unsigned, half-length, he holds a rolled paper inscribed "The King's Order of Precendence," the canva

Probably late 18th century. A period copy of the original by John Singleton Copley which was "well known and frequently copied on canvas" according to the Schiller Institute. The wide pine stretchers

c. 1720/1730. Portrait of a woman in an interior, landscape beyond, and architectural faux oval at corners. Apparently unsigned. Dimensions: (Frame) H 48" x W 40", (Painting) H 35" x W 28" Condition:

After John Morgan (British, 1822-1885), "Portrait of a Man of Bethlehem," c. 1894, oil on canvas, initialed "H.W." or "N.W." and dated "1894" bottom right, with a "Winsor & Newton, Limited, 38 Rathbon

Measures 14.75" x 10.75" plate measures 9.5 x 7.5"