Kathleen Saywell Allen, British 1906-1983- ''View of St

PILLSBURY, Arthur C. (1870-1946), photographer. The Burning of San Francisco. April 18, 06. View from St. Francis Hotel, No. 101. 1906. 40 3/4 x 7 1/2 in. (sight) silver gelatin photograph, housed in

Two (2) Ursula Mary Fookes (British, 1906-1991) linocuts. 1st item: "Pastoral Scene," depicting a walled city rising above a landscape, signed "UMFookes" lower left and numbered 4/50. Sight: 9 3/8" H

D'Oyly-John (British, 1906-1993) The harbour at Cannes, a pair each signed 'DOYLY-JOHN' (lower left) oil on canvas both 42.8 x 58.1cm (16 7/8 x 22 7/8in). (2) This lot is subject to the following lot

BURROUGHS, EDGAR RICE. 1875-1950. The Beasts of Tarzan. Chicago: A.C. McClurg & Co., 1916. 8vo. Wood-engraved illustrations in text by J. Allen St. John. Publisher's olive green cloth, lettered in gil

ARTIST: William Herbert Allen (British, 1863 - 1943) NAME: Landscape - Scilla Calabria, Italy YEAR: 1905 MEDIUM: oil on board CONDITION: Very good. No visible inpaint under UV light. SIGHT SIZE: 20 x

Norman Wilkinson (British, 1878-1971) St. Paul's from the River. Oil on canvas, signed lower left 30" x 40" Frame: 39" x 48.5"

John Emms British 1843-1912 St Bernard Dog Portrait Study Oil On Canvas Signed And Dated 1900. Frame measure

William Wiehe Collins (British, 1862-1951) St. Pauls, London signed and inscribed 'W.W.Collins/St PAULS' (lower left) watercolour over traces of pencil 58.4 x 45.1cm (23 x 17 3/4in). Foo

School Of John Constable (British, 1776-1837) View In Suffolk. Oil on panel Panel: 13.5" x 11.75" Frame: 16.5" x 14.5"

Fred Yates (British, 1922-2008) St Ives signed and titled 'ST IVES/FRED YATES' (lower right) oil on canvas 30 x 41cm (11 13/16 x 16 1/8in). (unframed) Footnotes: Provenance Th

TEN "EXETER" ARMCHAIRS, DESIGN BY DAVIS ALLEN (1916-1999) 1983, with black seats, each with metal designer Knoll Studio tags, dated. Manufactured by Stendig and distributed by Knoll Inc. Height: 36 1/

James Webb (British, 1825-1895) View of Khaub, with Gutenfels Castle in the Distance Signed and dated 'James Webb 1877' bottom left, also dated, monogrammed and with London preparer's stencil verso, o

The Place House (to the right), Great Bordfield, Essex County, Dunnmow Rd. Oil on canvas laid to board Signed lower left: John Aldridge, titled in another hand on the backing paper 14" H x 16" W

Rare, a view of the City of Montreal and the "River St. Lawrence River from the Mountain", etching and aquatint with hand colouring. E. Walsh 49th Regiment Delint, engraved by John Bluck (printmaker)

BRITISH INDIA VIEW TRANSFER-PRINTED CERAMIC PLATTER, featuring blue transfer Chalees Satoon #1, depicting several exotic structures including a central domed example with numerous columns an

BRITISH INDIA VIEW TRANSFER-PRINTED SOUP TUREEN, ovoid form with molded lion's head handles and cover finial, featuring Chalees Satoon #1, depicting several exotic structures including a

BRITISH INDIA VIEW TRANSFER-PRINTED CERAMIC PLATTERS, LOT OF TWO, each having blue transfer scenes, comprising one featuring Monopteros depicting figures with pack horses and a mosque in backgrou

Southern School, early 20th century oil on canvas view of St. Michael's Church in Charleston, South Carolina. Signed, partially illegibly, Andre --ack, lower right. Backing board contains taped note w

Salt (Henry) Three plates from 'Twenty Four Views in St. Helena, the Cape, India...', etchings and aquatint, by D. Havell, all with vibrant hand-colouring, on thick Whatman wove paper with watermarks,

Alfred Heber Hutty (American, 1877-1954). Original watercolor and gouache painting on paper. A Charleston, South Carolina landscape street view of St Philip's Church. Artist signature lower right corn

Newton Haydn Stubbing (British, 1921-1983) "Dawn Light" 1966. Oil on canvas. Signed 'N. H. Stubbing' and dated '1966' (on reverse). La Gloria Pass Riano, Spain. 78 x 81 in. The Seymour H. Knox Foundat

Oval View of St. Peter's Basilica and Square, Rome, circa 1870, set into slate with a lapis lazuli banded border, housed in what is probably the original gold gesso frame, OS: 14 1/2" x 16 1/2", SS: 8

(British, 1904-1983) Francis Bacon on Primrose Hill, signed, gelatin silver print 13-1/2 x 11-1/2 in.; unframed Provenance: Phillips de Pury, New York, NY, 2010. This lot is accompanied by copy of ori

Forster Robson (fl.1888-1906 British) ''A Midsummer's Night Dream'' 1893 Watercolor and Gouache on Board 30''x40'' Image. Museum quality pre-raphaelite composition with nymph. Signed and dated l.r. Or