Leda ou la lounge des bienheureuses tenebres. With 16 drypoints + Suite + Copper plate

(Spanish, 1881-1973), 'La Danse Barbare (Devant Salome et Herode)' drypoint etching, 1905 (B. 15; Ba. 18), this is the 14th and final plate in Picasso's 'La Suite des Saltimbanques" 7-7/8"h x 9-1/2"l

PABLO PICASSO Les Saltimbanques. Drypoint, 1905. 286x330 mm; 11¼x13 inches, full margins. Edition of 250. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite des Saltimbanque

Pablo Picasso (Spanish, 1881-1973) La Danse Barbare, from 'La Suite des Saltimbanques' (Bloch 15; Baer 18.b1) Etching with drypoint, 1905, on Japan laid, from the rare edition of 27 or 29, printed by

1934. Pablo Picasso. 1881-1973. Sculpteur et Trois Danseuses Sculptees. Plate 81 from La Suite Vollard. Bloch No. 217. Vollard Suite XXXIV ‘16. Black and white etching on paper. Signed lower right.

Lyons, Cornelius Hackius, 1762. In 2 . With 1 copper door and 112 (of 115) double-page plates engraved in copper, each numbered and with caption in Italian, Latin, French depicting Venetian palaces an

16 in total, published in 1770 by J. + J. Boydell, each framed and glazed. These prints are part of a group of prints made by Richard Dalton (c. 1715-1791), royal artistic supervisor to George III, an

Pablo Picasso (1881 - 1973) Les Pauvres from "La suite des Saltimbanques" etching, on Van Gelder paper, 1905, Baer's second (final) state, from the edition of 250 on this paper (there were also 27 or

PABLO PICASSO (Spanish 1881-1973) "Sculpteur et Trois Danseuses SculptÈes" (from La Suite Vollard) Etching, 1934. Plate: 8 3/4 x 12 1/2 inches; Sheet: 13 1/4 x 17 1/2 inches; Frame: 20 x 23 1/4 inche

Pablo Picasso (Spanish, 1881-1973) Deux femmes se reposant, from 'La Suite Vollard' (Bloch 143; Baer 210) Drypoint, 1933, on Montval laid with the Vollard watermark, signed in pencil, from the edition

Pablo Picasso (Spanish, 1881-1973) Deux Buveurs catalans, (plate 12 from La Suite Vollard), 1934 etching signed in pencil 9 1/4 x 11 3/4 inches. Provenance: Kovler Galleries, Chicago Property from the

Pablo Picasso (1881-1973) Le Repos de Sculpteur et la Sculpture Surrealiste. Plate 60 from 'La Suite Vollard', B. 169, etching, 1933 on Montval full sheet, signed in pencil Sheet: 13 3/8" x 17 5/8"

Zao WOU-KI (1921 - 2013)XXIV Sonnets de Shakespeare traduits par Yves Bonnefoy et edites en 1994 par la compagnie des Bibliophiles de FranceRare suite d'etats comprenant les 7 eau forte et aquatinte i

Colonial School. Cuzco. Peru. 18th century. "Assumption of Mary" Oil and brocateado (designs overlaid in gold leaf to represent brocade) on copper. 32,5 x 24 cm.

Nicolás Enríquez (Mexico, 1704 - 1790) "True Portrait of Our Lady of Solitude of the Victoria of Madrid" Oil on copper. Signed. 32,5 x 26,5 cm. This is the True Portrait that depicts the sculptu

Attributed to José de Ibarra (Guadalajara, 1685 - Mexico City,1756)"The Madonna of Passau" Oil on copper. 28 x 22,5 cm. The painter was born in New Galicia, currently in Guadalajara, at the time of

Charles Rollier (1912-1968), "Ksiti-Garbha" ou "La demeure du sein féminin", 1958, huile sur toile, signée et datée, contresignée, titrée et datée au verso, 114x105 cm

Colonial School. Mexico. 18th century. "Saint Thomas of Avila" Oil on copper. 23 x 17 cm. On the back is the handwritten inscription "Chauz", which indicates the town in which the work was carried out

Ferdinand Bol (Dutch, 1616-1680) Bearded Old Man circa 1640. original copper plate for the etching of the same title. 2 15/16 x 2 1/8 in. Clement de Jonghe, estate inventory, 1679, #37. Pieter de Haan

Pablo Picasso (Spanish, 1881-1973) "Famille de Saltimbanques", etching from La Suite Vollard, publisher: A. Vollard, Paris, 1939. 27X19 cm (plate). Signed, From an edition of 260. Literature: Bloch 16

Joan Miro "La Femme Des Sables" etching and aquatint print signed "Miro" in the lower right corner and marked "HC" in the lower left corner, exhibition print (HC) from edition of 75. Plate: 36" H x 23

China, Qianlong period, very rare plate decorated in famille rose enamels and gold representing the Crucifixion of Christ, rim with cartouches and floral scrolls. See HERVOUËT, 'La porcelaine des Com

China, Qianlong period, polychrome and gold decoration with biblical scene. See HERVOUËT, "La porcelaine des Compagnie des Indes". Small repair. Dim .: 20 cm

Title: Carte de la Nouvelle France, ou se voit le Cours des Grandes Rivieres de S. Laurens & de Mississipi Aujour d'hui S. Louis, aux Environs des Quelles se Trouvent les Etats, Pais, Nations, Peuples

(French, 1731-1807) Twelve botanical engravings from Le grand jardin de l'univers, ou se trouvent coloriées les plantes les plus belles, les plus curieuses et les plus rares des quatre parties de la