PABLO PICASSO Les Saltimbanques. Drypoint, 1905. 286x330 mm; 11¼x13 inches, full margins.

PABLO PICASSO Les Saltimbanques. Drypoint, 1905. 286x330 mm; 11¼x13 inches, full margins. Edition of 250. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite des Saltimbanque

PABLO PICASSO Salomé. Drypoint, 1905. 405x350 mm; 16x13¾ inches, full margins. Edition of 250. Van Gelder watermark. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite

PAUL CÉSAR HELLEU Femme au Chapeau, les mains sur le menton. Color drypoint, circa 1905. 515x295 mm; 20¾x11¾ inches, full margins. Signed and numbered "109" in pencil, lower left. Publi

According to Swann's Auction when this sold March 10th, 2005: PABLO PICASSO 'Tête.' Drypoint, 1949. 330 x 255 mm; 13 x 101/8 inches (sheet), full margins. Edition of 320. Bearing a signature in pen

PABLO PICASSO Morte au Soleil, IV. Drypoint and lavis on cream laid paper, 1933. 200x280 mm; 8x11 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lac

PABLO PICASSO (after)Intériour Rouge avec un Transatlantique Bleu.Color aquatint, 2 impressions, and 2 original copper etching plates, circa 1960. 405x325 mm; 16x12¾ inches, full margins. On

PABLO PICASSO Deux Femmes nues dans un Arbre. Etching, 1931. 375x297 mm; 14¾x11¾ inches, full margins. Signed and numbered 2/100 in ink, lower margin. A very good impression of this large, e

PABLO PICASSO Séries 156:122 (Barbu fantasmant, femmes, homme, et homme Grec au corps de femme). Etching, 1971. 365x490 mm; 14x19¼ inches, full margins. With the artist's signature ink stamp

PABLO PICASSO Figures. Etching, 1927. 194x277 mm; 7 5/8x11 inches, full margins. Artist's proof, aside from the edition of 50. Printed by Frélaut, Paris. Published by Louise Leiris, Paris. A very

145. Picasso, Pablo.Les deux Saltimbanques, from: La Suite des Saltimbanques. Drypoint. 4-7/8 x 3-5/8 inches, overall 19-7/8 x 12-7/8 inches on Van Gelder Zonen wove paper, matted, some foxing. Paris:

JOHN SLOAN Turning Out the Light. Etching, 1905. 127x178 mm; 5x7 inches, full margins. Edition of 110 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower marg

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

MJOHN MARIN Woolworth Building (The Dance) Etching and drypoint, 1913. 327x262 mm; 12x10 inches, full margins. Second state (of 2). Artist's proof, aside from the edition of 30. Inscribed "Artist's Pr

ARMIN LANDECK Manhattan Vista. Drypoint, 1934. 257x217 mm; 10x8½ inches, full margins. Edition of 100. Signed and dedicated in pencil, lower margin. A very good, richly-inked impression.This is a

MARTIN LEWIS Fishing Boats in the Rain. Drypoint, 1925. 253x176 mm; 9x6 inches, full margins. Edition of 41. Signed in pencil, lower right. A very good impression of this scarce drypoint. McCarron 39.

PEGGY BACON Moving to 8th Street. Drypoint, 1920. 152x200 mm; 6x7 inches, full margins. Signed, titled, dated, dedicated and inscribed "#25" in pencil, lower margin. A very good, richly-inked impressi

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York

SALVADOR DALÍ Abricot chevalier. Color lithograph with drypoint, 1969-70. 565x370 mm; 22¼x14½ inches, full margins. Signed and numbered 119/200 in pencil, lower margin. Printed by Ateli

GEORGE ELBERT BURR Longs Peak-Estes Park, No. 4. Etching and drypoint, circa 1915-20. 247x194 mm; 9¾x7 inches, full margins. Signed in pencil, lower left. A superb, richly-inked impression of thi

MARTIN LEWIS The Passing Freight, Danbury. Drypoint and sand ground, 1934. 227x363 mm; 8¾x14¾ inches, full margins. Artist's proof, aside from the edition of 47. Signed and inscribed "Trial

AUGUSTE RODIN Le Printemps. Drypoint on vellum, 1882-88. 145x98 mm; 5¾x3 inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression.We have found only two other impres