Morihiro Hosokawa (Japanese, b. 1938), Two-Fold Screen

FLOWERS, 1990 & 1988, two color screenprints, each signed and numbered 58/80 & 33 /60 in pencil, frames 32 x 21 ¾” with glass. (2)

Shibata Zeshin (Japanese, 1870-1891) "Autumn Grasses". Right side of a two fold screen. After the original panel now in the collection of The Metropolitan Museum of Art. Sight Size: 17 x 31.75 in.

20th cen, with old invoice from 60's, comprised of a small table top two fold screen, three framed landscape scene painting and a boy scene painting; largest measures 13" by 20"; Provnenace: from the

A JAPANESE FOUR-FOLD SCREEN, BY MIBU SOWEN B.1912. Landscape painting on silk signed bottom right. Mounted by Matuski Jimyosai B.1930. Total screen size 165cm x 91cm Overall good condition.

1993 Oil on canvas portrait of a gentleman in an interior, with red chair and gold Japanese screen. Signed lower left and to verso, Nicolette Meeres. Frame, approx. 29 1/2" x 24". Sight, approx. 23 1/

Japanese six fold screen carved with birds and fruit motif. Two sections each 78" tall x 34" wide.

Peacock in traditional style painted on a 6-fold table screen. Screen is framed. Dimensions: (Frame) H 20" x W 46.25", (Painting) H 17.5" x W 43.5" Condition: Folds evident, two with breaks in the fol

Small Japanese Four-Fold Painted Screen, decorated with a scene of two figures before a palace on a river 3'h x 5'10"w

Anthony-Peter Gorny THE CENTERS OF POWER, 1985-1986, two-sided color woodblock print on Japanese paper, signed in pencil, from the numbered edition 35, image 31 x 49 ”, full margins, with folds as i

Continental Painted Wood and Canvas Two-Fold Screen Height 6 feet 4 1/2 inches, width 41 inches. C

Makio Hasuike (Japan, b.1938), Coat / Towel Rack for GedyItaly, 1970s, off-white plastic with adjustable positions, appears unmarked. 61 x 21 x 12 in. Additional high-resolution photos are available

Op art sculpture by Kumiko Imanaka (Japanese, b. 1938); composed of painted stainless steel, wrought in an intricate spiral, set into styrofoam; in lucite frame, signed and dated 1967 to wood

Pair of Large Art Deco Bronze Panels, made into a two fold screen, having Egyptian style relief depicting figures over flying cranes and animals, each bronze panel set in a gilt wood frame, bronze pan

Pair of hand painted vintage Byobu two-fold screens in the manner of Ogata Korin, mid-20th century, in ink, gouache, and gold leaf on paper laid down to board, the two screens together form an image o

A MONUMENTAL TWO-FOLD WOODEN SCREEN SET WITH TWO (2) POSSIBLY SUZHOU ‘HUNDRED BIRDS - BǍI NIǍO - 百 鸟’ EMBROIDERED SILK PANELS CHINA, LATE QING DYNASTY, 19TH CENTURY

Tiefeng Jiang (b.1938 Chinese) Two Women with Sailboats 1988 Gouache on Paper 20''x20.5''. A colorful abstract by this well known Yunnan school artist. Signed and dated l.r. Gallery framed 33''x33''.

English mahogany two-fold floor screen, with multiple-glass (mullion glass) panels. [Each panel: 48" H x 18" W x 1" D].

ALL BLACK, 1986-87, oil and acrylic painting on paper, presumably signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” with Plexiglas. Provenance: James Corcoran Gallery Santa Moni

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to b

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 24 x 18”, frame 28 x 21” no glass. Provenance: James Corcoran Gallery Santa Monica, lacking tag with inven

ALL BLACK, 1986-87, oil and acrylic painting on paper, signed and dated on verso, 32 ¾ x 25”, frame 36 x 28 no glass. Provenance: James Corcoran Gallery Santa Monica; Proceeds to benefit