M.W. Clark

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M.W. Clark(American or British, 19th century) Stable Scene, signed lower right "M.W. Clark", oil on canvas, 27 x 40 in.; period frame liner 30-1/2 x 43-1/2 in.

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after Frederic Remington (1861-1909) AmericanBRONCO BUSTER (large version), sculpture of approximately 100 lbs. of pure .999 fine silver, stamped 1458 OZT, cast from the original bronze an Official project of the Frederic Remington Art Museum Og

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Roy Lichtenstein (1923-1997) New YorkTHE OVAL OFFICE (Corlett 277), 1992, color screenprint, signed and dated and numbered 143/175 in pencil, artist’s copyright stamp on verso, printed by Brand X, New York with blind stamp lower right,

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after Frederic Remington (1861-1909) AmericanRATTLESNAKE, 1000 Troy ounces pure .999 fine silver sculpture with gold rattlesnake, Museum proof 1/5 aside from the regular edition of 100, cast from the original masterpiece by the Frederic Remingto

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Pierre Alechinsky (b. 1927) BelgiumEN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

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Ed Ruscha (b. 1937) CaliforniaCHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

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Jorge Gonzalez Camarena (1908-1980) MexicanMUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

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Sam Francis (1923-1994) CaliforniaEXP-SF 56-01, 1982, color woodcut monoprint with hand painting on handmade paper, signed in pencil, a strong impression, sheet 36 ¾ x 72”, plexiglass box frame 43 x 77 x 3 ½”

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Asian Ceramics (eighteen)Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

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Charles Burchfield (1893-1967) New YorkTHE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

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Francis Bacon (1909-1992) BritishSTUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

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Ricardo Martinez (b. 1918) MexicanMUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

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Toko Shinoda (1913-2021) JapanSOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&

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Reginald Brill (1902-1974) United KingdomPANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle

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Laverne Furniture Company: Philip & Kelvin LaVerneETRUSCAN (SPECIAL), special order coffee table 60” long, 30” wide, 17” tall, LaVerne Gallery label underneath, in good condition.

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Alighiero Boetti (1940-1994) ItalianPIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

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Pablo Picasso (1881-1973) SpanishBRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾�

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David Hockney (b. 1937) BritishCELIA INQUIRING (G.835), 1979, lithograph on Toyoshi paper, signed and numbered 5/78 in blue pencil, printed and published by Gemini G. E. L. with blind stamp lower left, sheet 40 x 29”, frame 4

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Martin Wittfooth (b. 1981) CanadaOCCUPY (Ox), 2012, oil painting on linen, signed and dated lower right, 73 x 100”, frame 74 ½ x 101 ½”, available crate 81 x 108 x 7 ½”. Provenance: Corey Helfor

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Pablo Picasso (1881-1973) SpanishLE DANSEUR (Bloch 1849; MOMA 107), 1965, one-block linoleum cut on Arches Script watermark paper, printed in black and brown, signed and numbered 53/200 in pencil, image 25 x 21 7/8”, sheet 29 5

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Eyvind Earle (1916-2000) CalifornianREACHING FOR THE SKY, 1993, oil painting on panel, signed and dated and copyrighted lower right, 48 x 24”, frame 59 x 34 ½”. Provenance: Galerie Adrienne, San Francisco, CA.

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Betye Saar (b. 1926) AmericanSNAKE WITH ELEPHANT 1996, iridescent paint and watercolor with collage on paper mounted to card, signed and dated lower right, 8 x 5 ¾”, frame 18 ½ x 16” with glass.

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Pablo Picasso (1891-1973) SpanishSPECKLED BLACK FACE (AR.49), 1948, rectangular dish of white earthenware clay, decoration in engobes under glaze, white blue, black, turquoise, numbered 7/200 and Madoura Editions Picasso stamp undern

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Edmund Lewandowski (1914-1998) WisconsinPRIDE OF ALGOMA #2, 1936, watercolor on Imperial Illustration Board, signed and dated lower right, titled and dated and inscribed on verso, stated size by artist on verso 17 x 22 1/2", frame 29 ¼ x 3

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