New York Historical platter

A 19th century Historical Blue Staffordshire "New York From Heights Near Brooklyn" platter by A. Stevenson. Oblong with notches at the rim, transfer-decorated at the well with two young men in the for

Clews "Landing of Lafayette" deep blue historical Staffordshire transferware platter depicting the cannon salute to the Marquis de Lafayette at Castle Garden New York August 16, 1824, vibrant color an

Historical blue platter, with scene “Landing of General Lafayette at Castle Garden New York, 16 August 1824”. Stamped on base Staffordshire, Clews, Warranted. Made by James and Ralph Clews

Staffordshire Clews Historical Blue Platter, States pattern by James and Ralph Clews, depicting 15 states with state border: New York, Delaware, Virginia, New Hampshire, Massachusetts, Rhode Island, C

Second quarter 19th Century. "Castle Garden Battery, New York" with shell border. Impressed "E. Wood & Sons..." Some wear and scratches. 14.5" x 18.5".

Second quarter 19th Century. "Castle Garden Battery New York" with shell border. Impressed "E. Wood & Sons..." Wear, stains, scratches and some flakes. 14.5" x 18.5".

Historical Blue Staffordshire China "Castle Garden Battery, New York" Platter. Impressed Enoch Wood & Sons, 14-3/4'' x 18-3/4''.

STAFFORDSHIRE AMERICAN HISTORICAL TRANSFER-PRINTED CERAMIC PLATTER, featuring the "LANDING OF GEN. LA FAYETTE / At Castle Garden New York, 16th August 1824", as printed to bottom, depicting the arriva

Pick Ax used at the ground breaking for the start of the Pick Ax has two plates attached. The top says "Hon. George Deb Keim Commissioner The Port of New York Authority" the second states " This Pick

A group of three silver marrow scoops / spoons, two of New York historical interest, William Garret Forbes (1751-1840), George W. Welsh (active c. 1850s), New York, NY, and maker "JM," late 18th to mi

1859 New York Historical Token UNCIRCULATED

19th- early 20th c New York reference books- 1845 "A History of Long Island", 1854 George Lippard "New York its Upper Ten and Lower Million" (lacking frontis, two pages torn with losses), 1860 Gazette

GOSPEL SINGERS FROM ADAM CLAYTON POWELL’S CHURCH IN HARLEM, KINGSBORO HOUSING PROJECT, 1946, gelatin silver print mounted to card, signed and titled on back of card, overall 15 x 19 ¼”; Historica

The Bulls and Bears in the Market" New York Historical Society Print 36"x27

This lot contains Full Set Of 50 Postcards Mater Photographers Famous Pictures New York Historical Society. The back of all of the postcards are blank. Each Postcard is approx 3 3/4" x 5 1/2".

NY License Plates

John Pope (American, 1820-1880) Cozzen's Hotel at West Point oil on canvas. Signed J. Pope (lower left). 18 x 30 in. A private upstate New York historical society.

18th C. American School Painting of General John Sullivan. Exhibited at the New York Historical Society in 1934. Label attached verso. Indistinct writing on canvas verso. Oil on Canvas. Sight Size: 14

This exquisite large folio bird print is from the commission of The New-York Historical Society Edition of Audubon's Fifty Best Watercolors. The work was done by the New-York Historical Society and Op

Oppenheimer Audubon Plate 211 Great Blue Heron, J. J. Audubon's 50 Best Watercolors - The New-York Historical Society Edition, signed and numbered on back of print, 25/200, unframed, sheet size 36" x

The Inheritance, 1886 Oil on panel Signed and dated 1886 lower right, framed h. 17-1/4 w. 21 in. overall: 23-1/2 x 26-1/4 in. (frame) Provenance: New York Historical Society, the Bryan Collection (lab

Old Masters style Painting of the Holy Family with a Lamb, after Raphael oil on panel. Signed Laudis (lower left). 11 3/8 x 8 1/4 in. A private upstate New York historical society.

Oppenheimer Audubon Plate 261 Hooping Crane, J. J. Audubon's 50 Best Watercolors - The New-York Historical Society Edition, signed and numbered on back of print, 25/200, with original sleeve and hardc

After John James Audubon (American, 1785-1851) American White Pelican. Color offset lithograph from "Audubon's Fifty Best Watercolors" with blindstamps of New York Historical Society and Oppenheimer E