Painting, William Coulter

William Alexander Coulter (American/Irish, 1849-1936), Clipper Ships Under Sail, oil on canvas, unsigned, canvas: 24”h x 36”w, overall (with frame): 31.25”h x 43.25”w. Provenance: Deaccessione

William Alexander Coulter (American/Irish, 1849-1936), “Clipper Ship - George Thompson,” oil on canvas, unsigned, artist title placard lower center, canvas: 24”h x 36”w, overall (with frame):

William Alexander Coulter (American, 1849-1936), Windmill Harbor Scene, oil on panel, signed lower right, gallery label (Maxwell Galleries, San Francisco, CA) affixed verso, panel: 12"h x 20"w, overal

William Alexander Coulter (American, 1849-1936), Gulls Over Crashing Waves, oil on board, signed lower right, board: 10"h x 16"w, overall (with frame): 18.25"h x 24.15"w

Attributed to William Alexander Coulter (American, 1849-1936), Cargo Ship at Sea, oil on canvas board, signed lower right, sight: 11"h x 18.5"w, overall (with frame): 14.25"h x 21.5"w. Provenance: Pri

William Henry Margetson (British, 1861-1940), Untitled (The Letter), oil on canvas, signed lower right, canvas (sight): 40"h x 24"w, overall (with frame): 45.25"h x 29.25"w

William Keith (American 1838-1911), View of Mount Shasta, oil on canvas, signed lower right, canvas: 16"h x 21"w, overall (with frame): 22"h x 27.25"w

William Wendt (American, 1865-1946), California Landscape Study, oil on canvas board, signed lower left, board: 12"h x 16"w, overall (with frame): 16.5"h x 20.5"w

William Henry Clapp (American, 1879-1954), "Hills of Berkeley," circa 1930, oil on masonite, unsigned, artist plaque and gallery label (Montgomery Gallery, San Francisco, CA) with title affixed verso,

William S. Burroughs (American, 1914-1997), Shotgun Art, spray paint on wood, overall (unframed): 40.5"h x 38"w

William Skilling (American/British 1862-1964) , Tiger, oil on canvas, signed lower right, canvas: 48"h x 60"w, overall (with frame): 53.75"h x 65.5"w

William Wendt (American 1876-1945) View of the Valley oil on board signed lower right board: 6.75""h x 9.5""w overall (with frame): 12.5""h x 15.25""w

William Trost Richards (American, 1833-1905), Moon Over the Waves, 1874, watercolor on board, signed and dated lower right, sight: 11.75"h x 24"w, overall (with frame): 19.25"h x 31.25"w

William Trost Richards (American, 1833-1905), Waves Along the Coast, oil on panel, signed lower left, panel: 8.75"h x 19"w, overall (with frame): 11.75"h x 22"w

William Keith (American, 1838-1911), Untitled (Bucolic Landscape), oil on canvas, signed lower left, canvas: 16"h x 25"w, overall (with frame): 25"h x 34"w

William Gropper, (American 1897-1977), Untitled (Portrait of a Tailor), oil on canvas, signed lower left, 25.5"h x 21.25"w, overall (with frame): 35.5"h x 31"w. Provenance: Estate of Lou Grant (Oaklan

William Theophilus Brown (American, 1919- 2012), Untitled (Still Life with Lemon), oil on canvas, signed lower right, canvas: 24"h x 29.75"w, overall (with frame): 25.5"h x 31.25"w. Provenance: Privat

William Fettes Douglas (Scottish, 1822-1891), "The Monk," oil on panel, panel: 12"h x 10"w, overall (with frame): 21"h x 19.25"w. Provenance: Private Collection, Newport Beach, California. Note: Most

William Henry Haines (British, 1812-1884), "Gondolas on the Grand Canal at Sunset," 1865, oil on canvas, signed lower right and dated, Christie's labels affixed verso, canvas: 24"h x 36"w, overall (wi

William Keith (American, 1838-1911), Evening Oaks, oil on canvas, signed lower left, canvas: 22"h x 28"w, overall (with frame): 34.5"h x 40"w

William Theophilus Brown (American 1919-2012) Still Life with Flowers 1967 oil on board initialed and dated lower right board: 12.5""h x 16""w overall (with frame): 13""h x 16.75""w

William Hubacek (American, 1871-1858), The Hunter's Ducks, 1909, oil on canvas, signed and dated lower right, canvas: 12"h x 18"w, overall (with frame): 14"h x 20"w

William Constable Adam (American, 1846-1931), Pacific Grove, Ocean View, oil on board, signed lower left, board: 12"h x 16"w, overall (with frame): 15.5"h x 19.5"w

Antique Oil on Canvas Painting By William Edward Webb (1862 - 1903). This marine scene is done following the most characteristics thematic rules and details of Romanticism with a heavy influence of th