Philip Little - Three Dry Point Engravings

Philip Little (b. Swampscott, 1857, d. Salem, MA, 1942). Three Dry Point Engravings. Comprising "Derby Wharf, Salem, MA," signed "PHILIP LITTLE 1915" in the plate lower left, and "Philip Little 1915"

After Rembrandt van Rijn (Dutch, 1606-1669), "Three Trees," etching,drypoint engraving. image: 8.25"h x 10.75"w. Framed under non glare glass, 17.50"x13.50"x1". Weight 2 pds. PROVENANCE: A Charleston

Title: Three of a Kind.Artist: Leonard Robert Brightwell (1889-1962) Drypoint engraving Signed in pencil Image size 7 x 6 7/8" (17.7 x 17.4 cm). Leonard Robert Brightwell 'Leonard Brightwell': An ou

Frame size: 16 1/4" X 20", Plate size: 8 3/8" X 10 1/8". Line engraving with a little drypoint, edition 50, published: Beaux Arts Gallery, March 1928. Excellent condition, fresh looking with a low num

This is an original drypoint etching by American artist Phillip Little. The title is: Steam Trawler and Freighter. It was created and printed in 1917, it is hand signed and dated in pencil lower borde

Three Original Etchings, pencil signed by Artist Philip Kappel. One cancelled plate, Mid 20th Century, Each Framed, good condition, Size varies. Keywords: Art, Artist, Drypoint, Print

after Rembrandt- ''Three Trees''- etching, by Armand Durand, aritst red stamp verso. 8 1/4 x 10 7/8''

19th century English font sportsman hunt scene engraving titled THE OLD BERKSHIRE HUNT. Engraving aquatint and drypoint mediums. Plate measuring approx 23" tall x 28" wide and paper approx 30" tall x

drypoint, lithograph, fine gold embossing, and embossing with Pseudoscopic relief, 1975, pencil signed and numbered 48/90, presented in custom double-sided giltwood frame. SS 22 x 29 3/4 in.; DOA 33 x

the first: Richard Evett Bishop (1887-1975), Up and On, etching and drypoint, pencil signed, titled, and dedicated lower margin; the second: Churchill Ettinger (1903-1985), drypoint, pencil signed low

to include a chromolithograph after Louis Icart titled La Lettre published by Morris & Bendien, Inc., New York; a pencil-signed reproduction boudoir print titled Bon Jour; and an etching, drypoint and

Three 18th & 19th Century Prints. Includes an engraving after Giovanni Gaulli by Arnold Van Westerhout, an etching with drypoint by Salvator Rosa entitled "Democritus", and one other print with "Pesta

A Group of Three Dry-Point Etchings by Roland Clark (1847-1957) comprising Ducks Flying Over a Landscape, Flying Swans and Flying Ducks. First example: 18 3/4 x 21 3/4 inches.

Timothy Jon Struna Hand Colored Dry Point Engravings "Great Point" and "Brant Point Lighthouse", Brant Point #9/100, Great Point #6/100, matted and framed together, pencil signed and Remarque 3 in. x

Dry point engraving by Audron Dobfemly, ca. 1949, 36 x 24

Salvador Dali Tristan & Isolde Suite Dry Point Engraving Initialed by the artist 125 in the edition Very special. Hand signed and numbered. Includes certificate and is custom framed.

Antique pair of French School dry point engravings after paintings by Joseph Vernet depicting countryside scenes, 19th century Measures: 26.5" H x 20.5" W x .75" D frame; 24" H x 18" W sight.

Salvador Dali Tristan & Isolde Suite Dry Point Engraving Initialed by the artist 125 in the edition Very special. Hand signed and numbered. Includes certificate and is custom framed.

Albert Sterner American, 1863-1946 dry point engraving. Approx. 14"t by 16"w. In good condition, see photos.

A signed engraving by well-known Southwestern artist, Henry Ziegler. The dry-point engraving, titled “Riding to the Ranch”, details a cowboy, hat in hand, galloping through the plains. The

"Charleston Spire (St. Philip's Church), drypoint & etching, pencil signed with snail monogram lower right, titled on label verso from Arnould Gallery of Marblehead, Mass. Housed in black stick frame,

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

LE LIT GROS ÉDREDON (WITH LIPS) (MOMA 480.3/XI)Color etching, aquatint, drypoint and engraving, 1997, on Somerset paper, signed, dated and numbered 14/100 in pencil, printed by Harlan & Weave

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference