Pierre Picot (b. 1948) French California

LOOKING AROUND, 1972, acrylic painting on paper, signed and dated and titled in pencil, sheet 12 ½ x 12 ½”, frame 22 x 26” with glass. Provenance: Antal Fine Art.

1981; oil pastel on paper; signed and dated lower right; Provenance: Maro Leavin Gallery, Los Angeles; 69 x 42 inches

Pierre Pivet (French, b. 1948), "Le Grand Bouquet", oil on canvas, signed lower right and titled en verso. Floral bouquet still life. Note: Accompanied by copy of COA from Vendome Editions. Provenance

Pierre Pivet (French, b. 1948), "Vinise", oil on canvas, signed lower right, signed and titled en verso. Sunset Canal scene of Venice. Provenance: From the Estate of Sheldon C. Brooks of Atlanta, Geor

WHISPER OF HEAVEN, acrylic painting on canvas, signed lower right, signed and titled on verso, 60 x 70”, frame 92 ¼ x 92 ¼ x 4”.

COMMON VESSEL/ LIFE CYCLE, kiln fired paint and decals on glass, a signature not found, 15” tall, 4” diameter. From the Ellie Gorman Estate.

UNTITLED, 1978, gouache and color pastel on paper, signed and dated and inscribed lower right, sight 23 ½ x 17 ½”, Plexiglas box frame 35 ½ x 25 ¼”. From the Co

JEWEL, 1978, encaustic painting on panel, signed and dated and titled and inscribed on verso, 17 ½ x 14 ¼”. From the Collection of Laura Lee Stearns, Los Angeles.

UNTITLED DRESS, 1975, mixed media with glass fragments, cloth dress, and epoxy mounted to Plexiglas, a signature not found, 21 x 19 ½”. Caution: Sharp edges.

TABLESCAPE / WAITING, HOW THE CAT SEEKS AT DUSK (P-164), 1982, oil painting on canvas, signed and dated lower right, signed and dated and inscribed on verso, 66 x 46”. Exhibited at Tortue Galler

ENCHANTED LOVE, color giclee on canvas with remarque, signed lower right, numbered 11/195, with artist’s copyright stamp on verso, 24 x 36”, frame 36 ¾ x 39 x 4”. Provenance:

MY ENCHANTED SONG, color giclee on Masonite with remarque, signed lower right, numbered 142/195, with artist’s copyright stamp on verso, 10 x 8”, frame 18 x 16”, with artist’

Oil on canvas 30 x 24 in. (canvas), 33 x 27 in. (framed). Lynn L. Gertenbach is a California impressionist landscape painter of places near her home by Malibu State Park, near Los Angeles. Gertenbach

MATISSE & MAN RAY ENVELOPES, 1992, two color lithographs, each signed and dated and inscribed CTP (color trial proof) III & 9/45, Man Ray published by LACMA Graphic Arts Council, with blind stamp lowe

Oil on canvas 30 x 24 in. (canvas), 33 x 27 in. (framed). Lynn L. Gertenbach is a California impressionist landscape painter of places near her home by Malibu State Park, near Los Angeles. Gertenbach

SUSPENSION, LOSING ONE’S GROVES, 1981/82, oil painting on paper, signed and dated lower right, 22 x 28”, finger-jointed frame 24 ¾ x 32 ¾” with Plexiglas.

BULLS HEAD, 1998, polychrome patina bronze, signed and dated and numbered 4/50 underneath, overall 18 x 7 ½ x 7” including marble base. Provenance: From the CODA Collection, CODA Gallery, P

WOMAN WITH PEACOCK FEATHERS, oil painting on canvas, signed lower right, 40 x 30”, frame 43 x 33”.

WEE WANKLER, 1978, sewn paper and fabric, possibly signed on verso, 16 x 20”, Plexiglas frame 22 ¼ x 30 ¼ x 1 ¾”. Provenance: Joyce Hunsaker & Associates.

J. Craig Thorpe (American, B. 1948) "French Steam Passenger Express" Signed lower right. Original Oil on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.

MIGRATING ICHIBAN, 1981, color monotype, Tobey Michel Angeles Press blind stamp lower right. plate 9 x 7”, sheet 13 ¾ x 12 ½”, frame 16 ½ x 14 ½” with Ple

Acrylic on canvas 11x9 in, 19x17 in (framed)

Sam Racina (American, b. 1948), "California Landscape," 1976, oil on canvas, initialed lower right, signed and dated verso, artist label with title affixed stretcher bar verso, canvas: 18"h x 36"w, ov

UNTITLED (Red Sky at Sunset with Lightning), oil painting on canvas, signed lower left, 24 x 36”, inventory #99899, framed, in good studio condition. Provenance: acquired directed from artist by pre