Postmodern Espresso Pot by Ettore Sottsass for Lagostina

A quintessentially postmodern espresso pot/coffee maker designed by the Memphis Milano master, Ettore Sottsass, for Lagostina in the 1980s. From Lagostina's Accademia line, this rare piece was made in

A quintessentially postmodern espresso pot/coffee maker designed by the Memphis Milano master, Ettore Sottsass, for Lagostina in the 1980s. From Lagostina's Accademia line, this rare piece was made in

A quintessentially postmodern and very rare coffee set designed by the Memphis Milano master, Ettore Sottsass, for Lagostina's Accademia lin in the 1980s. Made in Italy, this set includes a metal stov

Postmodern Ettore Sottsass Knoll Eastside Lounge Chair. This is an original "Eastside" lounge chair made by Italian designer Ettore Sottsass for Knoll International. This Memphis Style colorblock chai

Postmodern Leather Ettore Sottsass Knoll East Side Chair. This chair should have a neckrest, which is missing, you can see the two holes where the neck rest would have went.Dimensions are 27.75 in h x

Ettore Sottsass for Knoll International Postmodern Memphis Style 'East Side' pair of armchairs in upholstered two-tone leather on metal base with Lucite feet discs. 33" H x 54" W x 30.5" D.

Italian postmodern Memphis style bench attributed to Ettore Sottsass. Features black finished tubular steel with brown leather wrapped seat and dense foam backrests. Good condition with staining to th

Ettore Sottsass , 'Tea Pot' (Lapislazuli) poster, 1973 , 51 x 42 cm (plate), 69.7 x 50 cm (paper). Colour offset print on Zebriano paper. Plate marked: TIGER PINXIT 1973. Numbered, signed and dated be

Ettore Sottsass , 'Tea Pot' (Cherries) poster, 1973 , 51 x 42 cm (plate), 69.7 x 50 cm (paper). Colour offset print on Zebriano paper. Plate marked: TIGER PINXIT 1973. Numbered, signed and dated below

Ettore Sottsass, 'Cherries' coffee pot, 1972, H. 27.5 cm. Made by Alessio Sarri, Sesto Fiorentino. Earthenware, glazed dark red, green, white and blue. Marked: A. SARRI, facsimile signature Ettore Sot

Four Mandarin Dining Chairs Designed by Ettore Sottsass for Knoll - Postmodern Memphis Style Dimensions: H: 32.5 inches: W: 18 inches: D: 22 inches - Seat Height: 18 inches --- We offer curbside deliv

Classic 80s Memphis design Post Modern telephone by Ettore Sottass for Enorme in Red, Yellow and Matte black. David Kelley and Ettore Sottass collaborated to form the Enorme Corporation. Examples of t

17in H x 24in diameter ; small chip in laminate

6 in H - 6 in Square

Made in Italy - 6 in H - 6 in Square

Post Modern black metal bench attributed to Ettore Sottsass. Solid welded construction, with spring back rounded corner. Excellent condition, (minor paint wear, see photo). Measures 15" x 41" x 29.5"

(3) Postmodern silver-plated candlesticks designed by Ettore Sottsass for Swid Powell; each stamped under candle cup. Dimensions: (Tallest) H 13.5" x W 3.25" x D 3.25" Condition: Showing normal surfac

Ettore Sottsass for Olivetti Italian Postmodern 'Valentine' typewriter with red case. 4.5" H x 14" W x 14" D.

Italian, circa 1980s. A postmodern plastic coated purple table base in the style of Ettore Sottsass for Memphis Milano, comprised of tapering concentric disks in an hourglass form. Apparently unmarked

Geometric postmodern sculptural steel table lamp in the style of Ettore Sottsass for Swid Powell, 1980s. 30.5 in. tall including harp and matching finial.

Raised two-door painted metal cabinet with perforated doors and cone-shaped feet in the style of Ettore Sottsass Jr., Italy, 1980s.

Cache-pot. Legno di faggio tinto all'anilina. Produzione Poltronova, anni '60. cm 56x25x25 A CACHE-POT BY E. SOTTSASS Domus, n. 440, luglio 1966, p. 78- Pier Carlo Santini, Facendo mobili con Poltrono

A perfectly postmodern telephone handset designed by the Memphis Milano master, Ettore Sottsass, and produced in 1986. The Enorme telephone was the result of a collaboration between Sottsass and David

Pair of Post-Modern chairs in raspberry color ultra suede. Designed by Jane Dillion (b.1943) who studied under Ettore Sottsass in the late 60's. Dillion collaborated with Peter Wheeler. They have a fa