Pre-Raphaelite Watts Gilt Oak Frame 32" x 40"

English, ca. 1880, gilded oak cassetta profile with acanthus top edge. Overall 45 1/2" x 53 1/2", Rabbet 32" x 40", Molding 7" .

English, ca. 1880, gilded oak cassetta profile with acanthus top edge. Overall 19" x 20", Rabbet 11" x 12", Molding 4"

English, ca. 1880, gilded oak cassetta profile with acanthus top edge. Overall 17 3/4" x 23 3/4", Rabbet 10" x 16", Molding 4"

English, ca. 1880, gilded oak cassetta profile with acanthus top edge, together with a liner for another Watts frame of the same style. Frame: Rabbet 4 1/2" x 8", Overall 11 1/2" x 14 3/4", Molding 3

English, ca. 1880, gilded oak cassetta profile with acanthus corners. Rabbet: 9 1/2" x 12 1/2" Overall Dimensions: 15 1/4" x 18 1/4" Molding Width: 3 1/4"

English, ca. 1880, gilded oak cassetta profile with acanthus top edge. Rabbet: 7" x 9" Overall Dimensions: 13 1/2" x 15 1/2" Molding Width: 3 1/2"

Pre-Raphaelite Style Enhanced Giclee of a Maiden. Enhanced giclee on board depicting a pre-Raphaelite style maiden. Framed in an ornate gilt frame. Frame measures 50.75 inches x 40.5 inches.

American, ca. 1890, having overlaid gilt ornament. Rabbet: 26 3/4" X 34 3/4". Overall: 32 1/2" X 40 1/2". Molding: 3 1/2".

Maurice Fincken, ca. 1930, carved and gilded, bears carved signature verso, Fincken was known to make frames for many American artists of the 20th century including John Sloan. Overall 40" x 48", rabb

Newcomb Macklin, ca. 1910, having impressive scale. Overall 43 1/2" x 51", Rabbet 32 1/2" x 40", Molding 5 3/4".

A Devon Lane, Barnyard With Chickens, Oil On Canvas, Signed Lower Right, 22 x 30 Inches, Antique Gilt Wood Frame, 32 x 40 x 3 Inches, Active Paint Flaking Center Right, Discolored Varnish Layer, Later

(New York, 1858-1909) Reading Love Notes, signed lower left "W. Verplanck Birney 93", oil on canvas, 20-1/8 x 28-1/8"; original gilt wood and composition frame, 32 x 40 in.

Large Antique American Gilt/Wood Frame Overall Size: 32 x 40 in.Sight Size: 22 x 29 3/4 in.

(Scottish, 1803-1878)Sir Richard Sutton on the Quorn Hounds, 1855, Thomas McLean, London, publisher, hand colored engraving, image 16-7/8 x 28 in.; modern parcel gilt wood frame, 32-1/2 x 40-3/8 in. -

Country Scene Oil on Canvas in Oak & Gilt Accent Frame . 32" X 26"

19TH C CIVIL WAR UNION PRINT IN GILT AND OAK FRAME 27 X 32" 16 X 20"

(Belgian, 1854-1902) Reading by a Pond, signed lower right "G. Vanaise", oil on linen, 17-1/4 x 25-3/4 in.; gilt oak frame, 24-1/4 x 32-3/8 in. Provenance: The Estate of Peter H. Tillou, Litchfield, C

(19th/20th century)The Procession, signed indistinctly lower right "R. L_" (?), oil on canvas, 23-3/4 x 31-5/8 in.; fine gilt wood and composition frame, 32-1/2 x 40-1/2 in. - Provenance: Private Coll

William Fischer (British. 1817-1895), "Portrait of William Westwood Chafy, Esq.", oil on canvas, mid-19th C, no visible signature, gilt carved frame, 40" x 32", framed 47-1/2" x 39-3/4", very good con

Jean Benner (French, 1836-1906), On the Isle of Capri oil on canvas, signed at lower left, presented in an ornate period gilt composition frame. Stretcher 40 x 32 1/4 in.; Frame dimensions 50 x 42 1/4

(Columbian, 1928-2019)From My Zoo, 1964, ap 10/10, embossed print, 22-14 x 30-1/2 in.; modern silver gilt frame, green silk lined mount, 32-3/8 x 40-5/8 in. - Provenance: Private Collection, Tryon, No

Currier and Ives, New York, "Maud S. and Aldine", 1885, colored print, 28" x 40", in original oak frame 32" x 43 1/2". Provenance: Collection of Anthony Athanas, Pier 4 Restaurant, Boston, Massachuset

Newcomb Macklin, ca. 1920. Overall 32" x 40", rabbet 36" x 48", molding 2 1/4".

Loves Orchard by Edouard Bisson,1895 Painting: 21" x 28.5" Frame: 32" x 39". (From Artnet)Edouard Bisson was a French Pre-Raphaelite painter. He is best known for his romanticized paintings of women i