Print, John Haley

John Haley (American, 1905-1991), "Virginia City," stone lithograph, pencil signed and titled lower margin, edition 91/150, image" 9"h x 11.25"w, overall (with frame): 17"h x 20.75"w

Beautifully carved wood eagle BY John Haley Bellamy (American, 1836 - 1914). Banner reads "Don't Give Up The Ship". Marked on back "May 1 1891 John Haley Bellamy Kittery Maine" and a faint signature "

"Berkeley", modernist street scene Oil on canvas Signed, titled and dated lower right: John C. Haley / 1930 / Berkeley 19" H x 26" W Provenance: Property of the Fine Arts Museums of San Francisco, sol

Rites of Dionysus, 1948
 Oil on canvas Signed on recto Image: 30 x 25 inches; Framed: 39 x 33.75 inches Provenance: Exhibited at the Third and Fourth Annual Exhibitions of Painting of the Califo

Attributed to John Haley Bellamy (American/Maine, 1836-1914). Carved and painted eagle plaque with a banner reading "Don't Give Up the Ship". Apparently unmarked. Provenance: Sold for $8.860 at James

John Sloan (American, 1871-1951), "Indian Detour," etching, pencil signed lower right, titled lower center, edition of 100, image: 6"h x 7.25"w, overall (with mat): 13"h x 13.5"w

John Cage (American 1912-1992) ""Smoke Weather Stone Weather "" 1991 37 unique color prints: spit bite and sugarlift aquatints with softground etching on smoked paper pencil signed and dated lower rig

John Baldessari (American, b. 1931), Person with Conscience (Green) Animals Quiescent, 1991, photogravure and aquatint in colors, on irregularly shaped Somerset (as issued) paper, pencil signed and da

Beautifully carved wood eagle by John Haley Bellamy (American, 1836 - 1914). Nice hand carved figure finished in a dark brown stain. This example comes direct from Kittery Point Maine. Condition:(Very

John Melville Kelly (American, 1879-1963), “Bread Fruit- Hawaii,” etching, pencil signed lower right, titled lower left, image: 11"h x 10"w, sheet: 14"h x 11.5"w

John Melville Kelly (American, 1879-1962), "Bread Fruit, Hawaii," etching with aquatint, pencil signed lower right, titled lower left, image: 10.75"h x 9.75"w, overall (with frame): 21"h x 18"w.

John Haley III (20th Century) USA, wrought iron table with wood top. Features an Art Nouveau inspired, organic form iron base with a wood top with applied patina giving the wood top a weathered copper

John Andreas Savio (Norwegian, 1902-1938), "Ro," woodcut, pencil signed lower right, titled lower left, image: 8"h x 10"w, sheet: 8.75"h x 11"w, mat: 10.5"h x 12.75"w

John French Sloan (American, 1871-1951), "14th Street, The Wigwam," 1928, etching, pencil signed lower right, edition 100/100, overall (with frame): 22"h x 18.5"w

John Marin (American, 1870-1953), "Ponte Paradiso, Venice," 1907, etching, pencil signed lower right, plate signed and dated lower left, titled lower right, edition 2/30, image: 7"h x 5"w, sight: 7.5"

John Charles Haley (American, 1905-1991), "Torque," painted wood sculpture, signed and numbered (#384) on bottom base, overall (with wood base): 39"h x 12.75"w x 6.5"d

John Martin (British, 1789-1854), "Satan in Council," circa 1824, mezzotint and engraving, image: 18.5"h x 27.5"w, overall (with frame): 25.5"h x 32.5w. Reference: Campbell-Wees, 87

John Melville Kelly (American, 1879-1963), “Mokihana- Hawaii,” etching, pencil signed lower right, titled lower left, image: 8"h x 10"w, sheet (unframed): 9.75"h x 12.5"w

Massachusetts Hall, Unitarian Church, Harvard College, 1859. Photograph is attributed unequivocally to Whipple, but is unsigned as is typical of Whipple's Harvard salt prints. Look online for 'Salt Pr

John James Audubon (American, 1785-1851), "Canis (Vulpes) Fulvus, American Cross Fox," 1843, lithograph with hand coloring, printed by John T. Bowen, sight: 17.75"h x 23.5"w, overall (with frame): 32.

John Haley (American 1905-1991)- ''Mining the Gold Slope''- lithograph, 1937, sgined, titled and numbered 1/10 in pencil, very good condition. 12 x 9 1/4''

John McCrady (American, 1911-1968), "The Robert E. Lee and the Natchez," 1945, lithograph, pencil signed lower right, titled lower left, image: 9.75"h x 14.5"w, overall (with mat): 14"h x 18"w

John Haley (American 1905-1991)- ''Mining the Gold Stope''- lithograph, 1936-37, signed, titled and numbered 7/10 in pencil, faint toning. 12 x 9 1/4''

John Coburn (Australian, 1925-2006), "Walbiri," 1984, screenprint, pencil signed lower right, titled lower center, edition 69/70, image: 28"h x 19"w, sheet (unframed): 30"h x 22.5"w