Reginald Marsh engraving First Image

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Reginald Marsh engraving First Image

Reginald Marsh engraving

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Signed Reginald Marsh Engraving (1 of 13)

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Reginald Marsh engraving Reginald Marsh (1898-1954) ''Drum Majorette'' (Sasowsky 204)- engraving, 1947, signed in pencil, slightly light struck. 11 3/4 x 6''

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Reginald Marsh engraving (1 of 5)

Reginald Marsh engraving Reginald Marsh (American 1898-1954)- ''Pickaback'' (Sasowsky 180)- engraving, 1939, annotated 'proof' in pencil, published in 1969, in an edition of 100 by the Whitney Museum of American Art, good con

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Reginald Marsh (1 of 7)

Reginald Marsh (American, 1898-1954) G String (Sasowsky 172), 1936, one of 40 proofs, final state, signed lower right in pencil "Reginald Marsh", engraving, plate 9-3/4 x 7-13/16 in., sheet 11-3/4 x 9-5/8 in.; gilt

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Reginald Marsh - Merry Go Round - Engraving (1 of 6)

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Reginald Marsh Burlesque Social Realist Engraving (1 of 6)

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Reginald Marsh (American 1898-1954) (1 of 6)

Reginald Marsh (American 1898-1954)Reginald Marsh (American 1898-1954) A Morning in May, 1936,etching, unsigned (as usual for the Whitney edition) From: Reginald Marsh, Thirty Etchings and Engravings Edition: 114, regular edition of 10

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Reginald Marsh (American 1898-1954) (1 of 6)

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Reginald Marsh, Merry-Go-Round (1 of 3)

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REGINALD MARSH (1898-1954) "PEOPLES FOLLIES" (1 of 9)

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Reginald Marsh, Battery (Belles), 1938 (1 of 2)

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Reginald Marsh, Grand Tier the Metropolitan Opera (1 of 2)

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Reginald Marsh (American, 1898-1954) Striptease in New Jersey, 1951 (1 of 5)

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Reginald Marsh (American, 1898-1952) 30 etchings (1 of 10)

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Reginald Marsh (1898-1954) (1 of 13)

Reginald Marsh (1898-1954)A MORNING IN MAY; PEOPLES FOLLIES; PICKABACK; DRUM MAJORETTE (SASOWSKY 169, 178, 180, 204) Four engravings, 1936, 1938, 1939 and 1940, respectively, on wove paper, the fourth signed, the first and sec

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Reginald Marsh
(American, 1898-1954)
Box at the Metropolitan, 1934; Striptease at New Gotham, 1935; (1 of 4)

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