REMBRANDT HARMENSZ VAN RIJN (NACHFOLGER DES 18. JH.)

REMBRANDT HARMENSZ VAN RIJN (NACHFOLGER DES 18. JH.) 1606 Leiden - 1669 Amsterdam PORTRÄT EINES BÄRTIGEN ORIENTALEN Öl auf Eichenholztafel. 37,5 cm x 28,5 cm. Verso: Altes Etikett des Kunstauktions

HARMENSZOON VAN RIJN REMBRANDT 1606 Leiden - 1669 Amsterdam (Nachfolger des 19. Jh) Hauptmann mit Lanze Öl auf Leinwand. 113 cm x 92 cm. Rahmen.

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DER ENGEL VOR DER FAMILIE DES TOBIAS VERSCHWINDEND Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 14 x 18

Teller Delft. 20.Jh. Keramik. Im Spiegel Selbstporträt des Künstlers Rembrandt van Rijn in naturalistischer Sepiamalerei. Floraldekor am Rande des Teller. D 40 cm.

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE GROSSE KREUZABNAHME Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 54 x 41,5 cm, DM 52,5 x 41 cm (R.

CIRCLE OF HARMENSZ VAN RIJN REMBRANDT 1606 Leiden - 1669 Amsterdam STUDY OF A BEARDED OLD MAN WITH A HAT Oil on oak panel. 15,5 x 11,5 cm (f. 22,5 x 18,5 cm). Part. min. old rest. Frame. Provenance: R

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Medium: Etching. Title: Six's Bridge (B., Holl. 208; H. 209), c. 1645. Dimensions: 8.5 X 5 inches (etching), frame: 12 x 16 inches. Lot note and provenance: Private collection, Maryland. The etching w

PETER PAUL RUBENS (NACHFOLGER DES 18. JH.) 1577 Siegen - 1640 Antwerpen PORTRAIT DER ERZHERZOGIN VON OESTERREICH ISABELLA CLARA EUGENIA ALS NONNE, TOCHTER KÖNIG PHILIPPS II VON SPANIEN (1566- 1633) �

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Rembrandt Harmensz. Van Rijn (1606-1669): The Rat Catcher Etching in black on laid paper. 5 3/4 x 4 /8 in. (sheet), 8 1/2 x 8 1/4 in. (frame). Property Formerly in the Collection of Doris Gottlieb Bri

BARTOLOMEO ESTEBAN MURILLO (FOLLOWER OF THE PROBABLY 18TH CENTURY) 1618 Seville - 1682 Ibid JESUS AND JOHN THE BAPTIST AS CHILDREN Oil on canvas (old relined). 44,5 x 55,5 cm (F. 66 x 80 cm). Part. di

RAISING OF LAZARUS (B.73; H.73), etching on wove paper, sight 14 x 9 ¾”, label on verso states late Basan/ early 19th Century impression, hand-made custom frame 27 x 25” with glass.

THE DEATH OF THE VIRGIN (B.99), 1659, etching on wove paper, probably a Armand Durand edition, image 15 ½ x 12 ¼”, full margins, hand-made custom frame 32 x 28” with glass.

Rembrandt Harmensz van Rijn (1606-1669) etching, sheet of studies; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame.

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Rest on the Flight to Egypt," B. 57 III; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 190. Probably a 19th century impres

Rembrandt Harmensz van Rijn (1606-1669) etching,"Abraham's Sacrifice," 1655; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably an 18th or 19th century impression. No

Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch painter and etcher considered one of the greatest artists in European history. He is known for his mastery of light and s

Rembrandt Harmensz van Rijn (1606-1669) etching, Dutch landscape. Illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably a 19th century impression. Not examined out of the frame. A

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Nach Rembrandt Harmensz van Rijn (1606-1662), 'Landschaft mit Boot und Windmühle' / 'Landscape with boat and windmill', Entwurf 1642 Technik: Kupferstich auf Büttenpapier, hinter Passepartout, Signa

Rembrandt Harmensz van Rijn (1606-1669) etching,"Jan Cornelis Sylvius, Preacher," B. 46-E, 1646; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon. Probably an 18th or 19th century impr