Rembrandt van Rijn (1606-1669) Three Heads of Women, One Asleep

Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on thick cream laid paper without watermark, platemark 142

REMBRANDT VAN RIJN (Dutch, 1606-1669)Three Heads of Women, One Asleepetchingsheet: 5 1/2 x 3 7/8 in., frame: 12 1/2 x 9 3/4 in. Provenance: The Collection of Louis Joseph; by descent to the current o

REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Three Heads of Women, One Asleep”, 1637. Usticke's first state (of three), New Hollstein’s second state (of three), printed after the fir

REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP":Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8";

(lot of 2) Framed etchings on paper, including: (1) "Three studies of old men's heads," after Rembrandt van Rijn (Dutch, 1606-1669), sight: approx 3 7/8"h, 3 3/8"w, overall: 9.75"h, 9.25"w, (1) Landsc

Rembrandt Van Rijn, Dutch (1606 - 1669) Etching "Bust of an Old Man with Flowing Beard: the Head Inclined Three-Quarters Right". Signed and dated 1630 in plate. Toning, stains. Measures 3-13/16" x 3-3

(Dutch, 1606-1669) Three Studies of Old Men's Heads, after the rare work by Rembrandt from 1630, possibly 19th century by an unknown artist, etching, sheet 4-1/4 x 3-1/2 in.; wood frame, 8-3/4 x 7-7/8

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

Pair Of Metropolitan Etching Prints, lot includes one Print with writing on it "landscape with three trees, 1643. Rembrandt Harmensz van von Rijn. Dutch 1606–1669. Etching, drypoint and burin, 21.2

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

After Rembrandt van Rijn (Dutch, 1606-1669), "Three Trees," etching,drypoint engraving. image: 8.25"h x 10.75"w. Framed under non glare glass, 17.50"x13.50"x1". Weight 2 pds. PROVENANCE: A Charleston

After Rembrandt van Rijn (Dutch, 1606-1669), "Head of a Rat Catcher", signed within matrix at left of cap with date. Scarce small figural etching after the Dutch master depicting a bearded male rat ca

Rembrandt van Rijn, 1606-1669; Old Woman in Black Veil also known as Rembrandt's Mother, Hand on Her Chest. Etching on paper, signed R and dated 1631 in the plate margin; silk mat and framed. Paper tr

Rembrandt van Rijn (Netherlands, 1606–1669) . Old Woman Sleeping , Etching, 1635. B350, only state; Phillips June 1994; Adhered to archival board; Trimmed to plate . 2 13/16" x 2 1/8".

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

After Rembrandt Harmenszoon Van Rijn (1606-1669). Title: Woman at a Door Hatch Talking to a man & Children. Medium: Antique hand pulled copper plate etching on laid paper after the original by master

Rembrandt van Rijn; Attributed (Dutch 1606–1669) Woman at the Well Pen and brown ink drawing On laid paper with watermark Size-10 1/8x7 7/8 in. Please note that this lot has a confidential reserve.

AFTER REMBRANDT VAN RIJN (DUTCH 1606-1669) ETCHING, "WOMAN BATHING HER FEET AT BROOK" (B200; H.298), TRIMMED TO PLATE. 6 1/4 X 3 1/8"; FRAMED AND GLAZED 11 1/4 X 8 3/4"

Rembrandt van Rijn (Dutch, 1606-1669): Set of Three Etching Restrikes. Etchings on laid paper, set in gorgeous shadow box frames. Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was

Rembrandt Harmensz van Rijn (1606-1669) etching,"The Three Trees," B. 212; illustrated in "Rembrandt: The Complete Etchings," by K. G. Boon, page 185. Probably a 19th century impression. Not examined

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

Rembrandt van Rijn (1606-1669) "Christ and the Woman of Samaria" 1658 Medium: Etching and drypoint, some plate tone; third of five states Dimensions: Sheet (Trimmed ): 4 13/16 × 6 1/4 in. (12.3 Ã