REMBRANDT VAN RIJN COTTAGE & BARN

Rembrandt van Rijn Landscape with Cottage & Hay Barn Plate Signed Etching. Image 9 1/4"c 3 3/4". Professionally framed and double matted under non glare glass. In frame 15 1/4"x10 1/4"x1" Weight 2 pds

after Rembrandt etching on watermarked paper from Van Gelder Zonen, Page size is 12 5/8" x 17 5/8", image is 12 3/8" x 5"

Artist: Rembrandt van Rijn (after) Title: The Three Cottages Year: 1880 Dimensions: 8.5in. by 7in. Edition: From the rare limited edition of 500 Suite: The Work

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669). "Cottage with a White Paling." 1648. Etching with drypoint on laid paper. Later reproduction, c 1900s of third State. Signed in the plate, l.l. Sh

Rembrandt van Rijn (Dutch 1606-1669) Landscape with a Cottage and a Large Tree Etching; 1641. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas di

Rembrandt van Rijn (Dutch, 1606-1669) "Landscape with a Cottage and a Haybarn," 1641, etching. Later 19th century printing. Size: 5.5'' x 13'', 14 x 33 cm (image); 9.75'' x 17.5'', 25 x 44 cm (board).

Original Heliogravure on paper "A Cottage with White Pales" from the Rembrandt's Etching Suite. Circa 1888. Signed in the plate. Overall framed 15" x 17 1/2".

Late 19th century, etching on paper. The Strolling Musicians, 6"h. 5"w. and cottage beside a canal. 5.5"h. 13"w. Heavily toned, some edge nicks, cottage has short tear. Unframed.

Rembrandt Van Rijn (1606-1669 )Landscape Etching "Landscape with Three Gabled Cottages Beside a Road" Signed and Dated in plate lower left 318 Old Master Size 20.5" L x 16.5" H Art 8" L x 6" H Slight

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat