Rembrandt Van Rijn, Hundred Guilder etching

Rembrandt Van Rijn, Hundred Guilder etching Frame: 23 1/2" x 19 3/4" Etching: 15 1/4" x 11" From the Estate of Daniel W Collins, Moorestown, NJ The Hundred Gilder Print (Source: metmuseum.org) The Hun

Original etching rewoked by Capt. Baillie after 1775, published by Boydell. Trimmed past the plate edge, otherwise a good impression. Size: 385 X 261 mm Reserve: $100.00 Shipping: Domestic: Flat-rate

Lot of 2 decorative etchings: after Rembrandt Van Rijn ((Dutch, 1606-1669), Christ Healing the Sick (The Hundred Guilder print). Jan Zachariasz Frey after a drawing by Zygmont Vogel (Poland 1764 - 182

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

Rembrandt van Rijn (Netherlands, 1606–1669) . Old Woman Sleeping , Etching, 1635. B350, only state; Phillips June 1994; Adhered to archival board; Trimmed to plate . 2 13/16" x 2 1/8".

Item: Rembrandt van Rijn Etching (Dutch 1606-1669) Size: 5 3/8 x 4.25 in. Rembrandt van Rijn (Dutch 1606-1669). Christ Carried to the Tomb, circa 1645 Etching and drypoint. Signed in the plate, lower

REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP":Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8";

In this tender Rembrandt Beggars Receiving Alms at the Door of a House, 1648, through Rembrandt’s extraordinary vision we witness a humble exchange between a needy family and their donor. The male f

Rembrandt Van Rijn etching Signed and dated 1628

Rembrandt Van Rijn Etching, "La Negress Couche, " 1658, etching, drypoint and engraving on laid paper, signed in the plate. Catalogue Raisonne: Bartsch 205. Matted and framed. Dimensions: 3.2

Rembrandt van Rijn, etching, Rembrandt van Rijn (Dutch, 1606-1669), "The Bathers", etching on laid paper, signed in the plate lower left, possibly c. 1651 (marked B195, 1651 on frame verso), hinged in

"Jews in the Synagogue", 1646 etching and drypoint on laid paper. [Overall: 2 13/16" x 5 1/16"]. Possibly second state (of three). Signed in the plate, just above the shoulder of the figure with cane

After Rembrandt van Rijn (Dutch, 1606-1669), "The Flight to Egypt", numbered "9", possibly second state (of 2), inscribed "Rembrandt", lower edge, 3.5"l x 2.5"w (image), velvet matting with hardwood f

etching with drypoint, signed in the plate ‘Rembrandt 1641’, 5.7x8.2, very small crease along right edge

Rembrandt Van Rijn, etching, circa 1632, "The artist's mother seated, in widow's dress and black gloves", image area approx. 4 1/2" X 5 3/4", no borders, small corner tear upper right, some foxing, pe

Rembrandt van Rijn (After) Etching, "The Gold Weigher." Signed and dated in the plate, lower left. Blind stamp bottom right. Sheet 17.25 x 14.75 in, image 9.25 x 8 inches. Matted, not framed.

Rembrandt Van Rijn (1606-1669) Etching 20th Century Restrike. With a certificate of authenticity from the Park West Gallery. Bust Of Man Wearing A High Cap 1630 22 1/2 x 23

After Rembrandt Van Rijn, etching, After Rembrandt van Rijn (Dutch, 1606-1699), A Blessing, 1642, signed and dated lower left "Rembrandt", 7.75"l x 8.75"w (sheet), unframed

Framed Rembrandt Van Rijn Self Portrait Etching.Image Size: 3.75 x 2.5 in. Overall Size: 13.5 x 11.5 in. Framed behind glass.

Beautiful Rembrandt Harmenszoon Van Rijn etching. "Autoritratto con la piuma nel berretto". Frame: 18 x 14 inches, 5.5 x 4.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was bo

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Return of the Prodigal Son," 1636. Signed in print to the lower center. Matted and housed in an old giltwood frame.

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Triumph of Mordecai," circa 1641. Matted and housed in an old wooden frame. Provenance: Doyle auction house. Please