Rheimunt Sayer, Boston Coliseum colored lithograph

Rheimunt Sayer, Boston Coliseum colored lithograph, Rheimunt Sayer (19th c.), "Exterior View of Coliseum for the Grand National Peace Jubilee, Boston Mass", New England, Lith. Co., 14"h 18.75"w (sight

(AMERICAN REVOLUTION--PRINTS.) D.C. Johnston, lithographer. A New Method of Macarony Making, as Practised at Boston. Hand-colored lithograph, 13¾ x 10 inches; repaired 4-inch closed tear, laid do

VIEW OF THE DAVIS & FURBER WOOL MACHINE WORKSLate 19th CenturyJ. Bufford & Sons lithographers, Boston.Hand-colored lithograph on paper, 15.5" x 19.5" sight. Framed 18.5" x 22.5".

The Boston Boys, hand-colored lithograph, c. 1856, E.B. & E.C. Kellogg, New York, "The Boston Boys and General Gage. 'We demand our rights...'", framed under glass, 9.75"h x 13.5"w (sight), 12.5"h x 1

19th Century Hand-Colored Lithograph: 'The Boston Boys and General Gage' A striking depiction of a pivotal moment in the dawn of the American Revolution, this exquisite hand-colored print, publis

Large format colored lithograph showing Boston Harbor in the nineetenth century. Vibrant colors. Wood frame with glass. Weight is 14 pounds. 29" H x 42" L.

(BOSTON.) Joseph Foxcroft Cole. South Boston, 1859. Large hand-colored tinted lithograph view of Dorchester Heights, South Boston. 23½x32 inches sheet size, wide margins; conserved and archivally

(American, British, 19th century) Currier & Ives, Publisherÿ(American, 19th century), Tom Sayers, Champion of England, hand colored lithograph sight 14-1/2 x 10-1/2 in.; wood frame, 19-3/4 x 15-3/4 i

After W. L. Champney (American, 19th Century) Boston Massacre, March 5th, 1770. Hand-colored lithograph by J.H. Bufford, dated to 1856. Published by Henry O. Smith, Boston. Unframed 19.25" x 24"

attributed to JOSEPH HORACE EATON (American 1815-1896) PASTEL ON PAPER, "The Nightingale of Boston," likely inspired by the original hand colored lithograph after James E. Buttersworth, Charles Parson

State Street, Boston, Massachusetts. Nathaniel Currier (1813-1888). Hand-colored lithograph. New York: N. Currier, 1849. 13 1/2 x 17 3/4 inches sheet

This August Mitchel Jr. hand-colored lithograph is circa 1860. The work is a plan of Boston's different areas, and a blow up on the right bottom corner details the area around Boston, as well as the h

19TH CENTURY FRENCH COLORED LITHOGRAPH PRINT - 2 EME VUE DE BOSTON BY LOUIS DE BRETON - FRAMED 17 1/2" X 20 1/4" - IMAGE 14 1/2" X 9 1/2" - TONING, IMPERFECTIONS - LOSSES TO GESSO GILT ON FRAME

Clipper built in 1850 in Boston, reverse painted surround with frame, 29.75 x 22.25". Condition VG+.

19th century American colored lithograph, "Encampment at Neponset Dorchester," published by Tappan & Bradford, Boston, dated 1849, laid down on cardboard, 18" h x 27 3/4" w. Some stains and foxing.

Globe Locomotive Works hand colored lithograph depicting their 4-4-0 Express locomotive. Visible image measures 13 1/2" x 9 3/4" Reads Boston Mass. 1854. Some minor mildew spotting in the white field,

Two Benjamin Russell (American 1804-1885) Colored Lithographs on Paper "Sperm Whaling and Its Varieties", 1870 Published by J.H. Buffords Lith. 490 Wash. St. Boston, matted and framed. AND "Right Whal

Pencil signed. Boston, Mass. 1812-1884. Approx. 14" x 10" image, 24" x 20" frames. From an Interlaken, NJ estate. Some staining or foxing on matting.

Pair of hand-colored lithographs, 19th century, published by Haskell and Allen, Boston, MA, in original period frames, to include: "The End of the Brush," 1877, after painting by Scott Leighton, 21" h

Five pieces lot to include four Currier & Ives small folio colored lithographs: "Prairie Fires of the Great West", "The Great Fire at Boston", "Ruins of the Merchant's Exchange, NY", "Lexington", and

DESCRIPTION: Currier & Ives (American, 19th century). Four colored lithographs. Includes Lanercost Priory, The Narrows New York Bay, The Great Fire at Boston, and Sunday In The Olden Time. One with ma

Both hand colored lithographs, circa 1870s, including: "Steamboats Passing at Midnight", depicting the 'Bristol' and the 'Providence' at the Boston Light, in the original walnut frame, under old glass

J. Farnborough, "The International Contest Between Heenan And Sayers". Lithograph, C. 1860. Bufford Sons, Boston. Published in London by George Newbold. After W. L. Walton. Matted in gold frame 36 1/2

prints and etchings and lithographs, some are colored. Some titles include Bieselinger, On the Wye, Angling 1810 by William Byrne, Bark Lack Kentucky by Frankenstein, Vue des Environs de Boston by Reg