Robert Cooper (19th Century) The Sound of Scalpa, Isle

Oil on canvas, illustration of the climactic ending of Robert Burns' 1790 poem "Tam O'Shanter," oil on board, 12 x 19 in., framed.

Late 19th century; barrel form garden seat in the Fitzhugh manner with blue and white floral decoration, 18 in. H., 12 in. Diam.Property from the collection of Robert and Nancy Hall, Baltimore, MD. Pr

Mid 19th century; vine and floral decoration, 13 1/2 in. H. Property from the collection of Robert and Nancy Hall, Baltimore, MD. Proceeds benefit the Robert and Nancy Hall Brain Research Fund at John

early 19th century; large Front Yard sampler, worked by Mary Ann Roberts, floral border with Dove of Peace, poem "On Prayer," large house with trees, fence, and various animals, signed "Mary Ann Rober

third quarter-19th century; double handled with cobalt, bird, and leaf decoration, impressed 'W. ROBERTS.BINGHAMPTON.N.Y.," 10 1/2 in. H.

fourth quarter-19th century; each piece with molded basket weave design, five gilt highlighted leaves with three different insects, comprising 12 dessert plates and 3 compotes, with impressed marks, p

(19th Century). Oil on canvas, signed 'F. Roberts" ll, 24 x 30 in., framed.

English, 19th C. "Battle of Trafalgar," "Victory of Trafalgar," and "Passage of the Sound." Together with a sixth engraving, "This Representation of the US Frigate Constitution, Isaac Hull." 18"h x 29

(British, late 19th/early 20th century). "Early Morning-Windsor Castle from the Thames," oil on canvas, signed "Robert W. Marshall" ll, signed and titled on verso, 28 1/4 x 40 in., framed

Robert Robin Fenton (British, late 19th/early 20th century). Signed "R. Fenton" lr, 20 x 30 in., framed

Antique 19th Century American Portrait Oil Painting Attributed to William Brown Cooper (1811–1900), brother of the renowned portrait painter Washington Bogart Cooper (1802–1888) | Oil on Re-lined

Roberts, J. (Johny) (19th Century British School), The Highland Lassie, circa 1860, oil on canvas, 30 x 25 inches, signed indistinctly lower left, framed in a gilded and extensively scrolled and pierc

After David Roberts, 19th Century tinted lithograph, 'Thebes, Great Hall at Karnak', 19" x 13.5", (48x34cm).

Robert Havell, 19th c., oil on canvas horse portrait, signed lower left and dated 1840, 12 1/2'' x 15''.

Montreal, Lower Canada / Quebec, mid 19th C An unusual religious silver holy water font, The flat form cross has an applied Corpus Christi over the lidded font which is engraved with a largeletter H b

Robert Taylor, 19th century, Oil on canvas, A portrait of the Reverend Hugh Lloyd wearing clerical robes. Ascribed to card verso. Approx. 29 1/2" x 24 1/4"

Robert Moore (19th Century) American. "The Snake River, Idaho", with Shoshone Indians Collecting Fish, with the Shoshone Falls beyond, Oil on Board, Signed, and Indistinctly Inscribed on the reverse,

[WORLD WAR I ART]. WALKER, Robert (British, 19th century). A Ruhleben Doubledecker. Ruhleben, 1916. Watercolor on board. Signed. Approximately 8 ½ x 11 ½”. Frame (glass): 13 ¼ x 1

Two primitive folk style paintings, one is of an enlarged pig on green grass and picket fence ground. The other is of an enlarged cow surrounded by pastures on green grass ground. Oil on board Signed

Nine lithographs by David Roberts, London, 19th century. The lithographs depict depict a map and various sites around Egypt, the Suez Canal, and the Land of Israel. Specifications: Identical size.

Includes The London Gazette, The St. James Chronicle, The Dublin Evening Post. The Salisbury & Winchester Journal, The Glasgow Courier, The Sun, The Morning Post and Daily Advertiser, The Courier, and

A GROUP OF FIVE AMERICAN AND GERMAN PRINTS OF NEW ORLEANS AND AUTOGRAPH BY JAMES FENIMORE COOPER, MID 19TH CENTURY, comprising an aquatint engraving portrait of American writer James Fenimore Cooper (

Portrait of Robert Browning 19th century Artist: After an etching by T. Johnson Date: 1892 Publisher: Century Origin: American

AN IRISH REGENCY STYLE CARVED MAHOGANY SETTEE, 19TH CENTURY, BRITISH ISLES, in the George II taste, the canted rectangular back over a cushioned bench seat, within outwardly scrolled arms on sloping s