ROBERT SANDERSON (SCOTTISH 1848-1908) A BUSY HARBOUR SCENE

DAVID ROBERTS, R.A. (Scottish, 1796 - 1864). A Pair of Cairo Scenes, 1848 and 1849, A pair of colored lithographs as follows: (1) "Minarets and Grand Entrance of the Metwaleys. At Cairo" lithographed

AFTER DAVID ROBERTS (Scottish, 1796 – 1864). Bazaar of the Silk Mercers, Cairo, circa 1848, Folio duotone lithographed scene included in David Roberts' "Views in the Holy Land, Syria, Idumea, A

JOHN REID MURRAY (SCOTTISH 1861-1906) A BUSY FARMYARD SCENE Signed, oil on canvas(51cm x 76cm (20in x 30in))

Robert Lebron (American, 1928-2013) New York City, depicting a busy street scene, oil on canvas, signed lower right corner. Image: 15.5" H X 19.5" W; frame: 26.5" X 30".

Item/Description: Abstract watercolor painting. Signed upper right: R. Baser. Double matting. Gilt frame. (Port, Harbor Scene) Robert Baser (Greek / Israeli, 1908-1998) In 1990, Baser won the Discount

Robert McGown Coventry (Scottish, 1855-1914). Watercolor on paper, depicting a harbor. Signed l.r., and housed in period gilt and gesso frame. 9.5" x 13.5" (sight), 19" x 22" (framed).

Robert Lebron (1928-2013) New York / Puerto Rico, American. Very large gallery size Original masterpiece oil painting on canvas. Artwork depicts a busy French Parisian style street scene full of pedes

IMPORTANT 17TH C. EUROPEAN OIL ON CANVAS HARBOUR SCENE PAINTING ATTRIBUTED TO J.B. WEENIX 1620-1662; 24.5"H X 36.75"W IMAGE, 31"H X 43.5"W OVERALL; CONDITION: LINED, CRAQUELURE, 4 TO 5 SMALL PIN HOLES

Oil on canvas Signed lower left 46 x 61 cm. (18 x 24 in) Born in 1834 in Orange County, New York, Laura Woodward was to arguably become Florida's most important nineteenth-century female artist. Woodw

David Roberts (Scottish, 1796-1864) Christian and Mohammedan Chapels on the Summit of Mount Sinai [Gabal Musa], 1839 watercolor, gouache, and graphite on paper titled and dated Feby. 20th 1839 by a di

The Grand Canal, Venice, oil on canvas. signed lower left and dated 1851, housed in a later gold matched corner frame, OS: 24 3/4" x 28 3/4", SS: 19 1/2" x 23 1/2". Fine overall craquelure.

Ernest Procter (British, 1886-1935) Home in Danger signed and dated 'Ernest Procter 29' (lower right) oil on canvas 35 x 46cm (13 3/4 x 18 1/8in). with a further unfinished oil of a harbour scene, on

ST. MALO, HARBOUR SCENE, 1929, pencil and watercolor on pale graph paper, signed and inscribed lower right and dated lower left, sight 5 x 7 ¾”, frame 12 ½ x 15 ½”. Fr

Framed oil on canvas painting, Autumn Morning, signed lower left David Fulton RSW (Scottish, 1848-1930), label verso no. 782 from 1911 exhibition, likely at The Royal Glasgow Institute, sight: approx

Emile Albert Gruppe (American, 1896-1978), Harbour Scene, oil on canvas, signed lower right, canvas: 18"h x 20"w, overall (with frame): 22.5"h x 24.5"w.

DESCRIPTION: A Richard Hayley Lever (American, 1876-1958) oil painting on canvas depicting a harbour scene. Signed on the lower right bottom corner. Framed. CIRCA: Early 20th Century. ORIGIN: USA. DIM

watercolor on paper signed lower right 30 x 21 1/2 inches sight; 32 3/4 x 24 inches frame

19TH C. OIL ON CANVAS SCOTTISH HIGHLAND SCENE HAVING COWS WATERING BESIDE LAKE WITH BOATS IN BACKGROUND SIGNED LOWER LEFT A.F.DE BREANSKI (ALFRED FONTVILLE DE BREANSKI 1877-1945); 19.5"H X 29.5"W IMAG

David Roberts (British, 1796-1864). Oil on panel painting depicting an interior scene of a cathedral, with groups of figures praying and walking toward the altar. The scene is dramatically lit by the

AFTER JULES BASTIEN-LEPAGEFrance, 1848-1884Scene of a young woman carrying a bundle of sticks, two goats and a distant figure in a hilly landscape. Signed lower left "J. Bastien LePage".Oil on canvas,

Manuscript DS, signed “James K. Polk” as president and “James Buchanan” as secretary of state, one page, 10 x 15.5, June 1, 1848. Robert Scott, convicted of burglary by the Cri

Robert Hopkin, Scottish/American, 1832-1909. Oil on canvas seascape, depicts several fishermen unloading their catch at low tide. Signed at the lower right "R. Hopkin", additionally signed verso. This

George Bellows (American, 1882–1925), "The Street", 1917, lithograph on laid paper, (Mason 47), depicts a busy street scene under a steel platform, according to Bellows, "under the elevated, lo

Italian School, 18th/19th c ., "Busy Harbor Scene", oil on canvas, unsigned, 32 in. x 57 in., framed