Roberto Matta, New-View from the New Success Suite,

Watercolor/ pen on paper" abstract", signed M., attributed to Roberto Antonio Matta (1911-2002, New York/ Venezuela), 10.8"x7.6"

Roberto Matta (1911-2002) HAD A GREAT FALL; UTOPIENS AU SOLEIL (SABATIER 134; 185) Two color lithographs, 1965 and 1968, respectively, on Arches paper, signed, the first numbered 176/200, the second i

Roberto Matta (1912-2002) LE PALAIS D'HIVER (FERRARI 210) Color etching and aquatint, 1976-77, signed and numbered 95/100 in pencil, from Hom'mere III - L'Ergonaute, published by Éditions Georges

Roberto Matta (1911-2002) GRAND CIRCUS Color etching and aquatint, 1975, on Arches paper, signed and numbered 95/100 in pencil, published by Editions Sonnet, Stockholm, the full sheet, unframed. Sheet

Roberto Matta (1911-2002), Composition, 1974, huile sur toile, 83x102 cm; Matta fuit la guerre et s’installe à New-York, lieu où émerge une nouvelle génération d’avant-gar

I Want to See It to Believe It, from Brunidor Portfolio Number 1, 1947; Lithograph in colors (framed); Signed, dated and numbered 51/70; 16 1/4" x 12 7/8" (sheet); Printer: Alfred W. Jones, New York;

Roberto Matta (Chilean, 1911-2002) War and Peace, 1964 lithograph signed and inscibed E.A. in pencil 16 x 24 1/2 inches. Provenance: Gimpel & Weitzenhoffer Gallery, New York Property from the Estate o

from the Julien Levy Gallery, New York Matta Drawings, March 16 - April 5th, 1943 17" x 5 1/4"

Roberto Antonio (Echaurren) Matta (CHILEAN / VENEZUELA / ITALY / FRANCE / UNITES STATES / NEW YORK / ILLINOIS, 1911 - 2002) color etching depicting an abstract scene with figures. Pencil signed to low

Estate / Collection: The Margolis Collection MATTA, ROBERTO SEBASTIAN Come detta dentro vo significando. Lausanne: Éditions Meyer, 1962. Copy 38 on Rives wove paper, 100 thus (ex 125 copies total

After Luigi Mayer (Italian/German, 1755-1803), "Views of Ottoman Empire", suite of six hand-colored engravings, published 1809, sight 10" x 13". All glazed and framed alike.

Edward Hill (American, 1843-1923). White Mountain View, New Hampshire, 1879. Oil on canvas, signed "Edward Hill/ 1879" lower left," (14.125 x 24.125 inches); housed in a period giltwood frame. Frame:

A Dissertation on Gout, Exhibiting a new view of the origin, nature, cause, cure, and prevention of that Afflicting Disease; illustrated and confirmed by a variety of original and communicated cases,

Roberto Matta (Chilean, 1911-2002) Carne-Amont Suite (Complete Portfolio of Six), 1979 etching and aquatint each signed and numbered 45/100 Each: 19 1/4 x 14 7/8 inches.

WELLSTOOD, William (1819-1900), after SMITH, Benjamin Franklin (1830-1927). New York, 1855 / From the Latting Observatory. Engraving with original hand color. New York: Smith & Fern Co., 1855. 35" x 4

Group of six carte-de-visite (CDV) photographs taken by O.C. Smith in New Bern, North Carolina during the Civil War. The lot includes: 1. Historically important view of an enslaved African American f

CANOT, Pierre Charles (1710-1777), after HOWDELL, Thomas (18th Century). A South West View of the City of New York in North America [WITH] A South East View of the City of New York in North America. E

BACHMANN, John (1814-1896). New York City Hall, Park and Environs. Lithograph with original hand color. New York: Williams Stevens, c. 1849 (State 1). 17 1/4" x 22 5/8" sheet, 27 1/2" x 33 1/8" framed

Vestie E. Davis (Baltimore / New York, 1903-1978). Naive urban outsider oil painting signed and dated by the artist, Vestie Davis 1963. New York City view from the East River. Oil on canvas. Dimension

JAMES EDWARD BUTTERSWORTHNew Jersey/New York/United Kingdom, 1817-1894Yachting in the Sound, with a view of New York. Signed lower right ìJ. E. Buttersworthî. Handwritten inscription verso ìY

Marie de Hoa LeBlanc (American/Louisiana, 1874-1954, active Newcomb College, 1895-1914), "View of New Orleans from Algiers Point", oil on canvas, signed lower left, inscribed with artist and title on

After John Bachmann, New York lithograph, 1855, After John Bachmann (Swiss, 1814-1896), "The Empire City, Birdseye View of New-York and Environs.", print of A. Weingartner's lith., 25"h x 35"w (sight)

Nicolaes Visscher I. Map of Northeast with Early View of New York City. Ca. 1690 to 1729. A finely hand-colored example of Nicolaes Visscher I's illustrated map of the Northeast of America with an ins

John Bachmann (Swiss/American, 1814-1896) , "Bird's Eye View of New Orleans", 1851, hand-colored lithograph, printed by J. Bachmann, published by A. Guerber & Co., New York, "The Old Print Shop, New Y