Sarah McEneaney 'Beneficial Bath' Nude Aquatint

Sarah Mc Eneaney Lithograph, American 1955, signed lower right, 2003 CRE Studio 1/9; titled "Beneficial Bath"; retails for $2,000.00, site 15 1/2" x 11", light oak frame 27 1/2" x 20". CONDITION: Exce

Sarah McEneaney (American, b. 1955) "Lake Nasser," 1980, gouache on paper, signed, titled, and dated. Framed. Exhibition: Third Street Gallery, Philadelphia, circa 1981. Size: 9'' x 11.5'', 23 x 29 cm

Sarah McEneaney (b.1955, American) framed and matted artist proof 2/2 SPMT, pencil signed and dated 2011 titled "Wood Block Reduction" with Tibor De Nagy Gallery, NY label 14" x 10" ss / 21.5" x 17.5"

Lot 231 Arthur Bowen Davies American (1862-1928) Untitled (Two Female Nudes) aquatint signed lower right, editioned 9/25 plate: 9 x 6 1/2 inches frame dimensions: 18 7/8 x 14 7/8 x 1 1/8 inches, wood

McEneaney, Sarah A. (German, b 1955), oil on board "Late Winter", 24" x 24", framed 32" x 32" O1879

McEneaney, Sarah A. (German, b 1955), oil on board "Fall House", 24" x 24", framed 32" x 32" O1878

Albrect Durer (1471-1528) The Bath House (male nudes c.1496-97) Original Woodcut. Good impression. Seal present No water watermark present. Dimensions: 15 1/2" X 11 1/4"

Juan Alcazar (Mexico) pencil signed lower right and AP lower left. Image measures 11.5 in. x 12.25 in. and the sheet measures 22.75 in. x 20 in. Unframed, loose and not mounted or glued down unless ot

Benjamin Barker, English Landscape Scenery, a series of forty eight aquatint engravings by Theodore Fielding, Bath 1843, disbound, with coloured frontispiece and 47 loose monochrome plates, 31 x 26cm

Two Nudes with Federal Sofa,1981 Etching and aquatint in colors on paper A printer's proof aside from the published edition Signed, titled, and inscribed "Printer's Proof 2/2" in pencil along the e

Eric Fishel (1948), 'Nudes (Couple)' (23 Artistes pour Medecins du Monde), aquatint, No 30/100, 45 x 61 cmFrom the series of '23 Artistes pour Medecins du Monde', mentioned in the catalogue on p. 34.S

John Taylor Arms (American 1887-1953) ''The Sarah Jane, New York''- (Fletcher 56)- etching with aquatint, 1920, signed, dated and numbered 18/50 in pencil. 10 1/4 x 7 1/4''

AUDUBON, John James (1785-1851). Hooping Crane, Plate 226. Whooping Crane, Grus americana Variant 1. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. Watermarked: J

Audubon, John James (1785-1851). Snowy Owl, Plate 121. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. Dimensions Comparable: Arader, 2015 - $198,250. James Audubon’s

AUDUBON, John James (1785 - 1851). Hooping Crane, Plate 226. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/4" x 38" sheet. Comparables: Arader Galleries, 2018 - $

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Carolina Parrot, Plate 26. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 24 1/2" sheet. Comparables: Arader Galleries, 201

AUDUBON, John James (1785 - 1851). Wood Ibis, Plate 216. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/4" sheet. Comparables: Arader, 2015 - $136,640; Guern

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame

Audubon, John James (1785-1851). Ivory-Billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 3/4” X 37 1/2” sheet, 37” X 49 1/2” framed

AUDUBON, John James (1785 - 1851). Ivory-billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 25" sheet, 45 1/4" x 32" framed. Comparab

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl