Sauro De Col, Cathedral

Sauro De Col (Brazil, 20th C.), cathedral building, palette work, oil on canvas sight: 15.5 x 23.5 in., frame: 22 x 30 in. Provenance: A Boerne, Texas collection; Purchased directly from the artist

VACHERON & CONSTANTIN VERS 1900 Montre de col demi savonnette en or jaune 18K. BOÎTIER : lisse avec monogramme surmonté d'une couronne émaillés noir au revers. CADRAN : émail

ETERNA MATIC Montre de col en métal Mouvement automatique Diamètre du cadran : 40 mmETERNA MATIC Montre de col en métal Mouvement automatique Diamètre du cadran : 40 mmETERNA MATIC Montre de col e

Milford Zornes(1908-2008)"Cathedral de Mexico," 1956Watercolor on thick paperSigned and dated lower right: Milford Zornes; inscribed indistinctly in ink, verso; titled on the frame's cardboa

Edouard Baldus (French, 1813-1889). Architectural heliogravure photograph, an early form of photogravure, depicting the entrance to the Cathedral de Chartes, ca. 1860.Provenance: Lowinsky Gallery, New

1759 French SURGERY Elie Col de Villars Cours de Chirurgie Medicine 2v Paris Elie Col de Villars was a relatively unknown late 17th-century French physician and surgeon. Most of Villars’ career was

Lot 132 Jan de Vogel Dutch (1909- 1984) Cathedral Exterior Stormy Skies in Leiden oil on canvas (unstretched) signed lower right 27 1/4 x 22 7/8 inches Provenance: From the collection of a fourth-gen

Lot 129 Jan de Vogel Dutch (1909- 1984) Cathedral Interior oil on canvas (unstretched) signed lower right 28 x 23 1/2 inches

Lot 131 Jan de Vogel Dutch (1909- 1984) Cathedral Interior in Prayer oil on canvas (unstretched) signed lower right 25 1/4 x 22 1/4 inches Provenance: From the collection of a fourth-generation New Y

Lot 96 Jan de Vogel Dutch (1909-1984) Cathedral and Canal (c.1950) oil on canvas (unstretched) signed lower right 24 x 37 inches Provenance: from the collection of a fourth-generation New York art gal

Lot 69 Jan de Vogel Dutch (1909-1984) Cathedral Exterior (1949) oil on canvas (unstretched) signed lower right 24 x 37 inches Provenance: from the collection of a fourth-generation New York art galler

Nourry, Photo a St. Gervais, Col de Voza offset lithographic poster, c.1962, condition A; not backed (24 x 15.5in (60 x 39cm))

Lot 133 Jan de Vogel Dutch (1909- 1984) Cathedral Interior with Monk oil on canvas (unstretched) signed lower right 25 1/2 x 23 1/4 inches Provenance: From the collection of a fourth-generation New Y

Old Havana Cathedral (Cathedral de San Cristobal) monotype, artist pencil signed and dated, 1978 Cuba (lower right). Framed under glass. Dimensions: framed: 18 in. x 21 1/2 in., sight under mat: 14 in

Lot 130 Jan de Vogel Dutch (1909- 1984) Cathedral Exterior Gazebo oil on canvas (unstretched) signed lower right 26 1/2 x 21 1/2 inches Provenance: From the collection of a fourth-generation New York

18th C. Le Choeur De La Cathedral De St Paul De Londre Colored Engraving. 12 X 17 Inches Within Matting.

2 drawings, "Cathedral de Santiago" & "La Cathedrale de Sevilla", 7.25" by 7.75 & 8" by 8.5". These drawings were found in a large folder of drawings & watercolors of various Spanish and French scenes

A Vintage US Mint First Medals large Coin housed in original case. Coin is about the size of a US Morgan Dollar Coin. In Excellent Condition

Guy REY MILLET (1929) pour Jean PROUVÉ (1901-1984) Banc en pin - 1972 43 x 29.5 x 29.5 cm. 1972 Provenance: - Refuge du col de la Vanoise, Savoie, France. Référence: - Bernard Marrey &

Guy REY MILLET (1929) pour Jean PROUVÉ (1901-1984)Banc en pin - 197243 x 29.5 x 29.5 cm. 1972 Provenance: - Refuge du col de la Vanoise, Savoie, France. Référence: - Bernard Marrey & Louis Fruitet,

Jean Antoine Linck (1766-1843), "Vue du Mont Blanc, prise du sommet du Col de Balme"Eau-forte aquarellée et gouachée48x36 cm Category: Beaux-Arts - Paintings & Sculpture

Paul Cesar Helleu (French, 1859-1927) , "Jeune Femme au Col de Fourrure et Chapeau de Plumes", drypoint etching, pencil-signed lower margin, inscribed en verso, 16 3/4 in. x 9 in., matted Condition: O

Œnochoé à bec trilobé en bucchero nero ornée d’incisions concentriques autour du col. De type Bucchero, cette céramique typiquement étrusque était noircie par cuisson en fumigation et polie

Untitled, Notre-Dame de Paris Cathedral, circa 1930, oil on board, 9 1/2 x 13 1/2 inches, unsigned. Provenance: Parker family member, Ottawa. Note: Parker was the art critic for Emily Carr. Born in Ne