Sister Mary Corita Kent (1918–1986) California & another (two)

IMPOSSIBLE LOVES (Archive 72-20), 1972, color screenprint, signed and inscribed E 260 (edition of 260) in pencil, sheet 22 ½ x 22 ½”; Vera Neumann (1907-1993) TO PLANT SEEDS , colo

I AM NOT BORN; RORSCHACH, two screenprints, the first in color, each 19 ¼ x 24”. (2)

THERE REALLY IS ANOTHER WAY (Archive ID 72-10), 1972, color screenprint, signed and inscribed e. 200 in pencil, thin margins trimmed reducing the sheet by 5/8” height and ¾” width,

EPHEMERA, a collection includes Moments, a signed book; Learning by Heart book; three Circus Alphabet boxes containing 26 note cards each; 12 assorted postcards and two greeting cards.

AIR CONDITIONER, color screenprint, signed in pen lower right, sheet 17 x 23”, in wood display frame 20 x 26” with thin plastic.

WET & WILD, color screenprint, signed in pen lower right, small margins on three sides, sheet 17 ¼ x 23”, in wood display frame 20 x 26” with thin plastic (scratched).

DAMN EVERYTHING BUT THE CIRCUS (68-27-30, color illustrations pages 180-181 in Someday is Now), 1968, four-part color screenprint, signed in ink lower center of Circus panel, thin margins removed shee

PROMISE (Archive ID 71-09), 1972, color screenprint, signed and inscribed ed. 200 in pen, framed 23 ¼ x 23 ¼” with Plexiglas.

RAINBOW (Archive #78-4), 1978, color screenprint, signed and inscribed Ed. 200 in pencil, Plexiglas box frame 23 ¼ x 11 ¾”.

SACRIFIC OF ABRAHAM (aka The Goat) (CAC 59-12), 1959, color screenprint, signed and titled in pencil, image 22 x 30 ¼”, full margins, frame 29 x 37” with Plexiglas.

IT CAN BE SAID OF THEM (69-81), 1969, color screenprint, signed in pen, sight 11 ½ x 21 ¾”, frame 17 ½ x 28” with Plexiglas.

NO RIGHTS TO THE FRUIT (Mauve/Orange) (72-09), 1972, color screenprint, signed and inscribed E. 200 (edition of 200) in pencil, sight 21 ¾ x 22”, frame 29 ¼ x 29 ¼” wi

Y - IS FOR WHY NOT from the Alphabet Series (Red Yellow Version) (68-25), 1968, color screenprint, signed in pencil lower right, sight 16 ¾ x 21 ¾”, frame 23 x 27 ¾” w

THE HEAVENS ARE YOURS (CAC 62-30), 1962, color screenprint, a scarce print from the edition of only 40, sight 21 ½ x 28”, frame 27 x 33 ½” with Plexiglas.

C IS FOR CLOWN from International Signal Code Alphabet (CAC 68-3), 1968, color screenprint, signed in pen, sheet 17 ½ x 23”, frame 20 x 26” with Plexiglas.

WORDS FULL (60-39), 1960, color screenprint, signed and titled in pencil, from a rare edition of 85, sight 11 x 15”, frame 16 x 20” with Plexiglas.

A FLOWER (Archive #59-1), 1959, color screenprint, signed and titled in pencil, frame 19 ¼ x 23 ¾” with glass.

AS A CEDAR OF LEBANON (Red) (53-03), 1953, color screenprint, signed in ink lower right, sight 23 x 18”, frame 31 x 26” with Plexiglas.

THAT EVIL IS NEVER THE CLIMAX OF HISTORY (CAC 63-46), 1963, color screenprint, signed in pencil, from an edition of 100, sight 29 x 21”, frame 34 x 25 ¾” with Plexiglas.

LET HIM EASTER IN US #1 (63-34), color screenprint, signed and titled in pen, from the edition of 80, sheet 30 ½ x 25 ½”.

CHRIST AND MARY (Archive #54-3; Pilgrim Press 5), 1954, color screenprint with centerfold as issued, signed in the design, sight 12 ¼ x 18”, frame 17 x 23” with Plexiglas.

COMING UP, 1985, color screenprint, signed in pencil and inscribed Ed 200 Greater Boston Physicians for Social Responsibility, sheet 18 x 24”.

WE KNOW WHAT WE ARE BUT NOT WHAT WE MAY BE, SHAKESPEARE, color screenprint, signed in pencil lower right, sight 14 ¾ x 10 ¾”, frame 21 ¼ x 20 ¼” with Plexiglas.

PERHAPS WE COULD ENDURE (73-06, full page illustration page 208), color screenprint with bright fresh colors, signed in pencil, from the edition of 97, sheet 22 ¼ x 34 ¼”.