STYLE OF KAJIMA IKKOKU An Inlaid-Iron Vase Meiji era (1868-1912), late 19th century

A PAIR OF INLAID-IRON VASES Meiji era (1868-1912), late 19th century Each globular body decorated with shaped panels of birds and flowers, a cottage with a thatched roof, or a sailing vessel, all inla

AN INLAID IRON CIRCULAR DISH Meiji era (1868-1912), late 19th/early 20th century Supported on a low circular foot, worked throughout in the typical Komai style of silver and gold overlay with a circul

AN INLAID-BRONZE VASE Meiji era (1868-1912), late 19th century Of elongated baluster form with a tall slightly flaring neck, set on bracket feet and applied with stylized bird-head handles, decorated

AN INLAID-SILVER VASE Meiji era (1868-1912), late 19th century Modeled as a flower basket with bamboo-form rim and loop handles, two sides of the body applied with silver strands simulating woven bamb

YŪI WORKSHOP (ACTIVE LATE 19TH CENTURY) A Large Inlaid-Bronze Vase Meiji era (1868-1912), late 19th century The tapering ovoid body worked in iro-e takazōgan and hirazōgan with a rooste

SEKI FOR THE NOGAWA COMPANUY OF KYOTO An Inlaid Iron Rectangular Box and Cover Meiji era (1868-1912), late 19th/early 20th century Inlaid in typical Komai style of gold and silver inlay, the cover wit

FOUR CLOISONNÉ-ENAMEL VASES Meiji era (1868-1912), late 19th/early 20th century Each worked in silver wire of varying gauge, comprising one octagonal pair decorated with a dragon coiled around th

DOZAN OF KYOTO A Satsuma-Ware Baluster Vase Meiji era (1868-1912), late 19th/early 20th century Decorated in enamels and gilt, the body with two large lobed panels, one enclosing a probable Chinese le

A PAIR OF SATSUMA BALUSTER VASES By Hododa, Meiji era (1868-1912), late 19th/early 20th century Decorated in enamels and predominantly gilt with a full repertoire of rakan and their attributes; some o

A PAIR OF CLOISONNÉ-ENAMEL VASES Meiji era (1868-1912), late 19th century Each worked in polychrome enamels, standard, and sculpted silver wires with a variety of butterflies on a midnight-blue g

AN INLAID-SHIBUICHI INCENSE BURNER Meiji era (1868-1912), late 19th century Set on straight tripod feet decorated in low-relief silver overlays with gold and shakudō highlights with a phoenix in

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

THREE SMALL MIXED-METAL BOXES. Meiji era (1868-1912), late 19th century. Largest example diameter: 1 3/4 inches.

A HEXAGONAL JAPANESE SATSUMA BOWL By Gyokuzan Meiji era (1868-1912), late 19th century The deep bowl rising up to six vertical sides and decorated in polychrome enamels and gilt over a clear, crackled

THREE SMALL MIXED-METAL BOXES Meiji era (1868-1912), late 19th century Largest example diameter: 1 3/4 inches

OKAMOTO RYŌZAN FOR THE YASUDA COMPANY A Large and Unusual Satsuma Vase Meiji era (1868-1912), late 19th century The square-sided vase tapering to the foot and flaring out to the mouth, decorated

A PAIR OF JAPANESE CLOISONN VASES, MEIJI PERIOD (1868-1912), LATE 19TH CENTURY, of baluster form, each worked in copper wire and colored enamels with birds perched among the branches of cherry blossom

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

A gold ojime of a Karako (Chinese boy) By Masatoshi, Meiji era (1868-1912), late 19th/early 20th century The karako standing with a serene expression, holding a minogame (bushy-tailed turtle); signed

Two gold ojime One by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second

A SATSUMA BOWL By Kozan, Meiji era (1868-1912), late 19th/early 20th century The high sided bowl raised on a narrow slightly splayed foot, finely painted in enamels and gilt to the interior with a mul

TWO CLOISONNÉ-ENAMEL CIRCULAR LARGE PLATES Meiji era (1868-1912), late 19th/early 20th century Conceived in the manner of Namikawa Sosuke, worked in copper wire with a cockerel and hen on one pla

A GROUP OF SEVEN JAPANESE IMARI WARES Meiji Era (1868-1912), Late 19th/Early 20th Century Comprising an ogee-form barber's bowl painted with a basket of flowers; a kendi with a lobed globular body sup

An embroidered silk panel. Probably produced by the Iida Shinshichi company, Meiji era (1868-1912), late 19th /early 20th century Worked in silk and cotton threads, inventively deploying long and shor