Thatcher Aida “Catch” (attrib.)

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

Waiting for the days catch Oil on panel Unsigned Image size: 13.97 x 19.68cm. (5 1/2" x 7 3/4") Frame size: 31.75 x 36.83cm. (12 1/2" x 14 1/2")

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

ERNST PALTSCHO (Attrib. to), IMPORTANT CERTIFICATED NATURAL SALTWATER PEARL AND DIAMOND EDWARDIAN BROOCH, the brooch of bow design, set throughout with diamonds totalling approx. 8.60 ct. Suspending a

DESCRIPTION: Important gilt bronze Empire mantle clock attributed to Claude Galle, designed with a round, black Roman numeral, white enamel dial with pierced bronze with blued steel date hand. Signed:

Prudent Mallard three quarter tester Rosewood plantation bed with elaborate carved crowns and mosquito net poles, ca. 1855, 6 ft. W, 77 in. L, 10 ft. 5 in. T.

Attrib. Wood circle little table and red lacquered metal cross support, 60’s.. . Cm 101,00 x 38,50 x 101,00.